Elysian Pilgrim VS Tanchjim Origin

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Hyped for good reason, Elysian’s Pilgrim pairs a sleek, carved metal shell with a genuinely upgraded cable and a refined, clean-balanced tuning. Technicals punch high for the price—resolution sits a notch above sets like Hype 4 and Dusk, while the bass shows tight texture, tidy decay, and neat separation. The low end isn’t as forward or “full” as Hype 4, trading slam for a more neutral and organized presentation that suits listeners seeking clarity over thump.

Vocals are naturally placed: not shouty, not distant, with a touch of air on the tail that avoids harshness. Compared with Dusk, the Pilgrim carries better upper-mid extension and a more complete, detailed midrange; it’s also a bit smoother and more natural up top, and adds a hair more sub-bass for engagement. As a package—sound, build, and unboxing—the Pilgrim reads like a polished, modernized take on that classic balanced recipe.

Context matters, though. As an all-rounder around $300–$400, Pilgrim would be an easy pick, but the Supermix 4 at ~$150 offers roughly “90% of the experience” with an even smoother tilt, pressuring its value case. On the horizon, Simgot EM10—if priced around $399–$450—promises more air, detail, punchier mid-bass, and a wider wrap-around stage, potentially overshadowing Pilgrim’s more chill, laid-back vibe. Practical notes: no obvious channel imbalance was heard, but the ring plating can scratch quickly, the fit is a bit shallow, and wider-bore tips help. Net: a beautifully made, balanced performer for those who value refinement and design, but with fierce competition today, some shoppers may prefer to wait or choose something more specialized (e.g., Hype 4 for bigger low-end).

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Tanchjim Origin targets a balanced and clean tuning with a sprinkle of mid-bass. Dynamics come across smooth like the EA500LM but a touch cleaner; low-end is punchy, textured, and well separated, just not as tactile in attack as EA1000. The spotlight is vocals: female voices sound sweet, open, and extended without thinness or shout, though there’s less chest depth and a desire for a bit more sparkle. Stage feels tidy rather than expansive—EA1000 projects a more open headspace—so the Origin reads as “very correct,” not showy.

Treble is smooth, clean, and well-extended with no harshness; not Helios-level airy, but enough. Resolution sits close to EA500LM, while EA1000 delivers sharper transients and a slightly more resolving edge. Character map: Origin = balanced/clean, EA1000 = slightly bright/sparkly, EA500LM = warmest/bassiest. All three are mid-volume listens stock. With mods, EA1000 proves the most flexible and gains that engaging “special sauce” with more tactile bass and vocal energy; Origin is easier to dull or darken; LM can tip into too much bass with added damping.

In today’s market the Origin sits in a tough spot: EA1000 beats it on price, engagement, and mod scaling, while EA500LM undercuts it with better bass texture and value. With contenders like Nova, Chopin, Quintet, and Hype 2 swirling around, Origin makes the most sense if a balanced, smooth single-DD is wanted without a mid-bass scoop. The extra nozzles don’t meaningfully change things, and a price near $150 would feel far more justified. Otherwise, waiting for the next wave may be the smarter play.

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Elysian’s Pilgrim shows up with a small, comfortable shell and a tidy, premium-feeling case—white on the outside, a bit papery inside, but practical. Fit leans shallow; a grippy tip helps keep things steady. The unit measured with excellent channel matching and tracks closely to a preferred target, setting the stage for a confident first impression.

On sound, Pilgrim delivers punchy bass with real note weight and slam, natural mids, and imaging that locks in place. There’s a touch of metallic/lush timbre and an ear-gain region that can feel a bit forward, but the overall tonality stays engaging. It’s not a “baby Annihilator”: the big sibling still brings deeper sub-bass and a cleaner upper register, while Pilgrim feels a little more fun and lively. Versus Hype 4, the two trade blows—late vs. early ear gain—with Hype 4 getting a slight nod for some tastes; against the Mega 5 EST, Pilgrim is the more exciting listen and, at roughly $150 less, the stronger value.

