DUNU x KOTO ITO VS BQEYZ Winter
IEM Comparison: Expert & Community Scores Side-by-Side
DUNU x KOTO ITO and BQEYZ Winter use 2DD+2BA and 1DD+1BC driver setups respectively. DUNU x KOTO ITO costs $199 while BQEYZ Winter costs $239. BQEYZ Winter is $40 more expensive. DUNU x KOTO ITO holds a slight 0.3-point edge in reviewer scores (7.3 vs 7).
Insights
| Metric | DUNU x KOTO ITO | BQEYZ Winter |
|---|---|---|
| Bass | 8.1 | 7 |
| Mids | 6.1 | 7 |
| Treble | 6.2 | 7 |
| Details | 7.2 | 7 |
| Soundstage | 7.3 | 7 |
| Imaging | 7.4 | 7 |
| Dynamics | 7.8 | 7 |
| Tonality | 7.1 | 7.9 |
| Technicalities | 6.2 | 7.6 |
DUNU x KOTO ITO Aggregated Review Score
DUNU x KOTO ITO Average Reviewer Scores
BQEYZ Winter Aggregated Review Score
BQEYZ Winter Average Reviewer Scores
DUNU x KOTO ITO Details
Driver Configuration: 2DD+2BA
Tuning Type: Strong V
Price (Msrp): $199
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BQEYZ Winter Details
Driver Configuration: 1DD+1BC
Tuning Type: Bright neutral
Price (Msrp): $239
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DUNU x KOTO ITO User Review Score
DUNU x KOTO ITO Average User Scores
Average User Score: n/a
Based on 0 user reviews
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BQEYZ Winter User Review Score
BQEYZ Winter Average User Scores
Average User Score: n/a
Based on 0 user reviews
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DUNU x KOTO ITO Gaming Score
Gaming Score & Grade
- The gaming score is prioritizing technical capabilities of the IEM (Separation, Layering, Soundstage) and good value.
Gaming Score
5.4Gaming Grade
C+BQEYZ Winter Gaming Score
Gaming Score & Grade
- The gaming score is prioritizing technical capabilities of the IEM (Separation, Layering, Soundstage) and good value.
Gaming Score
7.6Gaming Grade
ADUNU x KOTO ITO Scorings
Average Technical & Tuning Grades
Average Tunign Grade
A-- Pleasing tonal balance with good technical control. Minor quirks present but not distracting. Demonstrates decent genre versatility.
Average Technical Grade
B- Satisfactory technical performance. Handles basic detail retrieval adequately in most tracks. Maintains reasonable cohesion in simpler arrangements.
BQEYZ Winter Scorings
Average Technical & Tuning Grades
Average Tunign Grade
A- Well-executed tonal character. No major flaws with good technical control. Smooth presentation works with multiple genres.
Average Technical Grade
A- Good technical performance. Clear separation and decent detail retrieval across various tracks. Soundstage shows reasonable width and depth.
DUNU x KOTO ITO Reviews
DUNU x KOTO ITO reviewed by: Jaytiss
2025-09-11
7.4
Reviewer Score
It's a fun tuning that I think people will like. Jaytiss Youtube Channel
Build & accessories land in a solid spot for the price: comfortable shells with secure nozzles, clear L/R marks, and a supple modular cable that swaps between 4.4mm and 3.5mm (no USB-C in-box). The hard case is nicely made and pocketable, and the whole package feels durable if not premium. Nothing glaring in QC—just a clean, practical presentation.
Sonically, this is a bold V-shape—huge sub-bass punch with elevated upper mids to keep things lively. The bass can turn boomy/pillowy on some tracks, and a scoop around 300–800 Hz can leave female vocals a touch recessed; treble is clean and controlled, a little dark up top with limited sparkle. Technicalities are decent rather than class-leading—separation and air trail sets like Punch Audio Martillo or Crescent, while tuning kinships show up against DUNU Glacier and even Grand Maestro-style balances. Compared to value darlings (e.g., Truth Ear Pure, Jazzer Defiant), ITO feels more audiophile-flavored fun than an all-rounder.
In DUNU’s lineup it reads as a unique basshead option: very engaging slam, thick note weight, and non-fatiguing treble, but only average mids/technicalities. Think hip-hop/EDM-friendly impact over neutral precision. Verdict: around 3–3.5 stars—competitive at $200 for those chasing thump and excitement; listeners wanting neutrality, vocal presence, or extra air may prefer other picks or a “tactful V” with less bass and less upper-mid bite.
