Dunu x Gizaudio Davinci VS MYER SL224

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The Dunu x Gizaudio DaVinci brings handsome aesthetics and thoughtful accessories to the table: a supple modular **cable** with easy-swapping terminations and a dark, well-finished **case** that even fits a dongle DAC. The shell presents as **pretty** and well-built, though the flat faceplate and slightly wider nozzle make the **fit** merely decent rather than class-leading; tip rolling helps. Overall build quality inspires confidence, with **recessed 2-pin** sockets and neat finishing.

Sonically, this tuning reads as **balanced-neutral** with a tasteful lift in **sub-bass/mid-bass** and forward, lively **upper mids** that can flirt with **shout** on some material. Graphs show the response hugging target within a couple dB almost everywhere, and the **channel matching** is essentially perfect. Compared to other Dunu sets, it improves on the SA6 MK2’s flatter pin gain and the Mirai’s sharper treble; versus Crin x Moondrop Dusk (analog), DaVinci feels less fatiguing around **5–6 kHz** and more engaging down low. Technical performance is **good**—clean transients, solid air and extension—though not the widest or most spacious in its class.

Stacked against peers, DaVinci trades blows with the **Hype 4** (which projects a bigger stage/“air” advantage), while **AFUL Explorer** offers a bassier, budget-friendly flavor with surprisingly competitive **technicalities**. Expect **forward vocals**, smooth treble past the 8 kHz coupler quirks, and a generally “just-right” tonality; some listeners may still want a touch more **sub-bass** slam. Verdict: a strong **recommendation** for the tuning alone—tastefully neutral, musical, and easy to enjoy—tempered by the note that emerging releases with similar targets (and a bit of **EQ**) may deliver comparable results for less. Demo first if possible, then commit.

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Packaging overdelivers: a modular cable with 3.5/4.4/USB-C and an included dongle that gets loud enough, seven pairs of silicone tips plus foam, and a small zip case (nice but tight). The shell looks premium with a depth-effect faceplate and a metal nozzle (≈6.1 mm lip); fit is snug though potentially big for smaller ears. Build and accessories feel thoughtful at the price, with only a slightly rubbery cable texture to nitpick.

Tuning is a smooth, vocal-focused, meta-inspired balance: refined mids, a friendly yet detailed top end, and a clean, controlled low end. Bass quality is textured and separated but intentionally polite—not for hip-hop/EDM impact chasers. The midrange brings clear, natural tone without shout; both male and female vocals sit forward. The treble is the star: highly resolving, airy, and surprisingly non-fatiguing for the four micro-planars, avoiding metallic glare while adding tasteful sparkle.

Technically, separation and resolution impress, with a mild cohesiveness quirk where the treble detail outshines bass/mids. Versus peers: CK2V is more V-shaped and brighter-hot; SL224 sounds more natural. Moondrop Meteor offers smoother treble and mid timbre, but SL224’s bass quality and value punch back. Dunu Brain Dance is technically stronger; SL224 wins on tonality. SoftEars Studio 4 remains more lifelike/cohesive; SL224 brings more air and fun. AFUL Performer 7 is the better all-rounder; SL224 is for lighter-bass, vocal clarity. Kiwi Ears Astral is airier/more micro-detailed; SL224 plays it safer up top with more forward vocals. Recommendation: vocal lovers and treble-sensitive listeners wanting detail without sting. Not for bassheads or warm-tilted tastes. Final verdict: a confident 4/5 and the most compelling Myer release so far.

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Warm, thick, and syrupy sums up the Dunu x Gizaudio DaVinci. The low end hits with heavy slam and satisfying impact—great for hip-hop, R&B, and drum-centric tracks—yet the decay is slow, so notes linger and instrument separation tightens up. That mid-bass bloom nudges vocals—especially female—toward a huskier, warmer hue. Treble reaches adequately without sparkle; micro-detail isn’t the focus, but nothing crucial goes missing.

Despite community buzz, DaVinci isn’t a pure basshead monster. It’s more a warm-tilted all-rounder with a thick, smooth presentation—think regular syrup versus exotic maple: pleasurable, familiar, easy to like. Resolution is fine for the price, though the bass texture can feel smoothed and blunted, fusing notes on complex passages. Compared side-by-side, faster sets with snappier drivers can sound cleaner and more separated in the lows and smoother yet more detailed up top.

For listeners chasing fun impact, warmth, and thickness over ultimate precision, DaVinci delivers an engaging, cozy listen—thumpy and enjoyable with enough upper-mid/treble lift to keep things from turning murky. Those prioritizing speed, air, and technical performance per dollar will likely find better fits elsewhere. But if a warm-smooth groove is the goal—and the wood-accented aesthetic appeals—DaVinci makes a compelling, everyday-friendly pick.

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Dunu x Gizaudio Davinci shows up dressed to impress: a five-leaf maplewood faceplate that’s prettier in person than the promo shots, a deep-set 2-pin socket, and DUNU’s slick Q-Lock Mini swappable plug that threads on like it was always meant to be there. Inside, the party is serious—six drivers with dual bio-cellulose DDs (10 mm + 8 mm) in separate chambers both tasked with ultra-low duties, plus four BAs handling the rest. Accessories hit right: the included DUNU S&S tips make easy work of seal and comfort, while “Render” style tips push a touch more brightness and slam if desired. Build, cable, case—everything feels sorted, not fussy.

