ARTTI T10 PRO VS SIMGOT EG280

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The ARTTI T10 PRO follows the OG T10—still a value monster—but pivots to a different flavor: it’s warmer, bassier, and not as squeaky-clean, yet remains surprisingly airy. Expect more bass, laid-back vocals with less 2k shout, a touch less bright, and better scaling with volume, while keeping a sense of openness. The overall profile is warm-but-airy, evoking a mini Symphonium Meteor vibe that’s easy to enjoy across casual listening.

Think of it as a cheaper Timeless 2—similar vibe (silver-nozzle tuning style), just a bit warmer and less technical. If the OG T10 is already in rotation, the clearer “pure performance” step is something like an ET42, making the T10 PRO more of a sidegrade for those wanting extra low-end weight without killing the air. Value still favors the original T10, but the T10 PRO earns a recommendation for its distinct, bass-leaning twist that stays engaging rather than muddy.

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SIMGOT’s EG280 comes tuned as a balanced all-rounder with a touch of upper-mids/vocal emphasis. The bass is thumpy, full, and clean—adding weight without bleed or warmth bloat—while a slightly forward midrange brings clarity and presence to voices. A purposeful 4–8 kHz dip keeps the set from turning shouty, and the treble—handled by planars—stays natural without the zingy “planar timbre.” Extension is adequate to mildly airy, revealing small details without sounding artificial.

There is a caveat: a 13 kHz peak can pop up on brighter K-/J-Pop or lean mixes, so mid listening levels (~70–75 dB) are the sweet spot. Technically it sits above EW300 but slightly below EA500 LM/EM6L, trading max microdetail for a more natural, less bright tonality. Genre fit is broad—from pop and indie to electronic—so long as volume isn’t cranked. Tip pairing favors smoother or bass-adding tips (e.g., Final E, Softears Ultra Clear) over anything that pushes treble further.

Imaging is a standout for the price, giving gunshots and footsteps extra pop without harshness, which makes the EG280 surprisingly solid for gaming. The lightweight build and low-microphonic cable boost comfort for long sessions. Overall, think safe, balanced, and versatile rather than showy “special sauce”: a set that’s easy to live with, competitive in value, and a smarter pick for mixed music + gaming than brighter, sharper peers—just mind that upper-treble spike on hot masters.

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ARTTI T10 Pro steps into the relaxed planar club with meaningful upgrades: an all-metal shell that’s smaller and sturdier, a pocketable hard case, and a slick modular cable (3.5 mm & 4.4 mm). Fit is easier thanks to the slimmer nozzles and smart venting—no pressure build-up or driver flex—while the familiar 14 mm planar still only asks for a decent dongle to shine. At $110 MSRP (often around $95 street), the accessory set and build punch well above the tag.

Tonally, this is a warm-tilted, easy-listening planar: sub-bass rumbles, mid-bass hits with tidy punch, and the mids carry a lush body without smearing. Female vocals can sit a touch behind the mix, but timbre stays natural. Treble is smooth with sparkle—non-fatiguing at sane volumes, with only mild edge creeping in when cranked. Technical chops are confident for the class: tight bass texture, clear micro-details that don’t shout, solid imaging, and stage that’s about average in width yet fully reveals well-mastered spatial cues.

Against peers, it sits between LETSHUOER’s S08 and S12 Pro: fuller low-end and more air than S08 (which favors female vocals and loud listening comfort), but less top-end shine/detail pop than the S12 Pro. Versus Hidizs MP145 (red nozzles), tuning is very close, yet the T10 Pro wins on comfort, accessories, and value; MP145 still stretches a wider stage. Net result: a versatile all-rounder that suits most genres and listeners—just not die-hard trebleheads, bassheads, or those whose libraries lean heavily female-vocal-forward. For everyone else, this is an easy recommendation at the price.

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ARTTI T10 Pro brings a slick metal shell (black or silver), a pocketable case, two sets of tips, and a soft four-core cable with interchangeable 3.5/4.4 mm plugs on a standard two-pin connector. The fit is standout—small, low-profile, and comfy enough for sleeping. Tuning skews balanced with a bass boost: neutral-ish ear gain, smooth treble with a 10 k dip, and plenty of air.

