ARTTI T10 PRO VS Shanling Tino

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ARTTI T10 Pro brings a slick metal shell (black or silver), a pocketable case, two sets of tips, and a soft four-core cable with interchangeable 3.5/4.4 mm plugs on a standard two-pin connector. The fit is standout—small, low-profile, and comfy enough for sleeping. Tuning skews balanced with a bass boost: neutral-ish ear gain, smooth treble with a 10 k dip, and plenty of air.

The bass hits hard and textured with that fast planar attack/decay—clean, minimal bleed, less bouncy than a big DD slam. Mids stay natural and slightly forward without turning shouty; female vocals read neutral while male vocals gain meat from mid-bass warmth. Treble is smooth yet airy, adding micro-detail and openness; the extra air can feel a bit intense on longer sessions, though it makes strings sound fluid and well-extended. Technicals impress for the price: crisp separation, convincing 3D imaging, and excellent footstep pickup in shooters like Apex—easily a two-controller gaming nod.

Versus peers, the former favorite S08 plays more relaxed up top with less air and slightly less bass; T10 Pro feels more natural in vocals where S08 can get a touch forward. The Explorer (DD) is warmer and more laid-back with lighter bass and softer treble for pure chill. For an all-rounder that stays fun, T10 Pro takes the pick; choose S08 for easy long listens, Explorer for coffee-and-book vibes. At around $100, this is planar done right—punchy textured bass, neutral mids, smooth airy treble—and it earns a confident three-star recommendation.

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ARTTI T10 Pro steps into the relaxed planar club with meaningful upgrades: an all-metal shell that’s smaller and sturdier, a pocketable hard case, and a slick modular cable (3.5 mm & 4.4 mm). Fit is easier thanks to the slimmer nozzles and smart venting—no pressure build-up or driver flex—while the familiar 14 mm planar still only asks for a decent dongle to shine. At $110 MSRP (often around $95 street), the accessory set and build punch well above the tag.

Tonally, this is a warm-tilted, easy-listening planar: sub-bass rumbles, mid-bass hits with tidy punch, and the mids carry a lush body without smearing. Female vocals can sit a touch behind the mix, but timbre stays natural. Treble is smooth with sparkle—non-fatiguing at sane volumes, with only mild edge creeping in when cranked. Technical chops are confident for the class: tight bass texture, clear micro-details that don’t shout, solid imaging, and stage that’s about average in width yet fully reveals well-mastered spatial cues.

Against peers, it sits between LETSHUOER’s S08 and S12 Pro: fuller low-end and more air than S08 (which favors female vocals and loud listening comfort), but less top-end shine/detail pop than the S12 Pro. Versus Hidizs MP145 (red nozzles), tuning is very close, yet the T10 Pro wins on comfort, accessories, and value; MP145 still stretches a wider stage. Net result: a versatile all-rounder that suits most genres and listeners—just not die-hard trebleheads, bassheads, or those whose libraries lean heavily female-vocal-forward. For everyone else, this is an easy recommendation at the price.

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The ARTTI T10 Pro is a compact, metal-shelled planar with an earbud-like footprint that fits easily and isolates well. It ships with a surprisingly nice modular screw-termination cable (3.5 mm and 4.4 mm included), a stable chin slider, clear L/R markings, two sets of ear tips, and a tidy branded zip case. Build feels solid, the nozzle is well executed, and the black faceplate looks sharp—overall a very complete package for the price.

Sonically it hits bassy, detailed, and clean: a rising bass shelf, energetic upper mids, and airy treble extension that reads cohesive in-ear rather than etched. Technicals overperform—imaging, sparkle, note weight, and soundstage all impress—while the main caveat is a slight noise floor. Versus peers, it avoids the mid-treble glare of sets like S12 Pro and NiceHCK F1 Pro, feels more engaging than the safer S08, and offers a more refined, mildly V-shaped take compared with Kiwi Ears K4. In short, this is a “planar that doesn’t sound like a planar” in the best way—highly recommended and an easy default pick under $100 for those aligned with this tuning.

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The Artti T10 Pro aims for a warm, easy listen: a slightly L-shaped planar with notable sub-bass weight, thicker mids, and a gently tilted treble that keeps things fatigue-free and avoids typical planar timbre. Build and ergonomics impress with a lightweight aluminum shell and a quality modular cable, and the overall tonality mimics a polished dynamic driver rather than a tech-forward planar.

That same bass lift, however, can cloud the upper mids and air, pulling the stage inward and trading sharp separation for a smoother flow. Reducing energy below ~150 Hz by a couple dB—or using a breathable micro-tape vent mod—cleans the sub-bass, brings vocals forward, reveals more detail, and restores balance without chasing extra treble. As tuned stock, it suits treble-sensitive listeners and fans of warm, relaxed planars; those seeking max resolution, openness, and speed should look to the brighter, tech-centric planar camp.

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The ARTTI T10 PRO follows the OG T10—still a value monster—but pivots to a different flavor: it’s warmer, bassier, and not as squeaky-clean, yet remains surprisingly airy. Expect more bass, laid-back vocals with less 2k shout, a touch less bright, and better scaling with volume, while keeping a sense of openness. The overall profile is warm-but-airy, evoking a mini Symphonium Meteor vibe that’s easy to enjoy across casual listening.

Think of it as a cheaper Timeless 2—similar vibe (silver-nozzle tuning style), just a bit warmer and less technical. If the OG T10 is already in rotation, the clearer “pure performance” step is something like an ET42, making the T10 PRO more of a sidegrade for those wanting extra low-end weight without killing the air. Value still favors the original T10, but the T10 PRO earns a recommendation for its distinct, bass-leaning twist that stays engaging rather than muddy.

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The Shanling Tino presents a very balanced dual-dynamic tuning that puts clear emphasis on the mid-range and upper mids, giving vocals a crisp, bright and forward character without stepping into harshness. Sub-bass performance is solid and reasonably substantial for R&B, rap and EDM, while the mid-bass stays clean and restrained, avoiding muddiness but leaving a bit of slam and weight on the table. Vocals from both male and female singers come through with a warm, full-bodied tone and studio-like texture, supported by instruments that sound clear, well-defined and naturally separated across the mix.

Technically, the Tino offers a clean and controlled presentation with moderate decay, fast transients and commendable separation that help string instruments show off their finer nuances and harmonics. The treble is crisp and direct with adequate extension and excellent comfort, deliberately avoiding sharpness, though the upper treble feels a bit short on air, ambience and ultimate micro-detail compared to more atmospheric peers. Overall, this is a vocal-focused and easy-listening set that trades a little mid-bass punch and top-end sparkle for stability, balance and a relaxed but engaging presentation that suits listeners who value clarity and separation over sheer explosiveness.