Kinera Celest Yaksha VS DUNU x KOTO ITO

Jaytiss original ranking

The Kinera Celest Yaksha combines a 2DD+1BA+1 micro-planar driver setup with a four-way crossover, resulting in a coherent yet distinctly V-shaped sound. Bass emphasis leans toward the mid-bass, delivering satisfying punch and slam for genres like hip-hop and EDM, though sub-bass texture and speed feel less refined. Vocals, particularly female vocals, carry notable energy and forwardness in the upper midrange, but this can border on shoutiness with certain tracks, while male vocals occasionally take a backseat. Treble remains smooth and non-fatiguing, prioritizing listenability over sparkling extension or airiness.

Technically, the Yaksha presents a moderately wide soundstage but lacks significant depth and height, creating a more intimate headspace. Instrument separation is competent in less complex passages, but layering can struggle during busy sections, falling short of class-leading resolution. The ergonomic resin shells offer comfort for extended sessions, though achieving an optimal seal is crucial and tip-dependent. The included 6N OCC Litz cable with interchangeable 3.5mm/4.4mm plugs is a practical inclusion, though its colorful design might clash aesthetically with the shell options.

Ultimately, the Yaksha excels as a forgiving, non-critical listen best suited for dynamic, bass-forward genres where its warmth and vocal energy can shine. Its tuning sacrifices ultimate detail retrieval and sub-bass control for a consistently engaging and musical presentation. Listeners seeking a smooth, fun signature with solid build and accessories will find merit, but those prioritizing neutrality, technical precision, or deep sub-bass rumble might explore alternatives.

DUNU x KOTO ITO is a $199.99 hybrid IEM built with Japanese reviewer Kaji Kaji (“Koto”). It uses a 2DD+2BA array (10 mm bio-diaphragm DD + 8 mm LCP DD, plus two treble BAs), comes with DUNU’s Q-Lock quick-swap plugs, and lists 105 dB sensitivity at 37 Ω with shells at ~6.5 g each.

Tonally, ITO aims for a U-shaped, bass-tilted balance: sub/mid-bass punch is elevated, mids sit slightly back but avoid haze, and treble is smooth with workable extension rather than bite. Early community impressions frame it as energetic and a touch V-leaning versus DUNU’s more neutral sets, which tracks with the collab’s “full-bodied” intent.

Technicalities are competent for the class: dynamics and imaging keep up with busy mixes, while soundstage and microdetail are closer to average among sub-$200 hybrids; driveability is friendly given 105 dB/37 Ω. As a package—tuning, accessories, and fit—it offers good value for listeners wanting engaging bass without sharp treble, though those chasing expansive stage or strict neutrality may prefer other options.