The bass hits hard and textured with that fast planar attack/decay—clean, minimal bleed, less bouncy than a big DD slam. Mids stay natural and slightly forward without turning shouty; female vocals read neutral while male vocals gain meat from mid-bass warmth. Treble is smooth yet airy, adding micro-detail and openness; the extra air can feel a bit intense on longer sessions, though it makes strings sound fluid and well-extended. Technicals impress for the price: crisp separation, convincing 3D imaging, and excellent footstep pickup in shooters like Apex—easily a two-controller gaming nod.

Versus peers, the former favorite S08 plays more relaxed up top with less air and slightly less bass; T10 Pro feels more natural in vocals where S08 can get a touch forward. The Explorer (DD) is warmer and more laid-back with lighter bass and softer treble for pure chill. For an all-rounder that stays fun, T10 Pro takes the pick; choose S08 for easy long listens, Explorer for coffee-and-book vibes. At around $100, this is planar done right—punchy textured bass, neutral mids, smooth airy treble—and it earns a confident three-star recommendation.

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The ARTTI T10 Pro is a compact, metal-shelled planar with an earbud-like footprint that fits easily and isolates well. It ships with a surprisingly nice modular screw-termination cable (3.5 mm and 4.4 mm included), a stable chin slider, clear L/R markings, two sets of ear tips, and a tidy branded zip case. Build feels solid, the nozzle is well executed, and the black faceplate looks sharp—overall a very complete package for the price.

Sonically it hits bassy, detailed, and clean: a rising bass shelf, energetic upper mids, and airy treble extension that reads cohesive in-ear rather than etched. Technicals overperform—imaging, sparkle, note weight, and soundstage all impress—while the main caveat is a slight noise floor. Versus peers, it avoids the mid-treble glare of sets like S12 Pro and NiceHCK F1 Pro, feels more engaging than the safer S08, and offers a more refined, mildly V-shaped take compared with Kiwi Ears K4. In short, this is a “planar that doesn’t sound like a planar” in the best way—highly recommended and an easy default pick under $100 for those aligned with this tuning.

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Hybrid gaming set built around a 10 mm dynamic driver and a 6 mm planar, plus a USB-C DSP dongle and a 1.7 m cable. Stock tuning follows a Harman-style balance with a modest bass shelf and a slightly brighter upper range, which favors imaging, FX clarity, and footsteps in shooters. Technical performance is solid for the class: the planar adds resolve without obvious planar timbre, making the set feel more like a clean hybrid than a pure DD.

The idea here is presets: SIMGOT provides app control and WalkPlay hosts multiple music and game modes as well as community uploads, so the EG280 is best treated as a flexible DSP platform. For music, a gentle low-Q tilt (bass up a few dB, treble down a touch) yields a more fun, less fatiguing listen; stage is serviceable rather than wide, while detail retrieval and positional cues remain a strength. Overall, it is a capable, EQ-friendly gaming hybrid that can double for music with minimal EQ, but out-of-box brightness means it benefits from presets to shine.

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The SIMGOT EG280 makes a strong first impression for budget gaming with a curve reminiscent of Harman 2019: footsteps (both low and upper registers) and gunfire pop through cleanly, giving deathmatch sessions a snappy, almost B+-tier feel. However, once the action shifts to coordinated 5v5 play, the mix starts to blur—layering behind walls turns into a “mashed potato” effect, and horizontal cues lack the tactile edge that marks exact peeks and thresholds.

In Valorant and Apex, the same pattern holds: respectable general imaging, but depth perception and separation take noticeable hits when the battlefield gets chaotic. Smokes, thermites, ultimates, and sustained gunfire mask lighter cues—leading to those “where did this guy come from?” moments—and vertical readouts feel approximate rather than pinpoint. Overall placement sits around a B- for both titles: a pleasant, airy presentation that’s easy to enjoy in lighter modes, but not the clearest tool for high-level competitive awareness when the screen fills with abilities and crossfire.