EPZ P50 VS ZiiGaat Luna

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The ZiiGaat Luna impresses immediately with its solid build quality, featuring a comfortable metal nozzle shell and a unique wing design for a secure fit. While the shell doesn't reinvent ZiiGaat's typical mold, the accessories show significant improvement, including a nice selection of tips, a practical case, and a simple but effective cable with swappable terminations (including 4.4mm). This attention to the unboxing experience, especially at its $379 price point, demonstrates ZiiGaat listened to community feedback.

Sonically, the Luna delivers a bold, clean, and tactile V-shaped signature with exceptional micro-detail and a fantastic overall frequency response. It stands out as a supremely capable all-rounder, offering a touch of hi-fi quality. Comparisons reveal it surpasses other ZiiGaat models like the specialist Arcanis, the neutral Lush, and provides a clear upgrade path over the Odyssey. While the Mangird Top Pro offers thick, majestic bass, the Luna boasts better clarity and detail and is deemed a more versatile choice. It also compares favorably to benchmarks like the Aful Performer 7, offering better treble and a cleaner presentation, and edges out the 7th Acoustics Supernova with a slightly more agreeable tuning.

Ultimately, the Luna hits a remarkable sweet spot. It combines a balanced sound with great technicalities, improved accessories, and a tonality that avoids harshness while retaining excitement. For its price bracket, it represents a fantastic value and emerges as a strong contender for the benchmark all-rounder in the $300-$400 range, offering a taste of high-end performance without the ludicrous cost. It’s a clear sign of ZiiGaat refining their approach based on user input, resulting in one of their finest IEMs to date.

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The EPZ P50 comes in hot as a new tribrid and a potential $200 neutral benchmark, trading sterile restraint for a more vocal-centric presentation. Versus the MEGA5EST, vocals sit a touch more forward—adding emotional weight and clarity—while the MEGA5EST still edges it on sheer smoothness and EST “air.” Compared to Meteor, the P50 fills in the lower mids, dials back 1–3 kHz glare, and opens the top end a bit; Meteor stays a hair softer up top. The catch is bass: the P50’s DD is competent but not a sub-bass shaker—expect clean rather than authoritative slam.

Against peers, the P50 sounds fuller and more natural than Supermix 4 (which is brighter and more “hi-fi” energetic), and it trades blows with Odyssey: Odyssey brings better bass texture and treble micro-detail, while the P50 delivers superior vocal clarity and a touch more air. It excels at mid-volume listening—Volume S needs more gain to bloom—and outclasses lighter, air-tilted sets like “K4” style tunings when male vocals or body are the priority. Accessory game is strong too: a nicer cable and a genuinely sturdy hard-leather case sweeten the deal. Not the most “unique” flavor and not for bassheads, but as a balanced, clean, vocal-forward option around $200, P50 is an easy recommendation for those chasing neutrality without the vanilla.

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The ZiiGaat Luna delivers a smooth, full, and slightly warm sound with exceptional airiness, creating a lush and laid-back listening experience. Vocals are presented in a balanced yet warmer, thicker tonality, pulling back slightly in the mix compared to vocal-centric sets like the Arcanis. This tuning emphasizes micro-nuances in the treble, offering well-extended symbol crashes and a refined, non-fatiguing character. Tonally, it sits as a more technical evolution of the discontinued P1 Max and a warmer, more affordable alternative to the elusive Seven Acoustics Supernova or Dunu SA6 series, delivering a similar smoothness and air at roughly $200 less.

Technically, the Luna performs competitively around the Arcanus level, featuring good resolution, layering, and solid bass texture, though it isn't a sheer technical monster. Its unique, musical tonality more than justifies its $350-$379 price. The bass, powered by Sonion drivers, provides quick separation and snappy response with enough warmth for a comfy, nostalgic feel, though it lacks the deep sub-bass rumble and intense slam of dedicated bass sets like the Ziigaat Cincotres or Estrella. This makes the Luna ideal for rock, indie, and metal genres, where its firm mid-bass, full-bodied yet quick decay, pulled-back vocals (preventing shoutiness), and airy treble excel. It scales well at medium volumes (around 75-80 dB), working as an all-rounder but truly shining with bands.

