64 Audio Tia Trio VS Campfire Moon Rover

The tia Trio comes across as a hybrid with personality: rich, thick, and warm, with slightly forward treble that adds air without tipping into the harsher edge heard on the U18t. Vocals are pulled back, yet the presentation feels cohesive and surprisingly natural given its unconventional response. What really stands out is the depth and head-stage—a wraparound sense of space that feels more immersive than most peers, making guitar strums and ambient cues pop in a way that’s immediately engaging.

Despite the 1DD + 2BA configuration, bass isn’t a simple upgrade over the U12t’s BA low end; it carries a touch more body and plosive weight but can feel a bit slower and less refined. Still, detail retrieval punches well above the driver count, and the overall tuning—while relaxed in the mids—stays clean and exciting. With the usual 64 Audio caveats (no apex swapping here and a mediocre stock cable), the tia Trio earns a five-star verdict for its intoxicating stage and atmosphere, even if it’s not the safest all-rounder at its $2,300 price.

Super* Review original ranking

Campfire’s Moon Rover pairs a 12 mm planar with a compact titanium shell and a premium—but slightly quirky—accessory spread: a real-leather wallet-style case, a thin yet memory-prone cable (MMCX), and tidy branding extras. The heat-treated, rainbow finish reads more like pre-distressed denim than authentic patina, but fit and comfort are excellent despite sharp-looking edges, especially with shallow tips (e.g., Spring Tips). Measurements showed visible channel mismatch on the graph, though not audible in practice.

Sonically it’s a warm-neutral midrange with recessed upper-mids and an elevated treble that can verge on bright or splashy if the seal isn’t right, trading absolute smoothness for micro-contrast, crisp imaging, and a subtly “sandy” texture that gives an almost ASMR quality. Bass stays taut rather than big. Versus Campfire’s Ara/Andromeda-era shell mates, Moon Rover sounds more natural and less colored; against 64 Audio’s Solo planar it’s less bass-forward but more distinctive. At $1,200 there’s fiercer technical value elsewhere, yet this is the most compelling Campfire IEM in years—4/5 stars for a unique, textured listen that rewards good fit and treble tolerance.

Super* Review original ranking

The tia Trio mirrors 64 Audio’s flagship DNA at a lower price point ($2,299) with the same compact, lightweight aluminum build, generous tip selection, and a comfortable shell that suits smaller ears. Sonically it carries a present but well-judged bass shelf, adding a touch of warmth by settling around ~180Hz rather than the usual sub-bass focus. Crucially, the midrange corrects the Forte’s biggest flaw: upper mids aren’t hollowed out here. There’s a mild 1.5–3k dip (about 1–2dB), yet vocals and instruments remain properly contoured and far more natural and engaging without requiring EQ.

Up top, the Trio shows recognizable treble landmarks—an emphasis near 5k that can sound a bit shouty and another at 8k adding slight sizzle—tempered by the healthier mids, so the presentation is lively without becoming harsh. Treble extension is excellent, with “air” above 10k running a tad hot depending on taste. On technicalities, detail retrieval and image clarity track surprisingly close to both the Forte and Legend Evo; the soundstage is expansive for an IEM (strong depth and layering) though not as outsized as Forte, and imaging is accurate for music but not surgical enough for competitive FPS. Taken as a whole—and especially without EQ—the tia Trio feels like the more complete listen: a high-end IEM that preserves the fun while fixing the midrange, trading only a slice of stage grandeur for a much more balanced, recommendable experience.

Precogvision original ranking