DUNU x KOTO ITO VS Hidizs mk12 x Ducbloke
IEM Comparison: Expert & Community Scores Side-by-Side
DUNU x KOTO ITO and Hidizs mk12 x Ducbloke use 2DD+2BA and 1DD driver setups respectively. DUNU x KOTO ITO costs $199 while Hidizs mk12 x Ducbloke costs $199. DUNU x KOTO ITO holds a slight 0.1-point edge in reviewer scores (7.2 vs 7.1). Hidizs mk12 x Ducbloke has better treble with a 0.7-point edge, Hidizs mk12 x Ducbloke has better dynamics with a 0.5-point edge, Hidizs mk12 x Ducbloke has better soundstage with a 0.6-point edge, Hidizs mk12 x Ducbloke has better details with a 0.5-point edge and Hidizs mk12 x Ducbloke has better imaging with a 0.7-point edge.
Insights
| Metric | DUNU x KOTO ITO | Hidizs mk12 x Ducbloke |
|---|---|---|
| Bass | 8.1 | 8.1 |
| Mids | 6.1 | 6 |
| Treble | 6.2 | 6.8 |
| Details | 7.2 | 7.7 |
| Soundstage | 7.3 | 7.9 |
| Imaging | 7.4 | 8.1 |
| Dynamics | 7.8 | 8.3 |
| Tonality | 7.1 | 7.2 |
| Technicalities | 6.2 | 6.3 |
DUNU x KOTO ITO Aggregated Review Score
Average Reviewer Scores
Average Reviewer Score:
7.2Generally Favorable
Hidizs mk12 x Ducbloke Aggregated Review Score
Average Reviewer Scores
Average Reviewer Score:
7.1Generally Favorable
Reviews Comparison
DUNU x KOTO ITO reviewed by Jaytiss
2025-09-11
7.4
Reviewer Score
Youtube Video Summary
Build & accessories land in a solid spot for the price: comfortable shells with secure nozzles, clear L/R marks, and a supple modular cable that swaps between 4.4mm and 3.5mm (no USB-C in-box). The hard case is nicely made and pocketable, and the whole package feels durable if not premium. Nothing glaring in QC—just a clean, practical presentation.
Sonically, this is a bold V-shape—huge sub-bass punch with elevated upper mids to keep things lively. The bass can turn boomy/pillowy on some tracks, and a scoop around 300–800 Hz can leave female vocals a touch recessed; treble is clean and controlled, a little dark up top with limited sparkle. Technicalities are decent rather than class-leading—separation and air trail sets like Punch Audio Martillo or Crescent, while tuning kinships show up against DUNU Glacier and even Grand Maestro-style balances. Compared to value darlings (e.g., Truth Ear Pure, Jazzer Defiant), ITO feels more audiophile-flavored fun than an all-rounder.
In DUNU’s lineup it reads as a unique basshead option: very engaging slam, thick note weight, and non-fatiguing treble, but only average mids/technicalities. Think hip-hop/EDM-friendly impact over neutral precision. Verdict: around 3–3.5 stars—competitive at $200 for those chasing thump and excitement; listeners wanting neutrality, vocal presence, or extra air may prefer other picks or a “tactful V” with less bass and less upper-mid bite.
Jaytiss Youtube Channel
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Hidizs mk12 x Ducbloke reviewed by Jaytiss
2025-09-20
7.6
Reviewer Score
Youtube Video Summary
Hidizs MK12 x DucBloke arrives as a limited-edition single-DD collab with a 12 mm pure magnesium diaphragm, dressed in a striking red shell/nozzle. Pricing sits around $260 (about $240 on pre-order). The package is handsome: a plush, roomy case, a red flat 2-pin cable with clear L/R indicators and a tidy Y-split, plus a 3.5 mm option. Swappable nozzles exist for the MK12 line, but the supplied red nozzle is the standout for the mids—and the one trusted by multiple ears in the scene. Comfort is strong, the shell is vented, and it ships with Divinus Velvet tips.
Tonally, this is an organic, warm, downward-sloping tuning with a thumpy, fun bass, generous width, and an overall rich timbre. It suits R&B and hip-hop especially well; stage feels broad and “concert-like,” vocals come across analog and full. Treble is agreeable rather than flashy—on tracks like “Thriller” the cymbals could use a touch more bite—yet detail retrieval and resolution remain respectable. Not a dead-neutral monitor; more a musical, engaging daily driver for listeners who embrace warmth.
Against peers and prior Hidizs sets, MK12 x DucBloke carries the brand’s better traits with cleaner treble energy than some earlier efforts and a bass shelf that avoids muddle. It echoes the warmth of certain high-end references while adding a bit more upper-treble air. EQ is a playground here: presets like Sparkle (air lift), Neutral (slight sub-bass bump), and Hard-Hitting (more bass, more linear) all work well, and the Jaytiss-tuned profile adds extra air without breaking balance. Final take: a solid “A” fun set with 9/10 bass & dynamics, warm-leaning mids, polite treble, big stage, and strong technical underpinnings—an easy recommendation for those wanting a rich, vented, EQ-friendly single-DD in a gorgeous red suit.
Jaytiss Youtube Channel
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DUNU x KOTO ITO reviewed by Web Search
2025-09-07
7.6
Reviewer Score
DUNU x KOTO ITO is a $199.99 hybrid IEM built with Japanese reviewer Kaji Kaji (“Koto”). It uses a 2DD+2BA array (10 mm bio-diaphragm DD + 8 mm LCP DD, plus two treble BAs), comes with DUNU’s Q-Lock quick-swap plugs, and lists 105 dB sensitivity at 37 Ω with shells at ~6.5 g each.