Compared to its sibling, the Odyssey, the Luna is smoother, more laid-back, and airier versus the Odyssey's sharper transients and greater energy. Against the Xenns Top Pro, the Luna offers a warmer, fuller, airier sound but yields in ultimate clarity, vocal forwardness, and transient sharpness. The Kiwi Ears Astral provides a more vibrant, sub-bass focused, and dynamic all-rounder at a lower price, but the Luna counters with superior smoothness, refinement, and a more unique, immersive signature. While vocal-focused sets like the Studio 4 or Volume S offer greater vocal clarity and power, the Luna provides slightly better overall detail retrieval and its distinctive warm, airy musicality. In conclusion, the Luna stands out as a highly competitive set with a unique tuning not commonly found near its price, backed by a quality interchangeable cable, making it a compelling recommendation for those seeking its specific refined, lush, and airy character.

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The Ziigaat Luna arrives as a $379 all-balance armature IEM, impressing right out of the box with its premium accessories. You get a large, sturdy zipper case (though not pocket-friendly), three pairs of narrow bore silicone tips, a set of clear silicone tips, foam tips, and a standout modular cable with both 3.5mm and 4.4mm terminations. The cable itself is praised for being tangle-free, flexible, and microphonic-free, featuring a metal y-split and solid modular connections. The Luna sports a resin build with attractive faceplates and an average size shell, offering a comfortable fit familiar to other Ziigaat models, though some might experience pressure using narrow bore tips for a deep fit.

Sonically, the Luna delivers a smooth, slightly warm, and airy signature that's notably non-fatiguing. The bass, while lacking the physical slam of a dynamic driver, is one of the better BA implementations, offering satisfying mid-bass thump, definition, and gentle rumble. The mid-range has a touch of warmth adding body and naturalness, with proper note weight and slightly relaxed yet clear vocals that work well across rock, metal, hip-hop, and more. The treble is sparkly and airy with good micro-detail, thanks to an upper air boost, though this could be noticeable for sensitive listeners. Technically, it lands around 80% between the TruthEar Nova and Dunu SA6 Ultra, with excellent imaging precision, above-average soundstage, and nice layering.

Comparisons reveal the Luna shares a similar tonality to the discontinued, more expensive Dunu SA6 Ultra, making it a great alternative. It bests other Ziigaat models like the Arcanis and Odyssey in overall balance, detail, and air, though the Odyssey offers more bass physicality. Against strong competitors like the Kiwi Ears Astral or Xenns Mangird Top Pro, the Luna holds its own with a warmer, fuller, and more relaxing presentation, even if it concedes in ultimate refinement or bass impact. It earns a solid 4 out of 5 stars for its unique, competitive tuning and fantastic value, highly recommended for those seeking a detailed yet relaxing all-rounder with smooth vocals and airy sparkle. However, bassheads, those sensitive to upper treble, or seekers of neutral/reference tuning should look elsewhere.

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EPZ P50 comes as a tribrid at $185 with a surprisingly complete kit: a sturdy leatherette case, modular 3.5/4.4mm terminations, three silicone tip sets, and a cleaning cloth. The resin shells are semi-custom with aluminum faceplates; comfort is generally good but anatomy-dependent, and the stock cable—while well finished—runs on the stiff side. A standout twist is the factory customization option (~$225 total for the “Grindphones” style), which notably doesn’t alter the tuning in any meaningful way. The set is easy to drive, shows minimal change with impedance adapters (a touch warmer/more vocal-forward), and avoids pressure issues thanks to smart internal venting.

Sonically, tuning sits as a controlled, mild V: bass is just north of neutral with pleasing texture and impact, mids stay clean with an engaging female-vocal emphasis, and treble adds airy sparkle without turning tizzy—though insertion depth can trigger length-mode variability for some ears. Technical chops impress at the price: detail retrieval punches up, imaging is precise with good separation, and stage reads average but coherent. Against peers, P50 feels more resolving than Kiwi Ears K4 (trades bigger bass/sparkle for better mid clarity), brighter and more vocal-present than the neutral-leaning Ziigaat Lush, and echoes a Dunu Da Vinci vibe with less bass. Verdict: tremendous value and a terrific pick for vocal-centric libraries—highly recommended to audition first if treble sensitivity or fit quirks are a concern.