DUNU x KOTO ITO reviewed by: Z-Reviews
2025-09-07
6.8
* score normalized
Dunu’s collab with Japanese creator Kaji Kaji lands as the ITO, tuned nothing like the stereotype of “treble ’til you die.” The presentation leans smooth, warm, and open, with a notably wide soundstage that flatters jazz and intimate acoustic sets—think late-night, bourbon-and-smoky-room mood without the glare. It’s built for relaxed musicality rather than forensic detail extraction.
Low end carries a thick, satisfying sub-bass that stays tasteful—present when the track calls for it, not a constant spotlight. The ITO plays “fun first”: big space, plush tone, and enough detail to keep things engaging, landing beside a “T Pro”-type set but with the clinical edges dialed back to emphasize bass and stage. In short, a “perfect fun IEM” vibe that prefers groove and atmosphere over microscope listening.
Ergonomically the shells are a bit thick, but build and accessories impress: a quality Dunu cable with interchangeable plugs, a case, and a spread of tips (including Dunu SS). The hybrid 2DD+2BA setup (ultra-low DD + low/mid DD, mid BA, ultra-high BA) at around 37 Ω runs well from modest sources and scales nicely; pricing circles the $200 mark, making it an easy recommendation for listeners who want warm, expansive, and genuinely musical tuning without chasing every last micro-detail.
DUNU x KOTO ITO reviewed by: IEMRanking AI
2025-09-07
7.6
Reviewer Score
DUNU x KOTO ITO is a $199.99 hybrid IEM built with Japanese reviewer Kaji Kaji (“Koto”). It uses a 2DD+2BA array (10 mm bio-diaphragm DD + 8 mm LCP DD, plus two treble BAs), comes with DUNU’s Q-Lock quick-swap plugs, and lists 105 dB sensitivity at 37 Ω with shells at ~6.5 g each.
Tonally, ITO aims for a U-shaped, bass-tilted balance: sub/mid-bass punch is elevated, mids sit slightly back but avoid haze, and treble is smooth with workable extension rather than bite. Early community impressions frame it as energetic and a touch V-leaning versus DUNU’s more neutral sets, which tracks with the collab’s “full-bodied” intent.
Technicalities are competent for the class: dynamics and imaging keep up with busy mixes, while soundstage and microdetail are closer to average among sub-$200 hybrids; driveability is friendly given 105 dB/37 Ω. As a package—tuning, accessories, and fit—it offers good value for listeners wanting engaging bass without sharp treble, though those chasing expansive stage or strict neutrality may prefer other options.
BQEYZ Winter Reviews
BQEYZ Winter reviewed by: Z-Reviews
7
* score normalized
BQEYZ Winter reviewed by: Drew / Audionotions
6.5
Reviewer Score
Just the right amount of warmth to have lush mids while retaining clarity. Treble is clear and sparkly but very smooth - not fatiguing at all for me - could be because the treble is handled by BC?. First time I've heard anything from this brand - I bought it on a whim because it looks so pretty, and I ended up pleasantly surprised with how much I enjoy the sound! So easy to listen to and enjoy. Previously Owned
BQEYZ Winter reviewed by: Jays Audio
6
Reviewer Score
Clean and open signature with slight treble emphasis. Not airy, but more sharp. Great resolution and imaging. Relatively safe tuning. Jays Audio Youtube Channel
BQEYZ Winter reviewed by: IEMRanking AI
2025-08-30
8.4
Reviewer Score
BQEYZ Winter aims for a neutral-bright balance: clear mids, crisp yet smooth treble, and a tight low end that favors definition over slam. Its hybrid setup pairs a 12 mm dynamic driver with an 11.6 mm PZT bone-conduction unit that supplements upper-mids/treble for extra texture and air . Tonally it reads bright-neutral with mild warmth in the bass and a restrained sub-bass shelf, which suits listeners who prioritize clarity over heavy impact .
Technical performance is a strong point: imaging and instrument separation are precise, and the stage feels airy with tidy placement rather than cavernous width . Treble can edge bright on hot masters and tip choice/fit matters, but detail retrieval is competitive at the price. At an MSRP of $239, Winter is an easy mid-tier recommendation for those who value speed and articulation over bass heft .
DUNU x KOTO ITO User Reviews
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