Binary Dynaquattro VS Letshuoer S12 Ultra

Youtube Video Summary

Binary Dynaquattro comes dressed to impress: a larger, comfy shell that sits better than it looks, though seating can be a touch finicky. Accessories feel thoughtfully chosen—a Pelican-style case, usable tips, and a standout cable with a screw-lock modular plug (ships with 4.4 mm) and a handsome gunmetal vibe; the chin slider actually works and handling is supple with a slight rubbery grip. Build notes versus peers: it’s notably bigger than Gizaudio Chopin (flat 2-pin vs. Chopin’s recessed) and a bit larger than AFUL Magic One, but overall comfort remains solid.

The tuning aims dead at a preferred target: rich, deep sub-bass with restrained mid-bass for a clean foundation, energetic mids, and a deliberate 4–6 kHz dip to keep fatigue low; air is “good for the price,” with upper-treble sparkle the only wish-list item. Technicals read 9.5/10 bass, 9.5/10 mids, highs a notch behind, plus nice imaging, pleasing note weight, and a natural stage/resolution balance. Versus the field: deeper, higher-quality bass than Chopin; competes surprisingly well with the pricier Thieaudio Oracle MK3; more engaging than the neutral-leaning Moondrop x Crinacle Dusk; preferred over Project M thanks to truer target adherence; trades blows with Dunu Da Vinci (Da Vinci = a touch more upper air; Dynaquattro = better bass/mids). Close kinship with Juzear 61T (choose Dynaquattro for richer bass, 61T for a more inoffensive, cheaper take), and consider Letshuoer Cadenza 4 if similar mids with less bass is the brief.

In practice this is a fun, fatigue-lite, bass-quality-first all-rounder with tuning doing the heavy lifting—“tuning trumps technicality” in the best way. The package, from the utilitarian accessories to the modular cable, matches the sonic story: high value, target-true, and easy to recommend for music and gaming (9/10). Call it a five-star pick and a “100-point overall” vibe for listeners who want clean sub-bass authority, lively mids, and a relaxed upper-mid/low-treble that invites longer sessions without dulling the experience.

Youtube Video Summary

LETSHUOER S12 Ultra wraps up the S12 line with a 14.8 mm planar driver and a familiar metal shell in gunmetal or mocha. The housing is vented, comfy for long sessions, and solidly built with a flat 2-pin interface that grips tips well. The stock package is practical: a soft case, a fair tip spread, a braided cable with swappable 4.4 mm termination, and even a plug-and-play USB-C DAC that performs capably for on-the-go use.

Sonically, this set aims for a mild V-shape with tasteful tweaks that elevate it over prior S12 iterations. There’s a touch more sub-bass than the S12 Pro and a smoother 10 kHz zone, reducing fatigue while keeping upper-treble reach for air. The presentation favors balance over sparkle: detailed without the brittle edge many planars flirt with, and notably non-fatiguing over longer listens. Technical chops are strong for the class—clean, clear, and “planar-fast”—though instrument separation can lag behind pricier hybrids, and the topmost “crispy” sheen is slightly restrained.

On graphs and in practice, S12 Ultra reads as a refined take on modern planars—more bass weight, tidier 4–6 kHz, and better treble behavior than its siblings. Listeners hypersensitive up top may still prefer something like the S15 for a softer treble contour, while those chasing maximal separation may lean to sets like AFUL Performer 7 (with a spicier treble). With the usual planar caveat about unit variance and fit, this edition comes through as the standout of the S12 series: a clean, engaging, and genuinely high-value recommendation under $500.

Youtube Video Summary

The Letshuoer S12 Ultra comes through as the smoothest tuning in the S12 family— a sub-bass boosted all-rounder with quick transients and satisfying rumble that makes pop, hip-hop, and EDM notably fun. Technical performance sits around earlier S12 variants, but treble detail is dialed back a touch versus the OG/Pro in exchange for a more natural timbre and less “planar-bright” edge. It’s the bassiest S12 to date, hitting with better texture, impact, and extension, while keeping imaging crisp enough to stay engaging rather than clinical.

Tuning tweaks tame the upper range: a cut past 1.5 kHz and an 8–15 kHz dip ease shout and sibilance, with air returning via a lift around 15 kHz. Vocals sit a bit pulled back and the treble is the least energetic of the series, which helps long-session comfort—though brighter, heavily produced tracks or songs with little low-end can still sound peaky if pushed. Best results come at ~65–70 dB; tip-roll toward clear or bass-supporting tips to smooth the top and reinforce the lows, while avoiding brightening tips that exaggerate energy.

Versus peers, S12 Ultra feels like a bassier, less shouty take on Supermix 4/Nova and a slightly more V-shaped, punchier alternative to Defiant. It’s not a value monster for sheer detail compared with cheaper planars (T10, F1 Pro, etc.), but the payoff is a presentation that’s more musical, smoother, and easier to live with. For listeners wanting added slam without losing the S12’s speed and airy sense of space, this version offers the most enjoyable balance in the lineup.

Youtube Video Summary

Binary Dynaquattro comes out swinging with a wild driver setup: three active dynamic drivers of different sizes plus a passive radiator. The result is bass that doesn’t just thump—it quakes. Think ~19 dB of lift and subsonic roll that feels like distant construction equipment or Godzilla pacing outside, yet the rest of the tuning stays aggressively smooth and listenable. There’s a hint of wide soundstage on the right tracks, decent comfort, pretty shells (though the translucent plastic shows ear oils), and a surprisingly nice kit at around $270, including a rugged, locking, nearly waterproof-style case.

Make no mistake: this is a basshead experience set to “movie theater sub-10 Hz demo,” more sub-bass than most IEMs dare. It doesn’t chase micro-detail or razor dynamics, and the treble stays polite rather than sparkly—but for those craving seismic low end without trashing everything else, it hits the sweet spot. Call it a one-trick Clydesdale that pulls the biggest, dumbest, most fun bass wagon—and that’s exactly the charm. Verdict: a solid 9/10 for anyone who wants the next step up in tactile low-end thrills without blowing the budget.

Youtube Video Summary

Final revision of the series brings a very coherent, slightly warmer presentation with treble pulled into safer territory and mids that feel a bit weightier. Ultra sits between the smoother S08 and the rawer S12 Pro, and it comes across a touch bassier than the graphs suggest. As a single-driver planar, it retains solid resolve and a natural, easy tonality that will suit most listeners, especially at the 169 price point.

Despite graphs looking similar to S12 2024, Ultra sounds smaller and flatter, with less transparency and dynamics. Soundstage is mainly left-right; height and depth are curtailed, so placement is not always in the right place on more spacious tracks. The smoother top end avoids harshness and makes long sessions comfortable, but the trade-off is reduced sparkle and air versus the 2024 tuning.

Versus budget planar standouts like KZ PRX, Ultra is a clear, smoother upgrade; versus S12 2024, it is the safer all-round pick but not as open or exciting. Dense mixes can nudge the bass toward a slight bloom and compress the center image. For most, this is the one S12 to buy; stage and transparency chasers may still prefer the 2024 version.