Sonically, this is a refined bass-head tuning done right: tremendous low end that stays out of the way until the track calls it, with smooth delivery that keeps mids solid and treble non-fatiguing. The stage isn’t super wide so much as tall, giving music a lifted, “above-and-below” presence while the image sits slightly pulled back—cohesive, never shouty. It plays nicely off a range of sources and doesn’t demand exotic amping to shine. At $299, the package feels dialed: bass quality like pricier sets, tasteful tuning, and quality of life that makes daily use easy. Verdict? A full-send recommendation—the kind of collab that earns the name on the box, high-res sticker jokes notwithstanding.

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Warm-neutral done right. DaVinci brings a thick, soothing tonality to the mid-fi space, pairing a 2DD + 4BA array and five-way crossover with a high-quality resin shell that’s comfortable and pressure-free. The package is stacked: a sturdy modular cable (secure, tight braid), plentiful tips including DUNU S&S and Candy, 6.35 mm adapter, and a genuinely excellent carry case with elastic strap and net. Fit is easygoing, though the nozzle is thick (≈6.7 mm)—tip choice matters.

The tuning is a gently warm-neutral curve with a deep, enveloping bass that stays tidy, avoids boom, and adds body without bleeding. Midrange is smooth, nuanced, and natural—lower mids carry weight and realistic timbre; upper mids are present but not shouty, gliding seamlessly for a non-fatiguing listen. Treble extends cleanly and “just right”: no glare, good air, ideal for treble-sensitive ears (treble-heads may want more bite on bass-heavy mixes). It scales with source—more power tightens bass and opens the stage—and crucially sounds coherent at low, medium, and high volumes without losing engagement.

Technicalities favor musicality over microscope: stage and depth are satisfying, separation/layering are decent for the price, and the standout is timbre. Versus peers, it’s warmer and more immersive than Yanyin Canon 2 (which is cleaner/brighter up top), smoother and tonally superior to HiBy Project Ace, more fun and less shout-prone than DUNU Falcon Ultra, and more balanced (if less technical) than SIMGOT EA2000. Net: one of the most compelling warm-neutral IEMs under $500—not the most analytical set at ~$300, but a richly engaging, timbre-first listen that’s easy to love for long sessions.

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Dunu x Gizaudio DaVinci targets the current hybrid hype with a 2DD + 4BA array at $300, packaged with Dunu’s tidy cable and the new low-bulk swappable termination system, a roomy semi-hard case, and three silicone tip sets. The shell uses stabilized wood faceplates over a smoky, translucent body; the fit is a broadly “universal” medium that benefits from a deeper insertion than usual. Tip choice matters: moving to smaller or grippier tips to seat the nozzle deeper noticeably adjusts treble texture and overall balance.

On the graph it follows a “new meta” contour—linear rise through the lower mids into the bass—but on ear it’s unmistakably the bassy one of its cohort. Mid-bass is elevated enough to crowd vocals and guitar attack, giving the low end a harder thud than sub-bass rumble. The surprise is technicality: imaging and separation are excellent for the price, and bass attack is reasonably tight, so definition stays intact even when the mix gets thick. Treble sits relaxed in level but carries a dry / slightly scratchy timbre; deeper fit and different tips (e.g., Softears UC) smooth it, though a hint of dryness remains.

Against peers like Hype 4, Pilgrim, Canon 2, and the Moondrop x Crin Dusk, DaVinci trades mid presence and air for weighty bass plus sharp stage mapping. For listeners prioritizing a big low end with crisp positional cues, it’s a compelling flavor; for those seeking vocal clarity and more natural treble, alternatives prove more cohesive. Net: a solid 3/5—distinct, fun, and capable, but tuned thicker and drier up top than the all-rounders in this bracket.

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Build & unboxing deliver the full Dunu experience: a high-quality interchangeable cable (2-pin with swappable terminations, plus a 6.35 mm adapter), multiple tip sets including Dunu Candy/S&S, and a sturdy carrying case. The unique faceplates make each unit feel one-of-a-kind, and comfort is excellent—wearable for long sessions without hotspots.

For music, DaVinci aims at a sub-bass emphasized, warm tuning with a tactile, resonant rumble that stays controlled. Bass has good extension and texture without bleeding into the mids; the midrange stays clear with natural timbre and standout vocals. Treble is well-controlled—never sharp, never dull—keeping the set non-fatiguing. Stage is on the more intimate side, but the imaging is precise, making positional cues and instrument placement feel confident.

In competitive gaming, that same low-end weight can be a double-edged sword. In Apex and COD the sub-bass resonance adds epic immersion yet can mask lighter cues (e.g., subtle footsteps) during chaotic fights; tip rolling (e.g., SpinFit W1) helps. Valorant fares better thanks to the engine and map scale. Overall placement on the WallHack list is around a B− for competitive play, while for single-player and VR the immersive rumble, intimate stage, and solid imaging make DaVinci an easy recommendation.