64 Audio Tia Trio VS Craft Ears x Elise Audio Omnium Ti

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The tia Trio comes across as a hybrid with personality: rich, thick, and warm, with slightly forward treble that adds air without tipping into the harsher edge heard on the U18t. Vocals are pulled back, yet the presentation feels cohesive and surprisingly natural given its unconventional response. What really stands out is the depth and head-stage—a wraparound sense of space that feels more immersive than most peers, making guitar strums and ambient cues pop in a way that’s immediately engaging.

Despite the 1DD + 2BA configuration, bass isn’t a simple upgrade over the U12t’s BA low end; it carries a touch more body and plosive weight but can feel a bit slower and less refined. Still, detail retrieval punches well above the driver count, and the overall tuning—while relaxed in the mids—stays clean and exciting. With the usual 64 Audio caveats (no apex swapping here and a mediocre stock cable), the tia Trio earns a five-star verdict for its intoxicating stage and atmosphere, even if it’s not the safest all-rounder at its $2,300 price.

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The tia Trio mirrors 64 Audio’s flagship DNA at a lower price point ($2,299) with the same compact, lightweight aluminum build, generous tip selection, and a comfortable shell that suits smaller ears. Sonically it carries a present but well-judged bass shelf, adding a touch of warmth by settling around ~180Hz rather than the usual sub-bass focus. Crucially, the midrange corrects the Forte’s biggest flaw: upper mids aren’t hollowed out here. There’s a mild 1.5–3k dip (about 1–2dB), yet vocals and instruments remain properly contoured and far more natural and engaging without requiring EQ.

Up top, the Trio shows recognizable treble landmarks—an emphasis near 5k that can sound a bit shouty and another at 8k adding slight sizzle—tempered by the healthier mids, so the presentation is lively without becoming harsh. Treble extension is excellent, with “air” above 10k running a tad hot depending on taste. On technicalities, detail retrieval and image clarity track surprisingly close to both the Forte and Legend Evo; the soundstage is expansive for an IEM (strong depth and layering) though not as outsized as Forte, and imaging is accurate for music but not surgical enough for competitive FPS. Taken as a whole—and especially without EQ—the tia Trio feels like the more complete listen: a high-end IEM that preserves the fun while fixing the midrange, trading only a slice of stage grandeur for a much more balanced, recommendable experience.

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Solid build with a metallic faceplate, flat 2-pin connector, and a fit that avoids hot spots. Isolation is only okay. The cable looks premium and includes an impedance adapter to 4.4mm, though it’s a bit stiff and the chin slider is basically MIA; the case and box feel nice but unremarkable.

Tonally, the Omnium Ti rides a gradual bass shelf into slightly warm territory, with elevated upper mids and a touch of 8 kHz bite. Treble is clean and controlled but not “wow,” mids are competent, and the bass—while plentiful—comes across either too much or too dull depending on the track. Detail retrieval can feel split: imaging and fine-grain rendering impress, yet some regions seem a bit short on micro-detail.

Graphically it measures “right,” but the overall tuning can miss that special sauce. Soundstage is good, technicals are respectable, and the impedance adapter nudges bass up further. At $3,000 it reads more “statement piece” than slam-dunk value; many will love its neutral-rich tonality, but those seeking extra excitement or sparkle might prefer alternatives (or even the original Omnium’s spicier vibe). A well-made flagship that’s easy to appreciate—just not the most distinctive in its bracket.