Epz K9 VS MYER SL224
IEM Comparison: Expert & Community Scores Side-by-Side
Epz K9 and MYER SL224 use 1DD+8BA and 2DD+2BA+4Micro-Planar driver setups respectively. Epz K9 costs $299 while MYER SL224 costs $270. Epz K9 is $29 more expensive. Epz K9 holds a slight 0.1-point edge in reviewer scores (7.7 vs 7.5). MYER SL224 has better mids with a 0.5-point edge, MYER SL224 has better treble with a 0.5-point edge, MYER SL224 has better dynamics with a 0.5-point edge, MYER SL224 has better soundstage with a 0.5-point edge, MYER SL224 has better details with a 0.5-point edge and MYER SL224 has better imaging with a 0.5-point edge.
Insights
| Metric | Epz K9 | MYER SL224 |
|---|---|---|
| Bass | 8.1 | 8.2 |
| Mids | 7 | 7.5 |
| Treble | 6.9 | 7.4 |
| Details | 7.6 | 8.1 |
| Soundstage | 7.6 | 8.1 |
| Imaging | 7.4 | 7.9 |
| Dynamics | 7.7 | 8.2 |
| Tonality | 7.7 | 8 |
| Technicalities | 7.4 | 7.5 |
Epz K9 Aggregated Review Score
Average Reviewer Scores
Average Reviewer Score:
7.7Strongly Favorable
MYER SL224 Aggregated Review Score
Average Reviewer Scores
Average Reviewer Score:
7.5Strongly Favorable
Reviews Comparison
Epz K9 reviewed by Jaytiss
2025-09-21
7.5
Reviewer Score
Youtube Video Summary
EPZ K9 brings a flashy spec sheet and premium feel: a 9-driver hybrid (1DD+8BA) dressed in a world-class shell that fits securely, vents properly, and looks gorgeous with its blue-white case. The stock cable offers swappable 3.5↔4.4 termination and a steady chin slider, though the fabric sheathing and barely visible L/R markers are quirks. Originally teased near $300 and now closer to $400, the package screams polish more than compromise.
Sonically, this is a V-shaped tuning with rich bass, thick lower mids, and extra energy in the 3–6 kHz band that can make stick hits and sibilants feel a touch sharp. The midrange clarity is only decent and the upper-air/treble extension is just okay, but staging comes across pleasantly open. Graph comparisons paint the picture: versus EPZ’s own P50 (safer, flatter upper mids) and the more majestic, warm-lean V of the EPZ 530, K9 pushes that presence region a few dB higher. Sets like Afu Dawn X flatten that band while extending air; Softears Volume offers a very similar profile but even more 5–6 kHz energy; and options around this price—Magic Top Pro, Yu9 Chua—show alternate takes with either dipped presence or stronger bass/1 kHz support.
In practice, K9 aims for excitement: weighty bass, a forward upper-mid/low-treble bite, and a lively stage. Listeners craving a crisp, energetic V will find plenty to enjoy, while those sensitive to brightness or seeking mid clarity and airy refinement may prefer the P50, 530, or similarly priced competitors. Stunning build and respectable performance, but the tuning choices make it a taste-dependent recommendation rather than a universal pick.
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MYER SL224 reviewed by Jaytiss
2025-09-24
8.6
Reviewer Score
Jaytiss Youtube Channel
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Epz K9 reviewed by Jays Audio
7.5
Reviewer Score
Youtube Video Summary
EPZ K9 lands as a sweet, balanced all-rounder with a tasteful, slightly V-shaped tilt. Bass is snappy and well-controlled, with a mid-bass fill that adds natural note weight to vocals and drums without muddying the mids. Treble extends cleanly with a hint of air, steering clear of both dullness and sharpness, while imaging is a touch sharper than entry peers. Think EM6L’s vibe but less shouty up top, a bit more resolving, and a clear upgrade path from sets like the Clean/EW300.
Against rivals, K9 takes a more vocal-centric approach: fuller mid-bass, smoother presence, and better slam/body on drums. Astral counters with stronger sub-bass texture, extra air, and a tamer upper-mid for high-energy genres; both trade blows on detail with K9 edging imaging. Versus Odyssey, K9 offers cleaner treble extension and forward vocals, while Odyssey is bassier, with deeper sub-bass texture and louder-volume scaling. Overall technicals sit around Pilgrim/Dusk level, which is solid for the price, especially with the nicer cable, case, and a black color option.
Usability is largely easygoing—tip-rolling is flexible and the stock clears keep things smooth—though the shell edge can feel uncomfortable over long sessions. Best at mid-volume listening (around 60–65 dB); push higher and upper mids/treble can get lively on K-pop/EDM, while R&B/indie scales sweetly up to ~75 dB. Compared with bass-tilted sets (Tea Pro/Hype 4/Estrella/Punch/Martello), K9 is cleaner, tighter, and more mid-range focused; versus neutral leaners (Pilgrim/Dusk/Canon Pro/“5+2”), it has a more complete upper-mid for vocals. Not a market-breaker in pure price/perf, but as a refined, musical package with balanced tonality and comfort-adjacent caveats, K9 is a very solid all-rounder.
