Binary Dynaquattro VS Ziigaat Odyssey

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Binary Dynaquattro comes dressed to impress: a larger, comfy shell that sits better than it looks, though seating can be a touch finicky. Accessories feel thoughtfully chosen—a Pelican-style case, usable tips, and a standout cable with a screw-lock modular plug (ships with 4.4 mm) and a handsome gunmetal vibe; the chin slider actually works and handling is supple with a slight rubbery grip. Build notes versus peers: it’s notably bigger than Gizaudio Chopin (flat 2-pin vs. Chopin’s recessed) and a bit larger than AFUL Magic One, but overall comfort remains solid.

The tuning aims dead at a preferred target: rich, deep sub-bass with restrained mid-bass for a clean foundation, energetic mids, and a deliberate 4–6 kHz dip to keep fatigue low; air is “good for the price,” with upper-treble sparkle the only wish-list item. Technicals read 9.5/10 bass, 9.5/10 mids, highs a notch behind, plus nice imaging, pleasing note weight, and a natural stage/resolution balance. Versus the field: deeper, higher-quality bass than Chopin; competes surprisingly well with the pricier Thieaudio Oracle MK3; more engaging than the neutral-leaning Moondrop x Crinacle Dusk; preferred over Project M thanks to truer target adherence; trades blows with Dunu Da Vinci (Da Vinci = a touch more upper air; Dynaquattro = better bass/mids). Close kinship with Juzear 61T (choose Dynaquattro for richer bass, 61T for a more inoffensive, cheaper take), and consider Letshuoer Cadenza 4 if similar mids with less bass is the brief.

In practice this is a fun, fatigue-lite, bass-quality-first all-rounder with tuning doing the heavy lifting—“tuning trumps technicality” in the best way. The package, from the utilitarian accessories to the modular cable, matches the sonic story: high value, target-true, and easy to recommend for music and gaming (9/10). Call it a five-star pick and a “100-point overall” vibe for listeners who want clean sub-bass authority, lively mids, and a relaxed upper-mid/low-treble that invites longer sessions without dulling the experience.

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Single-DD + 3BA hybrid with a clean, confident look: thick shell, metal nozzle that grips tips well, visible rear vent, and the preferable flat 2-pin connector. The standard Ziigaat case feels premium if a bit unexciting. Sonically, Odyssey lands a balanced, tastefully energetic tuning—ample bass for most listeners, elevated upper mids for presence, and a smooth, clean upper-treble. Out of the box it sounds immediately right and counts among the better-tuned sub-$300 IEMs. The catch: macro/micro detail and imaging are good, not mind-blowing, keeping overall technical performance at “appropriate for the price.”

Within Ziigaat’s lineup, Arcadia skews darker with less treble reach, Xeno/Ceno feels a bit treble-shy, and Dinko is the more V-shaped, poppier pick with extra sub-bass. Explorer overlaps in tonality but Odyssey adds more upper-mids energy and refinement—albeit at a higher price. Among peers, AFUL’s P7 brings the stronger technicals and a slightly more neutral sheen, K4 trades blows, and “Quattro” may edge tuning purity. As an all-rounder, though, Odyssey hits a sweet spot: rich mids, fun but controlled bass, convincing note weight, and a natural stage, even if the far-upper air can temper ultimate sparkle.

Verdict: a fantastic mid-tier set with high price-to-performance, gorgeous faceplates, and a crowd-pleasing tonality; accessories are a bit underwhelming, and the top-end “air” won’t wow technicality chasers. Scored around 8.8/10 and easily recommended as a safe, musical choice—especially when discounts bring the sticker down.

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Ziigaat Odyssey lands as a mid-range focused set with a slight treble lift that really scales with volume. At relaxed levels it’s clean, calm, and easygoing; turn it up and the presentation becomes wide, airy, and immersive with a surprisingly punchy, rumbly low end for its graph. The new topology DD hits a sweet balance—neither sluggish nor hyper-snappy—delivering well-balanced bass that serves the tuning, even if ultimate slam/texture trails sets like Hype 4 or Xenns Tea Pros. Tip rolling toward slightly brighter tips adds a touch of treble energy and liveliness without pushing fatigue.

The star here is the midrange: instruments layer neatly with comfortable separation, and vocals sit clean and natural—not shouty, not veiled—though they can feel a bit too relaxed at mid volume. Treble is smooth yet detailed, revealing cymbal micro-info and air without harshness, and it’s noticeably cleaner than Explorer while avoiding metallic timbre. Technicals are solid for the price—a step up from Explorer and just behind “contet” in raw resolving power—yet more natural in timbre and notably more musical when driven louder. The tuning flatters slow rock, acoustic, indie, alternative, and ballads, where the Odyssey’s “turn-it-up” character shines.

For alternatives: those wanting warmer, bassier impact for hip-hop, rock, or metal may prefer Kiwi Ears K4, HBB Arcadia, or the Deuce for true bass-head needs. For mid-volume all-rounders with more instant engagement and technical pop, consider Supermix 4, Nova, Quintet, or Chopin; for airier, brighter takes with sweeter female vocals, look at Cadenza 4 or CKLVX. As a package, Odyssey feels like a future classic—gorgeous plating, a cable that could use an upgrade, and a uniquely immersive, high-volume experience that invites shutting out the world and sinking into the music.

