64 Audio U12T VS Fiio FX17

Youtube Video Summary

The 64 Audio U12t lands exactly where its reputation suggests: a warm, laid-back, yet highly detailed all-rounder that stays engaging without ever turning fatiguing. With the apex M15 module, bass shifts toward a tasteful sub-bass lift that adds punch and body while keeping the midrange clean; vocals sit a touch relaxed, and the treble reaches high with smooth extension and air. Despite being an all-BA set, the low end carries surprising weight and macro-dynamics, and the overall presentation feels effortless and cohesive—“does-it-all” tuning done right.

Trade-offs are minor: timbre can sound slightly artificial at times, and dropping to the M10 module trims bass but also some excitement. Build is comfortable and compact, though the stock cable is annoyingly wiry and memory-prone. Against its stablemates, U12t stands as the benchmark: cleaner and less fatiguing than U18t, more versatile than the warmer Nio (with M15), and less head-stage wow than Trio but more universally balanced. End result: a confident 5/5 for a high-price IEM that actually feels worth chasing if this signature hits the brief.

Youtube Video Summary

The Fiio FX17 emerges as a worthy flagship and a significant improvement over its predecessor, the FA19. This tribrid IEM boasts a unique driver configuration of one dynamic driver, four balanced armatures, and a staggering eight electrostatic drivers, all housed within a solid, lightweight titanium shell. While its aesthetic is considered a bit plain, the build quality is excellent. The package is loaded with a massive assortment of accessories, including seven different styles of ear tips and a cable with a clever built-in DAC adapter for smartphones.

Sonically, the FX17 delivers a warm, powerful, and engaging sound signature. Its bass is a particular standout, described as meaty, well-textured, and highly engaging without bleeding into the mids. The overall tonality is natural yet contrasty, offering a dynamic and punchy listen. The treble provides excitement and definition, though it can be slightly aggressive or "crashy" for those with high sensitivity, making it far from a "safe" tuning.

In direct comparisons, the FX17 is deemed superior in every way to the FA19, which was criticized for its bloated bass and splashy treble. It trades blows with competitors like the Dunu Glacier and ThieAudio Monarch Mk IV, offering a denser, more tactile experience than the Monarch's airy presentation and a more natural vocal tonality than the Glacier's more exaggerated V-shape. Ultimately, the FX17 is declared not only Fiio's best IEM to date but a compelling and engaging option in the high-end market.

Youtube Video Summary

Fiio FX17 packs a wild driver stack—8x EST plus 1x dynamic and 4x BA—and a price that hovers around $1,500–$1,700. The shells are large and a little heavy, yet comfortable with solid isolation; the matte-steel finish looks slick but is a fingerprint magnet. MMCX sockets sit in a blue-ringed collar, and the included cable is genuinely nice: chin-slider equipped with swappable 4.4 / 3.5 / USB-C ends. Packaging is classic Fiio with a generous spread of ear tips (including SpinFits). Overall fit and finish scream audio-jewelry, in both the good and the pricey senses.

Sonically, this is a very wide, “open” presentation with impactful bass and noticeable warmth—sometimes veering toward mud rather than cleanliness. Upper-mids energy is restrained, while the 8 kHz region pops, and treble air extends well; the net effect leans neutral / deadpan-neutral with a slightly warm tilt and not a ton of bass heft. The tonality mirrors Truthear Pure more than many top-end sets, which will delight listeners who crave that profile but leaves others wanting more sub-bass punch and less incisive 8k. Technicals—detail, slam, and stage—are strong, yet the value is debatable when alternatives like Fiio FA19 / FX19 (more bass, less 8k bite), Dunu Glacier (more sub-bass and fun without losing correctness), Softears RSV / RSV MK2 (similar upper-mids with calmer 8k), Aful Dawn X (less warmth, better air for the price), or NiceHCK Rockies (cleaner treble) exist for less. Recommended for those chasing Fiio’s neutral house with a grand soundstage; everyone else may want EQ (a gentle clean-up of warmth/8k) or to shop the cheaper powerhouses.