Ranking wise, Pilgrim sits among the best at its price, even sparring with costlier sets, though it stops short of heavy hitters like Grand Maestro, Annihilator, Jupiter, or Velour. Assuming the rumored $350–$450 bracket, the package—sound, cable, and case—is compelling. Minor quirks in the ear-gain area aside, this is an exceptional IEM with a full recommendation, and there’s even a Noir version on the horizon for those curious about variants.

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Tanchjim Origin gets the “Legendary” treatment for good reason: it’s a clarity-first single-DD that puts finesse over flash. The full-metal shells feel premium but can be slippery and a bit tricky to seat; expect some tip-rolling. Build notes include a semi-recessed 2-pin, a well-cut nozzle, and finish wear that can show with time—ergonomics are fine, just not as contoured as newer designs.

Tuning skews neutral and mid-focused: bass is clean with a light, non-exaggerated thump and controlled mid-bass, so no boom. The midrange is the star, while the treble brings smooth extension and a surprisingly refined sparkle. Technicals impress—pristine resolution, tidy separation, and standout imaging—but there’s no “thunder” down low; some listeners may notice a touch of brightness in the mid-treble. Swappable filters exist, yet their effect is subtle.

Reception has been bullish: Zeos called it obsessively neutral and nearly perfect; Timmy praised it as one of the year’s best with lovely, smooth treble; Super* Review rates it among the better sets under ~$260 while preferring the Chopin. In today’s field—with value picks like Tanchjim Bunny (to sample the signature cheaply) and modern darlings like Softears Volume S—Origin still stands as a refined, resolving choice under $300. Verdict: an A+ recommendation for listeners chasing cleanliness, mids, and imaging; bassheads should look elsewhere.

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Elysian Pilgrim hits the rare $400 bracket with a hybrid recipe—1× LSR dynamic and 3× Sonion BA—and a presentation that pulls the stage in. Instead of big, floaty width, the image clamps down with laser focus: vocals and transients sit right there, almost “under the skin.” Well-recorded tracks pop with mic-placement clarity; poorly recorded ones get called out instantly. Bass is punchy and structurally correct rather than boosted—not a basshead set, but it thumps when the mix calls for it. It scales across amps (from clean to tubey), with some chains teasing a bit more soundstage while keeping that intimate, hyper-detailed character.

Build is slick: a comfortable, not-too-thick shell with a machined aluminum back and proper venting. The star quirk is the Pentaconn Ear connector—rotational like MMCX but far more robust—which also means most existing cables won’t fit, so the stock cable (often 4.4 mm, with 3.5 mm or both for extra) becomes the default. The earhooks curve a bit aggressively but can be reshaped; comfort overall is easy listening. Accessories are fine but not lavish: SpinFit tips and a big showpiece case that’s cool, if not pocketable.

Sonically it’s a “punch-drunk focus” specialist: drives through track after track, rewards great recordings, and refuses to sugarcoat weak ones. The Pilgrim feels special because of that concentrated energy and neutral-honest bass—more “truth serum” than lounge lizard. Verdict: 9/10. Docked for cable ecosystem quirks and a modest accessory spread, but the sound is compelling enough to make that nitpicking feel small. Curiosity about the pricier Pilgrim Noir stays high, yet this standard model already delivers a distinctive, addictive ride.

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Tanchjim Origin shows up with grown-up design, a slick logo, and a surprisingly nice stock cable—though it’s only 3.5 mm. Under the hood: a single dynamic driver and interchangeable nozzles. The “Dynamic” nozzle thickens the bass into a chewy, fun thump; the “Light” nozzle unlocks the magic—shockingly clean, near-neutral tuning with a tight low end. Tip rolling pays off (foam-filled silicone adds a touch of seal and snap), and the shells feel like proper adult jewelry. The carry case is comically huge, and the 2-pin posts are long, but build is otherwise dialed.