Tonally, ITO aims for a U-shaped, bass-tilted balance: sub/mid-bass punch is elevated, mids sit slightly back but avoid haze, and treble is smooth with workable extension rather than bite. Early community impressions frame it as energetic and a touch V-leaning versus DUNU’s more neutral sets, which tracks with the collab’s “full-bodied” intent.
Technicalities are competent for the class: dynamics and imaging keep up with busy mixes, while soundstage and microdetail are closer to average among sub-$200 hybrids; driveability is friendly given 105 dB/37 Ω. As a package—tuning, accessories, and fit—it offers good value for listeners wanting engaging bass without sharp treble, though those chasing expansive stage or strict neutrality may prefer other options.
Hidizs mk12 x Ducbloke reviewed by Web Search
2025-09-20
6.6
Reviewer Score
The Hidizs MK12 × DucBloke is a special-tuned edition built on the MK12 “Turris” platform, which uses a single 12 mm dynamic driver with a 91% magnesium diaphragm and a 1.5 T magnet system inside a CNC-milled metal shell. The base MK12 includes three swappable pneumatic filters and retails around $199 (often $179 on sale), with Hidizs officially confirming the DucBloke collaboration and demos at CanJam SoCal 2025.
Tonal balance with the MK12 platform is broadly warm U-shaped and can be shifted via the filters: Silver lifts treble, Rose Gold/Gold aims for a balanced profile, and Red boosts low frequencies while relaxing the upper mids—behavior documented across launch materials and reviews. This aligns with independent measurements/impressions noting the red filter’s fuller bass and the silver filter’s added upper-energy, giving the DucBloke edition a clear path toward a bass-weighted yet smooth top end.
Technical performance is competitive in the sub-$200 class: reviewers consistently describe a spacious soundstage, convincing imaging, and strong dynamics for a single-DD, while ultimate micro-detail and treble air are good rather than class-leading. With the right filter and tips, the set offers solid clarity without harshness and bass impact that should satisfy listeners seeking weight and physicality. Overall, the value proposition is strong at its street price, especially if the DucBloke tuning prioritizes the red-filter’s engaging low-end.
DUNU x KOTO ITO (more reviews)
DUNU x KOTO ITO reviewed by Z-Reviews
2025-09-07
6.8
* score rescaled + normalized
Youtube Video Summary
Dunu’s collab with Japanese creator Kaji Kaji lands as the ITO, tuned nothing like the stereotype of “treble ’til you die.” The presentation leans smooth, warm, and open, with a notably wide soundstage that flatters jazz and intimate acoustic sets—think late-night, bourbon-and-smoky-room mood without the glare. It’s built for relaxed musicality rather than forensic detail extraction.
Low end carries a thick, satisfying sub-bass that stays tasteful—present when the track calls for it, not a constant spotlight. The ITO plays “fun first”: big space, plush tone, and enough detail to keep things engaging, landing beside a “T Pro”-type set but with the clinical edges dialed back to emphasize bass and stage. In short, a “perfect fun IEM” vibe that prefers groove and atmosphere over microscope listening.
Ergonomically the shells are a bit thick, but build and accessories impress: a quality Dunu cable with interchangeable plugs, a case, and a spread of tips (including Dunu SS). The hybrid 2DD+2BA setup (ultra-low DD + low/mid DD, mid BA, ultra-high BA) at around 37 Ω runs well from modest sources and scales nicely; pricing circles the $200 mark, making it an easy recommendation for listeners who want warm, expansive, and genuinely musical tuning without chasing every last micro-detail.
Z-Reviews Youtube Channel
DUNU x KOTO ITO reviewed by Head-Fi.org
7
* score rescaled + normalized
DUNU x KOTO ITO Details
Driver Configuration: 2DD+2BA
Tuning Type: V-Shaped
Brand: DUNU Top DUNU IEMs
Price (Msrp): $199
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Hidizs mk12 x Ducbloke Details
Driver Configuration: 1DD
Tuning Type: Warm, U-Shaped
Price (Msrp): $199
Support our free service! Buying through our affiliate links costs you nothing extra:
DUNU x KOTO ITO User Review Score
Average User Scores
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Hidizs mk12 x Ducbloke User Review Score
Average User Scores
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DUNU x KOTO ITO Gaming Score
Gaming Score & Grade
- The gaming score is prioritizing technical capabilities of the IEM (Separation, Layering, Soundstage) and good value.
Gaming Score
6.4Gaming Grade
BHidizs mk12 x Ducbloke Gaming Score
Gaming Score & Grade
- The gaming score is prioritizing technical capabilities of the IEM (Separation, Layering, Soundstage) and good value.
Gaming Score
6.6Gaming Grade
B+DUNU x KOTO ITO Scorings
Average Technical & Tuning Grades
Average Tunign Grade
A-- The tonal character feels settled and versatile, with just a few gentle bumps. You can listen for hours without fatigue.
Average Technical Grade
B- An honest, middle-of-the-road performance preserves structure without chasing micro-detail. It's respectable for everyday listening sessions.
Hidizs mk12 x Ducbloke Scorings
Average Technical & Tuning Grades
Average Tunign Grade
A-- A smooth, agreeable balance keeps the presentation engaging without obvious flaws. Only sensitive ears will nitpick the bumps.
Average Technical Grade
B- Technical ability is serviceable, keeping basic detail intact across simpler tracks. It keeps up with acoustic tracks without much fuss.
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