Youtube Video Summary

Presentation falls short of flagship expectations—especially the stock cable, which feels flimsy and uninspiring—but the tuning is where the 64 Audio U12t earns its reputation. With a gently U-shaped response and swappable apex modules altering bass quantity (M10 leaner; M15/M20 adding a deeper, sub-bass-tilted shelf), the low end carries uncommon texture and decay for an all-BA setup while preserving BA speed and control. The sub-bass shelf levels off around 200Hz, avoiding midrange bleed and keeping the overall tonality clean and balanced.

The mids are slightly scooped yet inoffensive, with ear-gain centering near 2kHz and a tasteful dip through 2–5kHz that preserves depth without hollowing out vocals. Treble is distinctive thanks to the tia super tweeter mounted at the nozzle: a mid-treble dip followed by pronounced peaks around 15–17kHz creates a sense of airy “pseudo-treble” that some listeners (especially younger ears) perceive as bright, while others may find it dark if those upper harmonics aren’t audible. Tip choice matters—Spinfits can emphasize air, while Final E can tame the top end—making the signature unusually tunable to preference.

On the technical front, the U12t is highly resolving, pulling micro-details forward with ease, yet its transient attack has a subtle softness that gives an “analog” character rather than razor-edged sharpness. Where it truly distinguishes itself is macrodynamics—quiet-to-loud swings feel visceral and engaging, a rarity among BA designs and rivaled only by a select few dynamic-driver flagships. Summed up, it’s the “90-in-every-subject” kind of performer: maybe not the single best at any one metric, but making the fewest compromises across the board. For anyone seeking a well-rounded flagship that handles almost anything with poise, the U12t remains a top recommendation.

Youtube Video Summary

Presented as a former favorite turned cautionary tale, the 64 Audio U12t shows a neutral-warm bass with good texture, speed, and separation, though the mid-bass can feel unnecessary for a non–bass-head tuning. Trouble starts at the 3 kHz scoop, where vocals lose presence and clarity; attempts to restore bite via added treble create sharpness instead of openness, with emphasized peaks around 13 kHz and 17 kHz. This combo makes volume scaling tricky—either accept recessed vocals or endure fatiguing highs—though the treble is otherwise solid from 6–10 kHz. Technical chops are undeniably strong: detail retrieval, instrument layering, and imaging are top-tier, with quick attacks and clean separation across the stage. Still, the staging feels wide yet flat, as the recessed mids reduce depth and contrast, and dynamic tracks (K-pop/J-pop/J-rock) expose the unevenness, prompting constant volume tweaks; slower, softer material fares better. Given the vocal recession and treble fatigue, the value proposition is questioned for a $2,000 set—alternatives like the Variations and EGL7m offer more open, extended vocals with smoother treble, while RS5 and Heyday provide extra warmth without the same pitfalls.

Youtube Video Summary

Unique Melody MEST MKII brings a distinctive recipe: a DD + 4BA + 2EST array augmented by a full-range bone-conduction driver, translating to a relaxed yet vividly holographic presentation. Bass quantity sits in the pocket—neither shy nor boomy—while the sub-bass extension digs deep and rumbles on cue, sketching out stage width and depth with authority. Mid-bass hits cleanly but avoids brute-force slam, keeping space clear for detail. Mids read a touch lean/diffused: tonally correct and easygoing, gorgeous on plucked strings, a bit light in note weight for violins and cellos. Treble is sparkly without sibilance at sane volumes; push volume for bigger bass hits and the upper range can tip into fatigue. Don’t over-trust FR graphs here—the BC driver adds presence that won’t show on measurements.

Technical chops are firmly high-end: resolution and separation impress, EST speed makes cymbals and chimes glide, and dynamics pop when sub-bass swells. The staging is the showstopper—layered, airy, and convincingly 3D (hell yeah). Versus peers, MEST MKII trades some midrange weight/tonality for superior sparkle and more satisfying bass texture; sets like V16 Divinity or Elysian Diva may win for mids, but MEST counters with atmosphere and bite up top. With the current price drop around the ~$1k mark, it becomes an easy recommendation for those seeking immersive imaging and sub-bass architecture—just ditch the atrocious stock cable ergonomics and enjoy the ride.