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EPZ’s P50 feels like a breakout for the brand: a compact, medium-small shell with a vented faceplate that’s marketed as “open-back,” yet isolates like a typical IEM. The unboxing is tidy at this price—carry puck, a real microfiber cloth, and two sets of generic tips—while the modular cable (screw-lock swappable termination) is handy if a bit thin, stiff, and kink-prone; the 2-pin plug sits slightly proud of the socket and the “R” marking is visible on the outside. The long nozzle (~5.5 mm diameter) can push fit depth, so shorter tips (e.g., NF Audio-style) help; once set, stability and comfort are excellent. Overall build looks clean and modern, if a touch editorial compared with EPZ’s other shells.

Sonically, P50 embraces the current tilted diffuse-field “new meta” with a mostly neutral, natural presentation and a later-rising, sub-bass-centric lift that gives bounce rather than mid-bass thump. There’s a hint of extra presence around the 4–5 kHz region that adds macro-contrast—vocals pop with definition and separation is crisp—while upper treble stays safe: cymbals are clean but a bit light in weight. Bass is tight and incisive rather than slammy; micro-texture on vocals is good, though the set favors that big, “stagey” contrast over ultra-fine grain. It’s easily EPZ’s best tuning so far: clear, organized, and engaging without drifting from neutral-ish aims.

Against peers, Kiwi Ears K4 tracks a similar target but sounds lower-contrast and can blur on dense mixes; P50 hits harder on transients, images more cleanly, and keeps busy tracks sorted, while K4 offers a richer midrange with “frothier” treble. Versus the Binary Chopin, Chopin is warmer, fuller, and more mid-bass driven—more “analog” and atmospheric—with deeper perceived space but a bulkier fit; P50 is leaner, clearer, and the least bass-forward of the three. Verdict: a confident 4/5 for delivering a small, comfy fit and a clean, contrasty neutral that competes squarely around $200–$250. If the brief is “neutral with a bit of drama,” this is a strong pick—and a promising sign of where EPZ can go next.

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The EPZ P50 arrives as a ~$200 tribrid with a slick presentation: FR graph on the box, a puck-style case, plenty of tips (oddly two identical sets), and a nice microfiber cloth. Build leans premium with a semi-open back and a faceplate that gives “arc reactor” vibes. The custom shell offers a secure fit for most, though very small ears—or anyone sensitive to an inner wing—may need caution. The modular cable (3.5/4.4 mm) is practical yet slightly stiff and retains some memory; isolation is typical of sealed IEMs despite the semi-open styling.

Sonically, the P50 goes for a warm-balanced tuning. Bass quality impresses: bouncy with deep sub-bass reach, prioritizing texture and control over sheer quantity (more thump is possible via an impedance adapter). Mids read natural with a touch of warmth—male vocals shine—while female vocals can feel a bit lean due to a more relaxed upper-mid energy. Treble is smooth, inoffensive, and “planar-clean” without planar timbre, with only a slight wish for more top-end extension.

Technical performance is the star. The micro planars pull out micro-detail unusually well for the price; imaging, separation, and overall resolution feel confidently executed, making guitars pop and busy mixes easy to parse. That clarity translates to gaming, where positional cues and crowded soundscapes (think battle royale chaos) remain intelligible—worthy of a two-controller gaming nod. Overall, the EPZ P50 is a solid contender at this price: balanced tuning with standout detail retrieval and imaging, tempered only by mids that play it a little safe. For listeners unbothered by a gentler upper-mid lift, it’s well worth the money—a two-star recommendation.

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The ZiiGaat Luna is an all-BA IEM that completely shatters expectations. Designed for studio engineers and stage performers, it delivers a tonally balanced, accurate, and precision-focused sound that somehow avoids being boring. It provides excellent staging, separation, clarity, and imaging, resulting in an incredibly engaging listening experience that is both enjoyable and truthful to the source material.

Priced at $380, these are absolutely worth more than they cost, with a perceived value easily hitting the $500 mark. They are a shining example of a professional monitor that doesn't put you to sleep, making them a rare find. The build is typical ZiiGaat—lightweight polymer with a surprisingly pretty sparkly purple and green shell—though it comes with the brand's typically oversized packaging and standard cable.

For anyone seeking a flat, uncolored reference sound, the Luna is a top-tier contender. They are tip-agnostic and need no fixing out of the box, performing superbly with aftermarket tips. This is one of the few professional-focused monitors that earns max respect for delivering on its promise without sacrificing musicality.