Canpur CP622B VS Vision Ears VE10

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Canpur CP622B makes a striking first impression with a premium case, tidy accessories, and a shimmering faceplate—but the shell is huge, bordering on chunky, and can push fit comfort limits over longer sessions. Sonically, it hits with authoritative sub-bass and impressive extension, yet the overall presentation skews dark; vocals sit a touch recessed, with a wish for more 1.5–3 kHz presence and a bit more upper-air sparkle. Out of the box it already thumps, but a light EQ lift to upper mids and bass can coax out more vibration and energy.

On graphs and in A/Bs, the CP622B comes off as a specialist: fantastic low-end texture (bass judged around 9.5 for level), solid resolution and stage, but imaging feels slightly constrained by the muted 3 kHz region. Compared with peers, FATfreq Grand Maestro reads like the safer “one-and-done” all-rounder with more flair up top; Aful Cantor delivers comparable presence at a fraction of the cost; Hisenior Mega5-EST Bass offers a friendlier fit and a tuning that can feel just a hair more balanced; and as a personal north star, Elysian Annihilator 2023 still sets the bar for extension and excitement. Net: a fantastically built, bass-thrilling CP622B that shines with hip-hop/R&B and cinematic lows, but reads as niche and pricey—a connoisseur’s piece for big collections rather than a first-pick endgame.

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Compact, sleek, and unapologetically premium, the Vision Ears VE10 pairs a slender resin shell (with subtle ribbing around the nozzle for secure tips) to a gorgeous, satin-feeling stock cable that’s genuinely excellent—a 4.4 mm termination, firm chin slider, and luxe finish that feels like a $500 upgrade by itself. The accessory kit matches the price tag: SpinFit W1 tips, extra filters, a plush cleaning brush, and a magnetic leather case that’s both practical and classy. Ergonomics are a standout; the VE10 is thin, light, and sits effortlessly, making long sessions a breeze.

Sonically, this is a detailed, resolute listen with a natural tilt. Expect a tasteful sub-bass shelf that starts early, a clear and energized upper-midrange, and treble that’s extended yet free of the usual 8 k zing—there’s even a helpful dip that keeps things smooth and non-fatiguing. The overall tonality reads neutral-warm: clean and coherent rather than showy, with excellent flow and a convincing sense of realism. It’s the kind of “safe” tuning that doesn’t chase fireworks, but the payoff is consistency across genres and an easy, all-day presentation.

Against peers, VE10 proves its mettle. Fatfreq Grand Maestro offers bigger slam and a bulkier shell with fussy switches; VE10 counters with superior fit and airier top-end. AME Mousa hits harder and brighter in the mid-treble, but VE10 stays cleaner and more neutral. Versus Aroma Fei Wan, the VE10’s 5–9 k behavior helps reduce fatigue; versus Elysian Annihilator, there’s a touch less “sparkle” and sub-bass heft, yet VE10 is far more comfortable and easy to cable-swap. Taken together, it’s a clear S-tier choice—expensive at retail, compelling on the used market (~$1.8–1.9k), and absolutely “endgame” material for those seeking premium build, comfort, and a refined, natural tuning.