Youtube Video Summary

The FiiO FX17 is a mind-bending flagship IEM priced at $1,500, packing an absolutely hilarious 13-driver configuration per side: one dynamic for bass, four balanced armatures for midrange control, and a staggering eight electrostatic drivers for the highs. The sheer number of electrostats isn't a gimmick; FiiO explicitly states they're necessary to achieve sufficient sound pressure and avoid being mere "decoration," throwing serious shade at competitors. The result is nothing short of wild. Forget typical soundstage descriptions – the music doesn't feel like it's coming from two points in your ears or even from speakers in a room. Instead, it creates an entirely internalized, coherent performance happening inside your head, like the band is set up within your skull. It’s a cognitive living experience prioritizing placement and realism over simple frequency response graphs.

This psychoacoustic magic translates into pure, infectious enjoyment. Tracks feel aggressively present yet controlled, with kick drums hitting the back of your eyewall and intricate details like tap dancing percussively located behind your eyes. The separation and realism are phenomenal, making everything from the Beastie Boys to complex techno feel immediate and utterly engaging. While physically large with a fingerprint-prone mirrored finish and using the less-favored MMCX connectors, the FX17 is surprisingly comfortable and not overly heavy. Criticisms like the connector type are dismissed as irrelevant noise compared to the sonic achievement. Plugged into anything from a high-end stack to the included USB-C dongle DAC, the FX17 delivers its unique, immersive magic consistently.

The unboxing experience screams flagship, absolutely justifying the price tag visually. It arrives in a luxurious British Racing Green case with magnetic closure, featuring gold-accented packaging, a wooden storage plaque (unit 240 shown), a cleaning cloth, MMCX tool, ear wax brush, magnetic cable clip, and a mind-boggling 22 pairs of various eartips. Add in a very nice cable with interchangeable terminations (3.5mm & 4.4mm included, 2.5mm adapter not included) and the aforementioned USB-C dongle, and the package feels comprehensive and premium. Ultimately, the FX17 stands out dramatically in the crowded $1,500 IEM field. It’s declared worth every penny of $2,000, delivering a unique, transformative listening experience that prioritizes how the sound is presented over traditional audiophile checkboxes. It earns full, emphatic marks as FiiO's best audio reproduction product to date.

Youtube Video Summary

The FiiO FX17 packs a hybrid 13-driver configuration featuring one dynamic driver, four balanced armatures, and eight EST drivers, priced around $1,500. Unboxing reveals a generous accessory suite: a premium leather case with magnetic closure, an MMCX removal tool, cleaning brush, cleaning cloth, and a magnetic cable holder. The highlight is the included modular cable with 3.5mm and 4.4mm terminations plus a specialized USB-C dongle enabling parametric EQ and firmware updates. Buyers also receive a staggering 22 pairs of ear tips – including SpinFits, liquid silicone, foam, bass-enhancing, vocal-focused, balanced, and double-flanged options – neatly organized across two cases. The cable itself earns praise for being soft, tangle-free, well-behaved, and featuring a functional chin slider.

Built from chunky titanium shells, the FX17 feels premium but substantial. While weight distribution prevents ear fatigue for some, its large size may cause fit issues for those with smaller ears, making a demo advisable. The nozzle diameter is 6.1mm. Sonically, the FX17 delivers a powerful, mid-bass focused slam described as punchy and meaty, though sub-bass rumble takes a backseat. The mid-range is warm, lush, and slightly relaxed, offering surprising clarity and excellent detail retrieval without shoutiness. Treble stands out as smooth, highly detailed, and non-fatiguing, providing ample air and shimmer without sibilance. Technical performance is strong, with great detail and separation, but the true star is the exceptionally wide, immersive, and realistic soundstage, particularly noticeable in the upper mids and treble.

Compared to the FiiO FA19, the FX17 offers a significant upgrade in bass physicality, smoother treble refinement, and superior soundstage. It also surpasses the Unique Melody MEST MKIII CF in detail, separation, stage width, and bass weight/texture. Against the pricier Elysian Apostle, the FX17 is warmer and more relaxed; the Apostle boasts tighter bass, clearer vocals, and sparklier treble, while the FX17 counters with a wider stage. This IEM is strongly recommended for mid-bass lovers seeking physical slam, listeners desiring warm, lush, non-fatiguing mids with clarity, treble enthusiasts wanting detail without harshness, and soundstage aficionados. It's not ideal for those with small ears due to shell size, listeners prioritizing deep sub-bass rumble over mid-bass impact, or anyone seeking a neutral or bright tuning. The FX17 earns a four-star rating for its standout qualities.