Hidizs MP145 VS BQEYZ Cloud

Hidizs MP145 is a single-driver planar IEM built around a 14.5 mm planar magnetic transducer (30 Ω, ~104 dB/Vrms), housed in a milled aluminum shell. It ships with screw-on tuning filters that make modest shifts to bass/treble balance rather than rewriting the signature. Hidizs markets the MP145 as calibrated toward the H-2019 target and lists a $199 MSRP (often discounted on the official store).

Sonically, the MP145 presents a U-shaped tuning with an audible sub-bass lift, restrained upper-mid gain, and treble that’s energetic but can show a ~5 kHz edge with a bit of upper-treble sparkle depending on the filter used. Resolution and separation are solid for the price, with fast planar transients and convincing macrodynamic impact; staging is average-wide but imaging locks in positions cleanly. Independent measurements/reviews note the filter set’s subtle effect, good detail retrieval for the bracket, and only moderate air/extension versus the best planars.

Build quality is robust, though the large shells and thick nozzle may challenge smaller ears; weight is ~9.5 g per piece and isolation is decent when sealed well. Given frequent street prices around $129–$159 on the brand store, value is strong for those wanting planar speed with a fun, sub-bass-tilted balance; just don’t expect expansive stage or the most airy treble. Overall, MP145 reads as a well-executed, filter-tweakable planar that prioritizes punch and clarity over ultimate refinement.

The BQEYZ Cloud uses a 1DD+1PR architecture with a 10 mm dual-cavity LCP dynamic driver and a 6.8 mm passive radiator, coupled to an air-assisted circulation system that manages internal pressure and shapes high-frequency behaviour. At an MSRP of about $169, it targets the competitive mid-tier and is marketed as a balanced, vocal-oriented tuning with bright but controlled treble and moderate low-frequency emphasis rather than a basshead presentation.:contentReference[oaicite:0]{index=0}

Tonally, the Cloud leans toward a neutral-bright, mid-forward profile: bass is relatively restrained in quantity but tight and well-controlled, giving enough sub-bass to anchor the presentation while keeping mid-bass clean and avoiding bleed into the midrange. Vocals, especially female vocals, are reproduced with strong presence and intelligibility, while the upper mids and treble offer notable air and detail but can sound a bit sharp or fatiguing on brighter material for some listeners, despite the design aim of “bright treble without harshness.”:contentReference[oaicite:1]{index=1}

In terms of technical performance, the Cloud offers good resolution, separation and imaging for its price, with an open, atmospheric soundstage that many reviewers find immersive, though ultimate stage depth and macrodynamic “slam” are limited compared to more V-shaped competitors in the same bracket. Considering its sub-$200 pricing, high build quality and accessories, and its focused neutral-bright, vocal-centric tuning, the Cloud represents solid value but reasonably earns a strong mid-tier rather than flagship-level score, particularly given trade-offs in sub-bass weight, macro-dynamics and treble tolerance that will not suit every listener.:contentReference[oaicite:2]{index=2}

Audionotions original ranking

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Jays Audio original ranking

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Head-Fi.org original ranking