Canpur CP622B VS 7th Acoustics Asteria

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Canpur CP622B is positioned as a true apex set among today’s ultra-high-end IEMs—think Storm, Grand Maestro, Pearl, Multiverse, RN6—where differences are subtle and taste-dependent, not about basic quality. The message is simple: once at the Money Trees level, most flagships are excellent; the CP622B stands out by pushing resolution and authenticity to the top of that pile while keeping music the focus.

Evaluation leans on a tight suite of reference cues: bass definition via Black Sabbath “Sweet Leaf” (2:36–3:10), midrange texture with Soundgarden “Spoonman” (spoons/vocals) and Neil Young “The Needle and the Damage Done,” and treble control from Aerosmith “No More No More” (recurring cymbal strikes). Micro-details and spatial tells include Michael Jackson’s beep, Violent Femmes finger snaps, the crowd-side triangulation in Lynyrd Skynyrd’s “Freebird,” Pink Floyd’s gate announcement in “On the Run,” Randy Rhoads’ finger slide in “Dee,” and the famous cough in “Wish You Were Here.” These checkpoints spotlight the CP622B’s clarity, attack/decay, and rare sense of depth for an in-ear.

Two practical notes seal it: level-matched A/B at 77 dB @ 440 Hz versus Subtonic Storm to ensure fair comparison, and a low-frequency test around ~42 Hz that makes the shells physically vibrate, delivering that body-felt slam prized in hip-hop and recognized in orchestral power. With a library spanning ACDC, Alice in Chains, Bob Marley, Dre, Kendrick, Metallica, Pink Floyd and more, CP622B reads as a top-tier all-rounder—immense detail at low volumes, potentially intense when cranked, and an easy recommendation for those chasing the very best.

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7th Acoustics Asteria arrives as a limited run of 77 units at around $3,800, presented in a numbered box with premium trimmings. The shells are described as the most beautiful seen in the hobby—shifting, almost bioluminescent blue caps with extended gold trim—and the fit is excellent thanks to a subtle wing. Under the hood sits a 10 mm dynamic driver plus 12 balanced armatures (latest-gen Knowles), with visible multi-tube routing and pressure relief to avoid insertion issues. The accessory suite feels purposefully upscale: a perfectly color-matched and supple cable (no gaudy branding), a structured case (noted as possible animal hide), Final Audio tips, additional tip sets, cleaning tools, stickers, and even a 4.4 mm to 3.5 mm adapter.

Sonically, Asteria is framed as reference-grade yet musical, with detail retrieval and resolution described as almost peerless. It handles a wide library with ease—classic rock, grunge, 90s hip-hop—and while some genres may benefit even more than others, overall performance is characterized as fault-free. Compared with similarly exclusive sets, it avoids the common “expensive but underwhelming” trap; the coherent tuning and technical chops deliver on high expectations without the need for caveats, making this a stunning aesthetic and acoustic package that feels every bit as special as its limited status suggests.

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Canpur CP622B makes a striking first impression with a premium case, tidy accessories, and a shimmering faceplate—but the shell is huge, bordering on chunky, and can push fit comfort limits over longer sessions. Sonically, it hits with authoritative sub-bass and impressive extension, yet the overall presentation skews dark; vocals sit a touch recessed, with a wish for more 1.5–3 kHz presence and a bit more upper-air sparkle. Out of the box it already thumps, but a light EQ lift to upper mids and bass can coax out more vibration and energy.

On graphs and in A/Bs, the CP622B comes off as a specialist: fantastic low-end texture (bass judged around 9.5 for level), solid resolution and stage, but imaging feels slightly constrained by the muted 3 kHz region. Compared with peers, FATfreq Grand Maestro reads like the safer “one-and-done” all-rounder with more flair up top; Aful Cantor delivers comparable presence at a fraction of the cost; Hisenior Mega5-EST Bass offers a friendlier fit and a tuning that can feel just a hair more balanced; and as a personal north star, Elysian Annihilator 2023 still sets the bar for extension and excitement. Net: a fantastically built, bass-thrilling CP622B that shines with hip-hop/R&B and cinematic lows, but reads as niche and pricey—a connoisseur’s piece for big collections rather than a first-pick endgame.

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7th Acoustics Asteria prioritizes midrange and treble finesse with only one caveat: the bass isn’t the greatest, presenting a slightly BA-like character with a faintly “farty” mid-bass. The midrange is pure butter, driven by a gentle 2.5 kHz pinna rise followed by a subtle 3.5 kHz bump, keeping it forward yet smooth. A touch of presence around 200–300 Hz adds warmth, while the treble fixes Supernova’s lower-treble heat around 5–6 kHz and pushes extension past 15 kHz.

The result is a presentation that’s buttery yet detailed, with natural imaging and pinpoint precision that screams “godlike tonality.” Value is the sticking point: at roughly $3,800, the proposition isn’t as compelling as Supernova’s, and the overall performance feels closer to the ~$2,000 bracket. For listeners who prioritize tonality and imaging over bass texture and price efficiency, Asteria remains a compelling high-end choice.