Jays Audio Youtube Channel
MYER SL224 reviewed by Jays Audio
2025-07-10
7
Reviewer Score
Jays Audio Youtube Channel
Epz K9 reviewed by Web Search
2025-09-21
7.6
Reviewer Score
The EPZ K9 is a 9-driver hybrid (1DD+8BA) with a 3-way acoustic/electronic crossover, rated at 14 Ω and 108 dB sensitivity; it also ships with interchangeable 3.5 mm/4.4 mm plugs, making it easy to pair with portable sources. Retail pricing varies by region—seen around $299 at some retailers and into the low-$400s elsewhere—so value will depend on where it’s purchased.
Tonally, K9 presents a warm W-shaped balance with substantive mid-bass and a restrained but present upper-mid/treble rise, aiming for smoothness over bite. Frequency-response sets published by community sources also show insertion-depth sensitivity (deep vs shallow), which helps explain reports of “calmer” treble and broader perceived width with deeper seals.
Technical performance is competent for the segment: macro-dynamics and bass slam are a noted strength, while resolution and imaging sit a touch below the class leaders; stage is more wide than deep, but cohesive for a multi-BA hybrid. Multiple long-form impressions describe it as clean and open yet non-fatiguing, which aligns with a safe-tilt treble and fuller lower mids.
MYER SL224 reviewed by Web Search
2025-10-07
7.5
Reviewer Score
The MYER SLIIVO SL224 is an eight-driver hybrid built around 2DD+2BA+4 micro-planar units with a 36 Ω impedance and 108 dB sensitivity, positioned at an MSRP around $269.99 (often on sale near $230). This configuration, including 10 mm and 6 mm dynamic drivers, suggests an intent toward a clean, extended response rather than a bass-dominant tuning. Specs & pricing: 2DD+2BA+4 micro-planar, 10 mm + 6 mm DD, swappable 3.5/4.4/Type-C cable, sale price ~$229.49, regular $269.99.
Subjective reports converge on a balanced/neutral tonality with energetic yet controlled low end from the dual-DD array, lively mids, and an airy but not piercing treble. Mobileaudiophile characterizes bass as fast and powerful with engaging mids and treble, yielding a coherent, never-boring balance; this aligns with the SL224’s technical focus rather than coloration. Tonality & balance references: balanced tuning, lively mids, airy treble; bass praised for speed and control.
Technical impressions emphasize dynamics, detail retrieval, and cleanliness, with community notes calling out tight, quick mid-bass and respectable separation; limitations include occasional midrange forwardness that can mask other bands on some tracks and a stage that reads more precise than expansive. These traits point to strong value in the ~$230 bracket for listeners prioritizing clarity and midrange presence over sheer sub-bass weight. Community impressions & caveats: tight mid-bass, good dynamics; mids can get a bit forward depending on material.
Epz K9 (more reviews)
Epz K9 reviewed by Fox Told Me So
2025-10-11
7.8
Reviewer Score
Sub-bass reaches good depth—elastic and bouncy rather than thunderous—giving just enough physicality without overloading the mix. The bass isn’t heavy-handed; quantity is moderate, punch on the softer side, yet always clearly outlined with clean texture and tight control.
Mids tilt slightly toward female vocals, made airier by a 500Hz dip that trims warmth and opens the space. Vocals sit forward, sweet, and expressive, aided by a mild lift between 600Hz and 1 kHz. A 6kHz rise sharpens edges and adds clarity to cymbals and hi-hats, but a smooth roll-off past 5–8kHz keeps sibilance comfortably restrained.
Treble is bright but polished, extending easily with a gentle 13kHz rise that introduces a touch of air without excess sparkle. The stage impresses with width and layering, offering a lively yet well-controlled image.
Verdict: EPZ K9 isn’t about brute force—it’s about coherence. Smooth highs, open mids, articulate bass, and a wide stage make it an elegant, finely balanced hybrid that performs far beyond expectation.
Fox Told Me So original ranking
Fox Told Me So Youtube Channel
Epz K9 reviewed by Head-Fi.org
7.9
* score rescaled + normalized
MYER SL224 (more reviews)
MYER SL224 reviewed by Kois Archive
8
Reviewer Score
Youtube Video Summary
The MYER SL224 is a stylish tribrid (2DD + 2BA + 4 microplanars) coming in around $270, shipped with a decent 4-core cable featuring 3.5 / 4.4 / USB-C interchangeable plugs, a zipper case, and three ear-tip sets (regular silicone, SpinFit-style silicone, foam). Build is eye-catching thanks to a real mother-of-pearl faceplate; the shell is on the larger side with a universal-custom shape that sits comfortably for long sessions, though smaller ears should test fit first. Cable behavior is mostly cooperative (functional chin slider, slight memory), and overall accessories feel thoughtful for the price.
