Dunu Glacier VS Canpur CP622B

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Priced around $1,350, the Dunu Glacier is a premium nine-driver tribrid IEM featuring one dynamic driver, four balanced armatures, and four electrostatic drivers. The build quality is exceptional with a beautiful mirrored polished steel shell, though it's noted as a bit large, heavy, and a fingerprint magnet. Comfort is generally good, and it includes a high-quality, pliable cable with interchangeable connectors and a secure chin slider. Packaging is also highlighted as exceedingly well done, typical of Dunu's recent standards.

Sonically, the Glacier delivers a very bassy, extremely fun, and highly engaging V-shaped signature. The strong bass is balanced by prominent upper mids, offering good detail resolution and micro-details. However, a noticeable energy peak around 3kHz can make some tracks feel overly energetic, intimate, or even slightly shouty, limiting its versatility for mellower listening sessions. Comparisons place it near sets like the LETSHUOER Tera (less bass, cleaner) and ThieAudio Monarch MK I (less bass, more even upper mids), while noting it surpasses the Dunu Brain Dance (DK-31) in detail and bombast, though the Brain Dance offers significant value at half the price.

Ultimately, the Dunu Glacier stands out as a fantastic and unique IEM with satisfying bass weight, good imaging, and excellent micro-details. Its fun, bombastic character and high-quality build make it a compelling choice, but the specific upper-mid energy requires careful consideration. It earns a recommendation for those seeking an ultra-engaging Harman-style listen with top-tier driver tech, though demoing is advised due to its distinct tonal quirks.

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Canpur CP622B makes a striking first impression with a premium case, tidy accessories, and a shimmering faceplate—but the shell is huge, bordering on chunky, and can push fit comfort limits over longer sessions. Sonically, it hits with authoritative sub-bass and impressive extension, yet the overall presentation skews dark; vocals sit a touch recessed, with a wish for more 1.5–3 kHz presence and a bit more upper-air sparkle. Out of the box it already thumps, but a light EQ lift to upper mids and bass can coax out more vibration and energy.

On graphs and in A/Bs, the CP622B comes off as a specialist: fantastic low-end texture (bass judged around 9.5 for level), solid resolution and stage, but imaging feels slightly constrained by the muted 3 kHz region. Compared with peers, FATfreq Grand Maestro reads like the safer “one-and-done” all-rounder with more flair up top; Aful Cantor delivers comparable presence at a fraction of the cost; Hisenior Mega5-EST Bass offers a friendlier fit and a tuning that can feel just a hair more balanced; and as a personal north star, Elysian Annihilator 2023 still sets the bar for extension and excitement. Net: a fantastically built, bass-thrilling CP622B that shines with hip-hop/R&B and cinematic lows, but reads as niche and pricey—a connoisseur’s piece for big collections rather than a first-pick endgame.

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The Dunu Glacier delivers an extraordinary premium experience right from the unboxing, featuring a lavish presentation, a massive high-quality fabric cable with interchangeable terminations, and hand-polished stainless steel earpieces that feel substantial and expensive. Despite the controversial MMCX connectors, the cable and fit are praised, complemented by a ton of accessories including multiple ear tip types, a leather case, and even a brush. This is Dunu’s flagship effort at $1300, and the physical presentation screams luxury.

Sonically, the Glacier is a revelation with a massive, immersive soundstage that places instruments at a distance, creating a surround-like experience rather than an in-your-head assault. The tuning is remarkably relaxed and natural, prioritizing smoothness and spatial depth over aggression. Tracks with atmospheric elements or live recordings become breathtaking, revealing layers of echo and venue acoustics that feel expansive and holographic. This isn’t hyper-detailed or clinical; it’s chill, luxurious, and emotionally resonant, making even familiar music feel newly captivating.

