Craft Ears x Elise Audio Omnium Ti VS 7th Acoustics Asteria

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Solid build with a metallic faceplate, flat 2-pin connector, and a fit that avoids hot spots. Isolation is only okay. The cable looks premium and includes an impedance adapter to 4.4mm, though it’s a bit stiff and the chin slider is basically MIA; the case and box feel nice but unremarkable.

Tonally, the Omnium Ti rides a gradual bass shelf into slightly warm territory, with elevated upper mids and a touch of 8 kHz bite. Treble is clean and controlled but not “wow,” mids are competent, and the bass—while plentiful—comes across either too much or too dull depending on the track. Detail retrieval can feel split: imaging and fine-grain rendering impress, yet some regions seem a bit short on micro-detail.

Graphically it measures “right,” but the overall tuning can miss that special sauce. Soundstage is good, technicals are respectable, and the impedance adapter nudges bass up further. At $3,000 it reads more “statement piece” than slam-dunk value; many will love its neutral-rich tonality, but those seeking extra excitement or sparkle might prefer alternatives (or even the original Omnium’s spicier vibe). A well-made flagship that’s easy to appreciate—just not the most distinctive in its bracket.

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7th Acoustics Asteria arrives as a limited run of 77 units at around $3,800, presented in a numbered box with premium trimmings. The shells are described as the most beautiful seen in the hobby—shifting, almost bioluminescent blue caps with extended gold trim—and the fit is excellent thanks to a subtle wing. Under the hood sits a 10 mm dynamic driver plus 12 balanced armatures (latest-gen Knowles), with visible multi-tube routing and pressure relief to avoid insertion issues. The accessory suite feels purposefully upscale: a perfectly color-matched and supple cable (no gaudy branding), a structured case (noted as possible animal hide), Final Audio tips, additional tip sets, cleaning tools, stickers, and even a 4.4 mm to 3.5 mm adapter.

Sonically, Asteria is framed as reference-grade yet musical, with detail retrieval and resolution described as almost peerless. It handles a wide library with ease—classic rock, grunge, 90s hip-hop—and while some genres may benefit even more than others, overall performance is characterized as fault-free. Compared with similarly exclusive sets, it avoids the common “expensive but underwhelming” trap; the coherent tuning and technical chops deliver on high expectations without the need for caveats, making this a stunning aesthetic and acoustic package that feels every bit as special as its limited status suggests.

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7th Acoustics Asteria prioritizes midrange and treble finesse with only one caveat: the bass isn’t the greatest, presenting a slightly BA-like character with a faintly “farty” mid-bass. The midrange is pure butter, driven by a gentle 2.5 kHz pinna rise followed by a subtle 3.5 kHz bump, keeping it forward yet smooth. A touch of presence around 200–300 Hz adds warmth, while the treble fixes Supernova’s lower-treble heat around 5–6 kHz and pushes extension past 15 kHz.

The result is a presentation that’s buttery yet detailed, with natural imaging and pinpoint precision that screams “godlike tonality.” Value is the sticking point: at roughly $3,800, the proposition isn’t as compelling as Supernova’s, and the overall performance feels closer to the ~$2,000 bracket. For listeners who prioritize tonality and imaging over bass texture and price efficiency, Asteria remains a compelling high-end choice.