INAWAKEN DAWN Ms VS 7Hz Elua Ultra

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Single dynamic driver, roughly $50, and shockingly put-together: a clear resin shell with a classy faceplate, a metal nozzle that holds tips securely, and a rounded, slightly winged body that fits well—if a touch full. The cable is perfectly serviceable (clear L/R cues with subtle red/blue accents), and the textured zip case feels durable. Overall build and accessories punch above the bracket, delivering a very clean, tidy package for the money.

Sonically it’s a clean, clear listen with a gentle dark tilt: a satisfying bass shelf that’s present rather than slammy, smooth mids with pleasing timbre, and treble/air that hold up well thanks to a sensible 5–6 kHz dip. Staging is confident for the price with good space, though micro-detail and macro-dynamics don’t chase pricier benchmarks. Against peers, it’s calmer and better extended up top than Simgot’s EW200, more engaging and fuller than Zero:Red without impedance shenanigans, and darker/more fun than Kefine Klean. It won’t unseat AFUL Explorer or KIMA 2 for ultimate air and texture, but as a value pick from a new brand, it’s a solid recommendation—an easy, smooth daily driver that scores around 81/100 and feels genuinely competitive in the budget class.

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Compact and comfortable, the 7Hz Elua Ultra brings a tidy dual dynamic driver package for around $30. The rounded shell uses a pretty metal faceplate, sits light in the ear, and isolates better than the 7Hz Zero/Zero 2. Details: flat 2-pin connectors, proper venting, two colorways, and a nozzle that grips tips well. The stock cable is fine for the price—right-angled 3.5 mm, 7Hz branding—but the Y-split wanders and there are no clear L/R markers. A handful of colorful tips is included; nothing fancy, but serviceable.

Sonically, this is a bassy, engaging tune with glidey, impactful low end, upper mids that are present without shout, and treble that’s acceptable yet a bit grainy with limited air and microdetail. The midrange can read a touch lean depending on normalization, giving a mild V/U flavor; still, the overall tonality feels fun and easy to enjoy. Compared against peers, it’s cleaner and less hissy than very V-shaped sets like the G1, shows more bass and upper mids than 7Hz Zero 2, yet can’t match higher-tier options (e.g., Punch Audio Martillo) for technical performance. Verdict: a solid B—good value and a worthwhile pick for listeners wanting a budget bass emphasis, even if the “twinkle” and ultimate resolution are a step behind pricier favorites.

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The Inawaken Dawn Ms leans into its purple theme with a nicely finished resin shell, visible sputter deposition diaphragm and a well-made SPC cable that together feel more premium than most sets around the $50 mark.

Sonically this is a bottom-heavy single dynamic with a steep bass shelf and relaxed upper treble, shifting the emphasis away from pure basshead fun toward thicker, fuller mids and a warm, smooth presentation that avoids sibilance and fatigue.

The heavy low end and pulled-back treble mean technical performance stays modest, with an intimate stage, average resolution and dynamics, and a calmer, less airy top end that will please timbre-focused, treble-sensitive listeners more than those chasing sparkle, separation and holographic staging.

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7Hz Elua Ultra doubles down on fun with a 10 mm + 8 mm dual-dynamic (LCP) design and a smoothed, modified-Harman tilt. The result is a lively V/W flavor: a proper ~10 dB sub-bass shelf that stays tight, forward-enough vocals, and an energetic upper treble that invites turning the volume up. Tuned for pop and EDM, it comes across as a clear, high-engagement banger without burying the mids.

The surprise is control: bass remains tidy rather than boomy, the mid-bass dip creates space so the mids sound open and resolved, and the presentation expands into a stadium-style stage with vivid imaging. Treble transitions smoothly from lower to upper into air, giving synths real soar; compared with EDC Pro, Elua Ultra feels bigger and technically cleaner at the price.

While the emphasis is on fun over natural timbre and the upper treble can run bright for sensitive ears, the overall package performs strongly for its bracket: turn it up, enjoy the energy, and sample dual-DD excitement for very little money.

