I/O Sogno VS Hercules Audio Noah

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I/O’s Sogno lands as a more Harman-esque, musical follow-up to the Vol with a punchy, dimensional bass that’s quick in attack and decay, slightly forward mids, and an upper end that can be nudged down with the right tips (stock tips run a touch brighter). Resolution is solid and the stage isn’t huge, but it never feels congested. The unboxing is class-leading for the $400 bracket: an all-resin shell with a beautiful faceplate, an interchangeable-termination cable, hard case with removable foam, pouch, and five full sets of tips. Fit is snug and lightweight, though the lower protrusion can cause minor irritation after ~4 hours.

For competitive gaming, tip choice is everything thanks to the “fish-mouth” nozzle. TW40 tips work well in Valorant, while third-party AZLA SednaEarfit ORIGIN tame the hot 2–4 kHz band in Apex and COD so gunfire doesn’t mask shuffles, climbs, and utility cues. With the ORIGIN tips, separation, verticality, and imaging lock in nicely; microdetail and depth read (front/back/over/under) still leave a little on the table, keeping Sogno at a strong B on the Wallhack-Certified tier list—on the cusp of B+ with perfect synergy. Footsteps and positional cues remain clear even while shooting, bass stays controlled, though aerial killstreaks in COD can sound a bit abrasive. Net: an excellent music-first IEM that crosses over well for ranked play if you roll the right tips.

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I/O Sogno aims for big “perceived value” at $400: a robust, watch-style carry case, an unusually rich ear-tip kit (multiple five styles neatly boxed, including foam and wide-bore variants), and a swappable-termination cable (3.5mm to 4.4mm) with tidy hardware and standard recessed 2-pin. The shell mirrors the Volare—medium-large with a longish nozzle—and the semi-custom shape sits securely enough but feels a bit wedge-like, not deeply locked behind the anti-tragus. Build and accessories are excellent for the price; comfort is fine, if a touch chunky.

Sonically it’s very Harman-compliant: a mostly sub-bass lift, leaner mids with forward vocals, and a treble that follows the target’s gentle roll-off. That tuning makes the Sogno sound dry and somewhat narrow/congested; cymbals and hi-hats lack shimmer (a slightly “plasticky” timbre), and staging isn’t especially open. Versus Volare, Sogno is less warm and less airy; versus Truthear Nova it hits a bit harder down low but remains similarly clinical; and value pressure comes from cheaper sets like the 7Hz Zero. In direct comparison, Moondrop × Crinacle Dusk (also below this price) feels miles ahead in technicalities and overall engagement. A solid, accessory-rich Harman option, but not quite the “dream” its name suggests—overall 3/5.

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Hercules Audio Noah arrives with a premium package: a metallic, cozy shell with a secure anti-tragus catch, a gold nozzle, and a genuinely excellent 4.4 mm cable (red/black channel markers, smooth chin slider, solid Y-split). Accessories are thoughtful—tips, cleaning brush, a USB-C DAC, and a plush case—making the whole experience feel dialed-in and durable. Fit is easy, build is handsome, and the cable quality stands out as one of the better stock options at this price.

Sonically, Noah brings a vocal-forward presentation with a clean, punchy, and hard-hitting bass shelf; it’s engaging, rich, and fun. There’s a notable 1 kHz rise and energetic upper-mids that push presence, while treble stays polite—good clarity, but not the last word in sparkle/air or micro-detail. Think “audiophile-style tuning” rather than meta-neutral: more drive and dynamism than shimmer. Compared with peers, it carries some Elysian-style DNA (cleaner and more exciting than Pilgrim/Noir, less dazzling up top than Apostle/Annihilator), and versus the hyped YU9 it swaps treble dazzle for meatier bass impact, making the two strong complements.

Value depends on region: list sits around $400, but tariffs and shipping can push it above $500 in the U.S., which tempers the bang-for-buck. As a result, it’s an easy recommendation for those seeking a mid/bass-forward, vocal-centric signature—demo at a show if possible, or consider the used market for a sharper deal. Bass is a 10/10 with satisfying slam, the overall presentation is lively and majestic, and while treble finesse is merely good, the tuning’s energy and musical drive make Noah a memorable, hype-worthy listen for the right ears.

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Hercules Audio’s Noah targets the mid-tier with a 1DD+3BA setup around $400, and the physical package impresses: a premium, crush-resistant case, Divinus Velvet ear tips, a Type-C dongle, and an all-metal black-and-gold shell that looks luxe and fits comfortably for long sessions. The four-core black cable feels solid with quality connectors and a working chin slider, even if it isn’t the softest. Sonically, the Noah aims for a fun, engaging listen via a relaxed treble, but bass hype meets reality—there’s strong sub-bass extension while mid-bass weight and texture come up short, so punch and grit aren’t at “basshead” levels.

The midrange is the star: forward enough to keep vocals clear without sounding shouty, though a slightly lean lower-mid can thin out male voices. Treble stays smooth yet extended, ideal for treble-sensitive listeners (treble-heads may want more bite). Technicalities hold their own for the price—good layering, imaging, and micro-detail, with a soundstage that’s a touch above average. Versus the YU9/CH it’s smoother and more fun (that set is brighter and more clinical), while Dusk Analog (DSP) runs warmer with bass some may prefer but even more laid-back mids/treble; for a true bass fix, Kiwi Ears Punch remains a go-to. Overall, Noah is enjoyable with standout build and accessories, best for those who like sub-bass focus + relaxed treble; tuning quirks keep it from a higher nod, settling on a two-star recommendation for value.