Tonally, SL224 targets a clean, clinical presentation: sub-bass carries the weight while mid-bass stays nearer to neutral, which can read a touch lean unless paired with a warmer source (tube or similar) to add body. The midrange tracks neutral until the upper-mid / lower-treble rise, boosting female vocal harmonics and air; some may find this area forward, yet it avoids the usual micro-planar harshness. Treble is well-extended and energetic, if not the smoothest—there’s a hint of disconnect around the pinna gain—but this nit shows mainly against sets two to three times the price. Technical chops are a highlight: resolution rivals class standouts (think AFUL P7 territory), imaging is tidy, stage is fairly wide, and it earns a strong nod for competitive gaming.
Against peers, CK2V hits harder down low but dips mid-bass and feels less even up top; AFUL P7 is more balanced yet less flattering to female vocals and trickier in treble; “Dusk” (DSP) delivers better bass and a warmer tilt; “Brain Dance” is flashier but far sharper; Moondrop Meteor tracks a similar tonality with smoother highs and a mid-centric lean—an easy upgrade path if this signature clicks. Recommendation is clear: pick SL224 for a mid/treble-focused set with standout detail and clarity; skip it if sensitive to upper-mid energy or chasing a warm, bass-rich tuning. For value, this feels underrated and distinct in a meta-heavy market, earning a solid three-star recommendation.
Kois Archive Youtube Channel
MYER SL224 reviewed by Gizaudio Axel
2025-07-31
6.5
Reviewer Score
Youtube Video Summary
Packaging overdelivers: a modular cable with 3.5/4.4/USB-C and an included dongle that gets loud enough, seven pairs of silicone tips plus foam, and a small zip case (nice but tight). The shell looks premium with a depth-effect faceplate and a metal nozzle (≈6.1 mm lip); fit is snug though potentially big for smaller ears. Build and accessories feel thoughtful at the price, with only a slightly rubbery cable texture to nitpick.
Tuning is a smooth, vocal-focused, meta-inspired balance: refined mids, a friendly yet detailed top end, and a clean, controlled low end. Bass quality is textured and separated but intentionally polite—not for hip-hop/EDM impact chasers. The midrange brings clear, natural tone without shout; both male and female vocals sit forward. The treble is the star: highly resolving, airy, and surprisingly non-fatiguing for the four micro-planars, avoiding metallic glare while adding tasteful sparkle.
Technically, separation and resolution impress, with a mild cohesiveness quirk where the treble detail outshines bass/mids. Versus peers: CK2V is more V-shaped and brighter-hot; SL224 sounds more natural. Moondrop Meteor offers smoother treble and mid timbre, but SL224’s bass quality and value punch back. Dunu Brain Dance is technically stronger; SL224 wins on tonality. SoftEars Studio 4 remains more lifelike/cohesive; SL224 brings more air and fun. AFUL Performer 7 is the better all-rounder; SL224 is for lighter-bass, vocal clarity. Kiwi Ears Astral is airier/more micro-detailed; SL224 plays it safer up top with more forward vocals. Recommendation: vocal lovers and treble-sensitive listeners wanting detail without sting. Not for bassheads or warm-tilted tastes. Final verdict: a confident 4/5 and the most compelling Myer release so far.
Gizaudio Axel original ranking
Gizaudio Axel Youtube ChannelEpz K9 Details
Driver Configuration: 1DD+8BA
Tuning Type: Warm, W-Shaped
Price (Msrp): $299
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MYER SL224 Details
Driver Configuration: 2DD+2BA+4Micro-Planar
Tuning Type: Neutral
Price (Msrp): $269.99
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Epz K9 User Review Score
Average User Scores
Average User Score: n/a
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MYER SL224 User Review Score
Average User Scores
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Epz K9 Gaming Score
Gaming Score & Grade
- The gaming score is prioritizing technical capabilities of the IEM (Separation, Layering, Soundstage) and good value.
Gaming Score
7.5Gaming Grade
AMYER SL224 Gaming Score
Gaming Score & Grade
- The gaming score is prioritizing technical capabilities of the IEM (Separation, Layering, Soundstage) and good value.
Gaming Score
7.6Gaming Grade
AEpz K9 Scorings
Average Technical & Tuning Grades
Average Tunign Grade
A- Tuning feels well executed, keeping a natural flow across the spectrum. Switching genres feels seamless.
Average Technical Grade
A-- You get a controlled, composed performance, marrying decent clarity with a still-modest sense of space. A safe technical performer for the price bracket.
MYER SL224 Scorings
Average Technical & Tuning Grades
Average Tunign Grade
A+- Overall balance feels confident and refined, rewarding long listening sessions. A reliable all-rounder for everyday listening.
Average Technical Grade
A- Technical performance is solid, offering clear separation and consistent detail retrieval. There's enough space for instruments to breathe.
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