Sonically, Origin hits that “how is this this clean?” tier: vocals are dead-on, the treble stays smooth without bite, and the low end sits ~a hair north of flat for just the right weight. Staging isn’t stadium-wide—image arcs just behind the eyes—but layering, punch, and overall polish scream high-end without needing a mega amp. Swap to the Light nozzle, get a good seal, and it’s a full send: one of the best-sounding single-DD sets in this bracket, the kind that could still be recommended even at a higher tag. Call it a 9/10—dock a point for the non-modular cable and oversized case—but the tuning and refinement are spectacular for the price.

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Elysian Pilgrim hits that rare sweet spot: a truly affordable entry into the brand’s house sound that still feels flagship-adjacent. Think Gaia DNA with a more tamed signature—the bass is dynamic, punchy, thumpy yet modest in quantity, staying clean with no bleed into the lower mids. Vocals sit center-stage with a touch of thickness, generally natural timbre and only a hint of grain that comes from the energetic top end. It’s a balanced, non-boomy low end for everyday listening; bassheads may want +1–2 dB more.

The star is the treble: incisive, nuanced, and genuinely “end-game” in detail retrieval at this price. Treble quality tracks closely with Gaia, still shy of the Annihilator, but astonishing for $399. Overall technical performance is the wow factor—notes feel crisp, tactile, high-definition, sitting well above sets like the Blessing 3 while only lightly trading away smoothness, and doing so tastefully. It reads as a “high-res” listen without slipping into harshness.

Against peers: Studio 4 stays smoother and more natural, but Pilgrim brings more energy and clearly higher detail. Versus the Hype 4, the latter has more bass quantity, yet Pilgrim wins in treble timbre and overall resolution. Compared with Moondrop x Crinacle Dusk, rankings shake out with Pilgrim first in treble and technicals, while the DSP Dusk often leads for bass/vocals over the analog version. Verdict: a big green thumbs up—an A+ for delivering thrilling, highly technical performance that competes above its class. (Interview notes: the Pilgrim Noir variant aims warmer, includes an Eros S cable and luxe case at a higher price, while standard Pilgrim stays the brighter, value-focused pick.)

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The Elysian Pilgrim brings boutique flair to a more reachable $400 tier with a metal shell that mixes matte and glossy milling, a comfy medium fit, and a plush two-core cable that’s nicer than most in the class. Notable is the Pentaconn connector—smooth to rotate and said to be durable—though cable swapping is less convenient if the stash is mostly 2-pin/MMCX. Accessories feel thoughtful (including unique black-core SpinFit tips), while the case skews a bit large.

Sonically it’s a well-balanced, slightly midrange-focused tuning with a clean sub-bass lift (below ~150 Hz) that can read “bass-light” on tracks heavy in mid-bass. Treble isn’t pushed; presentation comes off a touch brighter/open than the curve suggests, with solid imaging and agreeable vocal clarity. Compared to an earlier show demo, the production unit’s top end feels nerfed: those delicate, Plucky treble transients and the weight in high-hat percussion that once stood out are dialed back for a safer listen.

In the $400 cohort—Yanyin Canon 2 (warm, meaty), Thieaudio Hype 4 (leaner mids, thicker bass), Moondrop Dusk (clinical neutral with sub-bass and forward vocals), and Softears Studio 4 (brightest, most lively)—Pilgrim slots squarely mid-pack: agreeable, but less distinctive than the more characterful peers. Had the show tuning shipped, it would spar closer to the front; as is, the take is competent yet conservative. Final verdict: three stars out of five—a quality set that favors balance over excitement in an increasingly competitive bracket.

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Origin aims to update the classic Oxygen recipe with a mid-bass lift and a long bass arc, but the execution pushes the upper mids (3–5 kHz) too high and adds an oversized air/upper-treble shelf. The net effect is a neutral-bright balance where mids lose weight and naturalness, while the supposed sub-bass roll-off is mostly a masking effect from the hot top end.

The bass arc itself is solid, yet it stays masked unless another 1–2 dB is added around ~50 Hz; vocals come across lighter and faster rather than organic, and the extra air sounds more like artificial sheen than true resolution. With so much top-end energy, the stage flattens into the head and becomes fatiguing at moderate volume, undermining the otherwise capable driver and leaving little genre flexibility compared with Oxygen.