Compared to competitors like the Thieaudio Prestige Limited or Monarch MkIII, the Glacier carves its own niche with its unparalleled sense of space and effortless presentation. It doesn’t compete on technical aggression but instead offers a transportive, almost spiritual listening experience. If you crave an endgame IEM that emphasizes grandeur, natural tonality, and pure musical immersion over analytical prowess, the Glacier is a jaw-dropping contender. Just be prepared for its unique, room-filling signature—it’s less an in-ear monitor and more a portal.

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The Dunu Glacier stands as the brand's latest flagship tribrid IEM, priced around $1,350. Its standout feature is its adherence to the Harman target curve, a rarity at this level, executed with notable success. The Glacier boasts exceptional build quality, featuring polished 904L stainless steel shells that feel substantial and genuinely premium, justifying its price tag aesthetically. It comes loaded with accessories, including a plethora of ear tips (like the Candy and new clear Dunu Lunnies) and a large carry case, though the case design is noted as slightly awkward. The included cable is thick, well-made, and features Dunu's signature swappable terminations (3.5mm and 4.4mm included), though its ear hooks are somewhat loose and the chin cinch doesn't hold perfectly.

Sonically, the Glacier delivers a contrasty, V-shaped signature true to Harman but avoids the thinness sometimes associated with that target, thanks to extra bass emphasis. The bass is a major highlight – big, impactful, deep, well-textured, and satisfyingly clean with zero bleed into the mids. The treble is forward yet remarkably smooth, avoiding sharpness or sibilance. While technically proficient with good imaging and a strong sense of depth (especially from the bass), it leans slightly more towards contrast than nuanced micro-detail, particularly in the mid-range. Compared to rivals like the 64 Audio U4s (more mid-focused, warmer, laid-back) and the Dunu Mirai (brighter, most mid-focused, wider stage but less satisfying bass and slightly digital/scratchier treble), the Glacier excels in bass impact and separation, smoothness, and depth perception, while the others might appeal more for pure mid-range focus.

Overall, the Dunu Glacier is a highly refined IEM with no glaring weaknesses. Its excellent build, satisfying Harman-tuned sound (especially the standout bass and smooth treble), and competitive technicalities make it a compelling option in the flagship tier. While its weight and aggressive shell molding might cause minor comfort issues when lying down, and the ear hooks could be tighter, it earns a very solid four-star rating for delivering a premium experience that largely justifies its cost and successfully champions the Harman target.

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Canpur CP622B is positioned as a true apex set among today’s ultra-high-end IEMs—think Storm, Grand Maestro, Pearl, Multiverse, RN6—where differences are subtle and taste-dependent, not about basic quality. The message is simple: once at the Money Trees level, most flagships are excellent; the CP622B stands out by pushing resolution and authenticity to the top of that pile while keeping music the focus.

Evaluation leans on a tight suite of reference cues: bass definition via Black Sabbath “Sweet Leaf” (2:36–3:10), midrange texture with Soundgarden “Spoonman” (spoons/vocals) and Neil Young “The Needle and the Damage Done,” and treble control from Aerosmith “No More No More” (recurring cymbal strikes). Micro-details and spatial tells include Michael Jackson’s beep, Violent Femmes finger snaps, the crowd-side triangulation in Lynyrd Skynyrd’s “Freebird,” Pink Floyd’s gate announcement in “On the Run,” Randy Rhoads’ finger slide in “Dee,” and the famous cough in “Wish You Were Here.” These checkpoints spotlight the CP622B’s clarity, attack/decay, and rare sense of depth for an in-ear.

Two practical notes seal it: level-matched A/B at 77 dB @ 440 Hz versus Subtonic Storm to ensure fair comparison, and a low-frequency test around ~42 Hz that makes the shells physically vibrate, delivering that body-felt slam prized in hip-hop and recognized in orchestral power. With a library spanning ACDC, Alice in Chains, Bob Marley, Dre, Kendrick, Metallica, Pink Floyd and more, CP622B reads as a top-tier all-rounder—immense detail at low volumes, potentially intense when cranked, and an easy recommendation for those chasing the very best.