INAWAKEN DAWN Ms VS CCZ TianGong CZ10

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INAWAKEN DAWN Ms shows up as a $50 budget brawler with surprisingly pretty shells and a detachable 2-pin cable that’s fine-but-basic. The clear back plate proudly exposes an 11.2 mm dynamic driver and that much-hyped “purple-gold” diaphragm—more marketing flex than revelation, but it does look cool. Fit skews chunky: there’s a lot of shell in-ear and the massive nozzles can make tip choice critical, though a better seal brings comfort back in line. Packaging is tidy, and yes, there actually is a case and tips in the box.

Sonically, this is a good, competent single-DD that favors consistency over fireworks—swapping sources (tube hybrid, Class A, portable dongles) doesn’t move the needle much, which is a plus for plug-and-play listeners. With a snug seal (think S&S-style tips), bass gains some punch, but overall it’s more “solid cube of nicely engineered aluminum” than “hidden diamond.” Not a mind-blower, not a dud—just a reliable, well-tuned budget set that earns a steady 8/10.

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The InAwaken Dawn arrives as a first release that already looks and feels quite polished, with a compact case, a thin but usable cable, and shells that are both comfortable and visually striking. Bass is tuned toward a meaty mid bass focus with a constant sense of low end heft, so the low end acts more as a powerful background foundation than a sharp, punch focused slam, while sub bass presence is audible but delivers a more gentle rumble. The main ergonomic downside is driver flex on both sides, which is noticeable but not severe.

The midrange is the star of the show, pushed forward with very high clarity and detail, so vocals and instruments sit close to the ear and small nuances pop out easily. This energy keeps things engaging but also puts the tuning right at the edge for those sensitive to upper mids, and male and female vocals can sound a bit lean at higher volumes compared to warmer sets like Delci or Simgot EW300. Treble is bright, crisp, and sparkly, keeping cymbals and high frequency content constantly present without turning harsh, which gives the Dawn a notably airy and lively top end.

Technical performance is strong for a single dynamic around roughly 80 USD, with impressive midrange detail and separation, solid imaging, and a stage that feels reasonably open even if it is not especially wide. Against peers, Delci still offers higher quality, more textured bass and EW300 provides the more natural tonality, wider stage, and safer all round presentation, while the Dawn fights back with the clearest midrange and the most overtly sparkling treble of the trio. This makes InAwaken Dawn a compelling choice for listeners who value forward mids, clarity, and an energetic top end over completely relaxed tonality and ultimate bass refinement.

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INAWAKEN DAWN Ms hits the crowded $50 bracket with a slick package: a hard case with the inlaid logo, two sets of tips for shallow vs. deep fit, and a serviceable—if slightly underwhelming—cable with a flimsy chin slider. The shells are 3D-printed resin with an aluminum faceplate, metal nozzles, and a visible tube linking front and back volume; a discreet vent by the 2-pin relieves pressure, so no driver flex. That vapor-deposited gold-coated 11 mm DD glows purple through the shell, looks cool on the ear, and stays comfortable and light; fit is easy for both small and average ears and it’s easy to drive from a phone or laptop.

Tuning skews a mild V-shape with proper sub-bass and mid-bass lift—fun rumble and kick without slipping into basshead territory, plus better-than-price texture. The midrange is slightly warmed: male vocals and crunchy guitars get extra weight, while some brighter female vocals lose a touch of shine. Upper mids carry energy without shout, and the treble is natural rather than sparkly—no hissy cymbals, no dullness. Technical chops are solid: low-end control impresses, detail retrieval is competitive for the class, stereo separation is clean, and soundstage reads about average.

Against peers, DAWN Ms brings deeper rumble than a Simgot EW200 (which runs brighter up top), feels more balanced than the harder-V Juer Clear, and trades blows with Truthear Zero:Red—the Red has cleaner mids and an impedance trick, but tricky nozzles and less sub-bass heft. It also threads the needle between a warmer Kefine Deli and the sparklier Simgots, landing in a sweet, all-rounder zone. The verdict: great looks, comfy fit, a strong accessory set, and a well-priced tuning that suits just about anything—especially as a first IEM when “not too bright, not too dark, still fun” is the brief. On the Audio Amigo scale, this one sits firmly in the “I like this” tier.

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The Inawaken Dawn Ms leans into its purple theme with a nicely finished resin shell, visible sputter deposition diaphragm and a well-made SPC cable that together feel more premium than most sets around the $50 mark.

Sonically this is a bottom-heavy single dynamic with a steep bass shelf and relaxed upper treble, shifting the emphasis away from pure basshead fun toward thicker, fuller mids and a warm, smooth presentation that avoids sibilance and fatigue.

The heavy low end and pulled-back treble mean technical performance stays modest, with an intimate stage, average resolution and dynamics, and a calmer, less airy top end that will please timbre-focused, treble-sensitive listeners more than those chasing sparkle, separation and holographic staging.