Brise Audio Fugaku VS PMG Audio Apx SE

Youtube Video Summary

The PMG Audio Apx SE comes out swinging with a $6,000 price tag and a $1,600 cable that looks the part but fights the ear with stiffness and springy memory. The shells flaunt real lapis lazuli and an over-the-top suitcase-and-pillow presentation, complete with certificates and multiple cases—great for show, awkward for daily carry. Ergonomically, the cable’s tension and odd flush/penetrating plug mismatch feel fussy, making this an at-home listening trophy rather than a commuter’s companion.

Under the bling sits a small army: 11 drivers per side (10 mm DD, two planars—one rectangular, one round—and eight BAs) with a seven-way passive crossover, somehow delivering startling cohesion at just 5 Ω. The sound is hyper-resolving and fault-finding; imaging and spatial precision rank among the best heard, revealing hums, edits, and room cues that lesser sets gloss over. Stock silicones lean monitor-flat, but swapping to grippier tips (e.g., “Render” style) adds weight and a touch of warmth, nudging the tuning from sterile to satisfying.

Versus other favorites—Softears Twilight for natural timbre and Dunu Glacier for bass slam—the Apx SE feels like the “full package” of microdetail, stage mapping, and technical swagger, but only by a diminishing-returns margin. It’s arguably the most technically impressive IEM on the desk, yet not the most lovable; the wallet pain and fussy cable sap the joy. Verdict: hear it if you can and crave top-end microdetail, but recommending a used-car-priced IEM to normal humans? That’s a hard no.

Youtube Video Summary

Brise Audio Fugaku stands out immediately for its bass: incredibly deep, dynamic, and explosive, with attacks that feel like notes appear from thin air and a tight, non-lingering decay. It’s the kind of presentation that can be called best-in-class bass for any IEM, a must-hear experience even if the overall package doesn’t justify its $16,000 price tag.

Beyond the low end, the tuning falls into a Harman-esque mold—a clean midrange with a 3 kHz pinna region and a slightly elevated 3–5 kHz—while the treble carries extra energy, especially past 15 kHz. Those highs arrive with multiple distinct peaks that aren’t the most refined; they can overlap and create auditory masking, subtly shaving perceived micro-detail. In short: a technically solid, relatively conventional mid/treble wrapped around an absolutely world-class bass that steals the show.

Youtube Video Summary

The PMG Audio Apx SE comes out swinging with a $6,000 price tag and a $1,600 cable that looks the part but fights the ear with stiffness and springy memory. The shells flaunt real lapis lazuli and an over-the-top suitcase-and-pillow presentation, complete with certificates and multiple cases—great for show, awkward for daily carry. Ergonomically, the cable’s tension and odd flush/penetrating plug mismatch feel fussy, making this an at-home listening trophy rather than a commuter’s companion.

Under the bling sits a small army: 11 drivers per side (10 mm DD, two planars—one rectangular, one round—and eight BAs) with a seven-way passive crossover, somehow delivering startling cohesion at just 5 Ω. The sound is hyper-resolving and fault-finding; imaging and spatial precision rank among the best heard, revealing hums, edits, and room cues that lesser sets gloss over. Stock silicones lean monitor-flat, but swapping to grippier tips (e.g., “Render” style) adds weight and a touch of warmth, nudging the tuning from sterile to satisfying.

Versus other favorites—Softears Twilight for natural timbre and Dunu Glacier for bass slam—the Apx SE feels like the “full package” of microdetail, stage mapping, and technical swagger, but only by a diminishing-returns margin. It’s arguably the most technically impressive IEM on the desk, yet not the most lovable; the wallet pain and fussy cable sap the joy. Verdict: hear it if you can and crave top-end microdetail, but recommending a used-car-priced IEM to normal humans? That’s a hard no.