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INAWAKEN DAWN Ms shows up as a $50 budget brawler with surprisingly pretty shells and a detachable 2-pin cable that’s fine-but-basic. The clear back plate proudly exposes an 11.2 mm dynamic driver and that much-hyped “purple-gold” diaphragm—more marketing flex than revelation, but it does look cool. Fit skews chunky: there’s a lot of shell in-ear and the massive nozzles can make tip choice critical, though a better seal brings comfort back in line. Packaging is tidy, and yes, there actually is a case and tips in the box.

Sonically, this is a good, competent single-DD that favors consistency over fireworks—swapping sources (tube hybrid, Class A, portable dongles) doesn’t move the needle much, which is a plus for plug-and-play listeners. With a snug seal (think S&S-style tips), bass gains some punch, but overall it’s more “solid cube of nicely engineered aluminum” than “hidden diamond.” Not a mind-blower, not a dud—just a reliable, well-tuned budget set that earns a steady 8/10.

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The InAwaken Dawn arrives as a first release that already looks and feels quite polished, with a compact case, a thin but usable cable, and shells that are both comfortable and visually striking. Bass is tuned toward a meaty mid bass focus with a constant sense of low end heft, so the low end acts more as a powerful background foundation than a sharp, punch focused slam, while sub bass presence is audible but delivers a more gentle rumble. The main ergonomic downside is driver flex on both sides, which is noticeable but not severe.

The midrange is the star of the show, pushed forward with very high clarity and detail, so vocals and instruments sit close to the ear and small nuances pop out easily. This energy keeps things engaging but also puts the tuning right at the edge for those sensitive to upper mids, and male and female vocals can sound a bit lean at higher volumes compared to warmer sets like Delci or Simgot EW300. Treble is bright, crisp, and sparkly, keeping cymbals and high frequency content constantly present without turning harsh, which gives the Dawn a notably airy and lively top end.

Technical performance is strong for a single dynamic around roughly 80 USD, with impressive midrange detail and separation, solid imaging, and a stage that feels reasonably open even if it is not especially wide. Against peers, Delci still offers higher quality, more textured bass and EW300 provides the more natural tonality, wider stage, and safer all round presentation, while the Dawn fights back with the clearest midrange and the most overtly sparkling treble of the trio. This makes InAwaken Dawn a compelling choice for listeners who value forward mids, clarity, and an energetic top end over completely relaxed tonality and ultimate bass refinement.

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INAWAKEN DAWN Ms hits the crowded $50 bracket with a slick package: a hard case with the inlaid logo, two sets of tips for shallow vs. deep fit, and a serviceable—if slightly underwhelming—cable with a flimsy chin slider. The shells are 3D-printed resin with an aluminum faceplate, metal nozzles, and a visible tube linking front and back volume; a discreet vent by the 2-pin relieves pressure, so no driver flex. That vapor-deposited gold-coated 11 mm DD glows purple through the shell, looks cool on the ear, and stays comfortable and light; fit is easy for both small and average ears and it’s easy to drive from a phone or laptop.

Tuning skews a mild V-shape with proper sub-bass and mid-bass lift—fun rumble and kick without slipping into basshead territory, plus better-than-price texture. The midrange is slightly warmed: male vocals and crunchy guitars get extra weight, while some brighter female vocals lose a touch of shine. Upper mids carry energy without shout, and the treble is natural rather than sparkly—no hissy cymbals, no dullness. Technical chops are solid: low-end control impresses, detail retrieval is competitive for the class, stereo separation is clean, and soundstage reads about average.

Against peers, DAWN Ms brings deeper rumble than a Simgot EW200 (which runs brighter up top), feels more balanced than the harder-V Juer Clear, and trades blows with Truthear Zero:Red—the Red has cleaner mids and an impedance trick, but tricky nozzles and less sub-bass heft. It also threads the needle between a warmer Kefine Deli and the sparklier Simgots, landing in a sweet, all-rounder zone. The verdict: great looks, comfy fit, a strong accessory set, and a well-priced tuning that suits just about anything—especially as a first IEM when “not too bright, not too dark, still fun” is the brief. On the Audio Amigo scale, this one sits firmly in the “I like this” tier.