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Binary Dynaquattro comes out swinging with a wild driver setup: three active dynamic drivers of different sizes plus a passive radiator. The result is bass that doesn’t just thump—it quakes. Think ~19 dB of lift and subsonic roll that feels like distant construction equipment or Godzilla pacing outside, yet the rest of the tuning stays aggressively smooth and listenable. There’s a hint of wide soundstage on the right tracks, decent comfort, pretty shells (though the translucent plastic shows ear oils), and a surprisingly nice kit at around $270, including a rugged, locking, nearly waterproof-style case.

Make no mistake: this is a basshead experience set to “movie theater sub-10 Hz demo,” more sub-bass than most IEMs dare. It doesn’t chase micro-detail or razor dynamics, and the treble stays polite rather than sparkly—but for those craving seismic low end without trashing everything else, it hits the sweet spot. Call it a one-trick Clydesdale that pulls the biggest, dumbest, most fun bass wagon—and that’s exactly the charm. Verdict: a solid 9/10 for anyone who wants the next step up in tactile low-end thrills without blowing the budget.

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Ziigaat Odyssey comes in at $230 with a four-driver hybrid (1DD + 3 BAs) that’s very easy to drive. Build is the usual Ziigaat: full 3D-printed resin shells with metal nozzles and filters; sturdy and comfortable for average-to-larger ears, while tiny ears get a technical pass. The weak spot is the accessories: a basic cable (3.5mm or 4.4 option), one set of soft silicone tips plus foams, and a leatherette case that feels flimsy—underwhelming at this price. Aesthetics score well with a sparkly faceplate that the “Council of Ladies” mostly favors, even if it doesn’t always trigger compliments.

Sonically, Odyssey aims for warm-neutral with a tasteful bass boost. Sub-bass texture can run a touch soft, but mid-bass punch is addicting, giving kick drums and bass guitars real drive without boom. Lower mids are warm and slightly veiled in a pleasant, retro-leaning way; female vocals sit a bit back yet remain clean. Treble is safe but present—enough sparkle and clarity to balance the bass without sting, though true treble-heads may want more air. Technicals are solid for the bracket: good resolution, excellent separation, precise imaging, and an average-sized but convincing stage. With a 15–30Ω adapter, the FR tilts more V-shaped (more bass/upper-mids/treble), a fun twist for occasional variety.

Against peers, Odyssey is the relaxed, safer listen: warmer and less contrasty than EPZ P50 (brighter, more vocal-forward) and Kiwi Ears K4 (more V-shaped excitement), and a middle ground between AFUL Explorer (darker, bassier) and AFUL Performer 5+2 (airier, more resolving with stronger female vocals). Not the pick for bass-heads, treble-heads, or libraries packed with K-/J-pop divas, but a killer one-and-done all-rounder for mixed libraries that value warmth, balance, and zero fatigue. Despite the skimpy pack-ins, the tuning and performance earn a spot in “this is brilliant.”

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Ziigaat Odyssey takes the new Meta tuning and gives it a more V-shaped, exciting twist. It keeps the beautiful mid-range intact while adding extra energy to both bass and treble, landing closer in spirit to Moondrop x Crinacle Dust (DSP) and Kiwi Ears K4—but with more swagger. It’s not as strictly on-target as those sets, yet the result is more engaging and solves the “too safe, sometimes boring” side effect of many Meta-tuned IEMs.

Beyond tuning, Odyssey brings real upgrades in technical performance for the price. Bass dynamics are punchier and more well-defined than K4, and treble nuances come through with greater clarity while preserving that natural vocal center. At $229, it undercuts many competitors and still feels like a step up—an easy pick for listeners who want Meta’s mid clarity with extra excitement and better slam without sacrificing coherence or comfort.

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Ziigaat’s 2024 lineup lands three distinct flavors: the R (1DD+4BA), Arcadia (1DD+2BA), and Odyssey (1DD+3BA)—all sharing the same case, tips, and cable, but with very different tunings and striking faceplates. Pricing lives in the approachable range (roughly $200–$250), and the shells are well-built 3D-printed resin. The Odyssey’s nozzle appears slightly wider than the R’s, and its cloudy pink/silver faceplate looks clean and premium without the flashiness of Arcadia’s green/yellow sparkle.

For competitive play, title-by-title differences matter. In Valorant, Arcadia’s extra warmth and bass impact feel immersive but a touch boomy/bloomy under heavy ability spam—solid, around a B. The R and Odyssey perform on par with high marks; the R’s 1–3 kHz lift sharpens clarity and verticality, while Odyssey is more neutral and less bright. In Apex Legends, Arcadia struggles as bass bloom masks micro-cues (B–/C+). Odyssey delivers great separation/layering with slightly softer overhead cues (B+/B), and handles gunfire more comfortably than the R. In CS2, Odyssey takes the lead for its imaging, depth perception, and non-fatiguing balance; in Warzone, the order shifts to R > Arcadia > Odyssey, with Arcadia’s warmth helping vertical reads and impact.

As a music set, the Odyssey is a standout: potent, tight bass with clean transients, balanced mids that aren’t smothered, and a clean, non-sibilant treble that avoids fatigue while letting micro-detail through. It lands as a favorite in its price bracket—an easy recommendation for listeners who want a neutral-leaning all-rounder that still punches hard, splits cues well, and won’t scorch ears with gunfire or treble glare.