Kiwi Ears Septet VS Xenns Top Pro

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Kiwi Ears Septet lands as an airy, spacious, and distinctly sparkly listen with a clear bright-leaning tilt that avoids harshness. Despite a notable 5–8 kHz lift, the treble comes across refined rather than peaky, while a touch of mid-bass warmth keeps the tonality musical and natural. The result is punchy drums and momentum on rock and acoustic tracks, with technicals that punch above price—layering and separation sit around Dusk/Pilgrim territory. It’s like a more airy, sparklier Meta with less forward vocals and less artificial sheen than ultra-bright sets. The “open-back” faceplate doesn’t audibly change things, but staging still feels wide.

Fit and setup matter: a deep seal smooths treble; tips like Softears Alpha Clear or Tangzu Sancai can tame peaks. The Septet scales nicely on slower tracks up to ~80 dB, but on energetic K-pop/J-pop/hip-hop it can turn hot—hi-hats may sting if the volume creeps. Comfort is solid at mid volume for hours, though sensitive ears may feel fatigue over long sessions, especially in that 5–8 kHz zone. Vocals are set back: clean and inoffensive rather than shouty, but on busy rock they can feel a touch distant. This is a treble-forward, technical presentation; not a mid-centric vocal specialist and not a bass-head set—low end is adequate but softer in impact and pushed slightly to the back.

Versus peers: Astral is the safer all-rounder with more forward vocals and less brightness; Quintet is the vocal-oriented pick, while Septet is smoother, airier, and a bit more micro-detailed. Recent Orchestra Light (unit-dependent) sounds more V-shaped and shouty; Septet takes tuning and technicals. Odyssey wins on immersion, bass texture, and vocal pop at loud volumes, but Septet brings better air, separation, and detail at normal levels. Compared with Lush, Septet is brighter and more resolving; Lush is smoother and one of the best scalers under $300 if you like it loud. For vocals first, look to EPZ P50, Cadenza 4, or Tanjim Origin; for bassier fun under $300, consider DSKO, Estrella, Deuce, or Tros. If a sparkly, airy, technical flavor that stands apart from “Harman-by-default” is appealing, Septet is a worthwhile add to the collection.

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The Xenns Top Pro establishes itself as a formidable $500 benchmark, delivering a dynamic, balanced, and clear sound signature. Its standout feature is the crispy, clear, and highly resolving treble that avoids artificial sharpness or fatigue, contributing to a refined hi-fi presentation. This treble clarity particularly enhances female vocals, rendering them sweet and angelic without huskiness, perfectly distanced, and non-shouty at normal volumes due to intelligent tuning cuts and gains.

Technically, the Top Pro punches above its price, competing with models around the $1,000 mark and reaching near Monarch level performance. While a direct upgrade to the original Top, Astral, and Meta models—offering more detail, less sharpness, and increased sparkle—it isn't a massive leap. Its value-to-performance ratio is exceptional. Compared to the Monarch Mk III, it trades some bass impact and texture (making it mid-bass light for genres like rock or metal) for superior layering, separation, and a more dynamic, contrasty, and crispy treble presentation. The bass, while sufficient, can feel disengaged in bass-heavy genres, making sets like the Astral or Odyssey preferable there.

Scaling depends on volume and genre: energetic tracks with treble emphasis suit mid volumes (~65dB), while slower artists like Frank Ocean shine at higher volumes (~75-80dB). Balanced eartips are recommended to maintain its excellent treble balance. Against competitors, the Top Pro is more technical and resolving than the Arcanis (though the Arcanis offers more unique, intimate vocals), more energetic and dynamic than the Volare (which has smoother treble and better mid-bass), and cleaner with better layering than the Oracle Mk III (which boasts better bass texture). Ultimately, the Top Pro is a highly recommended all-rounder, delivering near Monarch-level performance at half the cost with great accessories, making it arguably the best $500 upgrade option for most.

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The Kiwi Ears Septet is a multi-driver oddball in the best way: a single DD + 4BA + planar + PZT hybrid with an open-back shell at $259. Build is solid with a metal body, flat 2-pin sockets and a handsome modular cable; fit is stable and isolation would be strong if it weren’t vented. It’s clearly aimed at listeners who want something different in both design and presentation.

Sonically it’s a down-tilted, slightly L-shaped tuning: deep, thumpy bass, subdued upper-mids, and a sparkly 4–6 kHz region that adds air and detail. The open structure creates a speaker-like stage—wide, clean imaging with a sense of room—but it can show a hint of hiss and benefits from more power (dongle/DAP recommended) to wake up dynamics. It’s a unique, spacious listen that some will love and others won’t; while the treble and imaging impress and it earns a recommendation (even a spot in a price-tier top 10), those wanting stronger presence in vocals may prefer Kiwi Ears’ more conventional tunings or adjacent sets like Astral or Performer series.

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The Xenns Top Pro boasts an exceedingly comfortable, vented resin shell with a metal nozzle, praised as one of the better shells out there. It's light, isolates well, and features a flat two-pin connector. The included case feels extremely premium, matching cases found on more expensive IEMs. Accessories are generous, including a 4.4mm cable, 6.3mm adapter, three sets of tips, a pouch, and a shirt clip. The cable itself is appropriate for the price, described as plush and nice with a Dunu-style locking system, though the chin slider feels slightly loose.

Sonically, the Top Pro presents an interesting and effective mild V-shaped tuning that aligns perfectly with the reviewer's preferences. It features slightly elevated bass and mids with a hint of darkness, delivering clean, pristine mids and great treble extension and air without sibilance. Technical performance is strong across imaging, note weight, and detail. Graph comparisons show similarities to sets like the Dusk DSP and Annihilator, but the Top Pro distinguishes itself with better bass impact than its metallic-shelled sibling (the Tea Pro) and a more comfortable, all-day listen compared to the ultra-detailed but potentially fatiguing AFUL Cantor. It holds its own against flagships like the Monarch MkIII (offering potentially better bass) and the Astral (with minor tonal differences), proving highly competitive in the $400-$900 range.

Ultimately, the Xenns Top Pro emerges as a standout offering from the brand and a top contender at its $500 price point. It hits a sweet spot with very few faults, combining a world-class comfortable shell, generous premium accessories, and a cohesive, engaging sound signature. It delivers nice everything – impactful bass, clean mids, well-extended treble, and strong technicals – making it an easy all-day listen and a set that's hard to beat for this specific tuning philosophy. While responsible purchasing and demos are always advised, it earns a full recommendation as an excellent all-rounder.

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Kiwi Ears Septet is a seven driver quad hybrid open back design in a very compact metal shell, and the overall execution feels premium at this price. The small aluminum alloy body, tiny nozzle and generous venting give a mix of low pressure, secure fit and long term comfort, while the black nozzle with proper lip and the gorgeous faceplates add a bit of flair. The modular brown cable is one of the strongest points in the package, very soft and supple with a working chin slider and matching colors, and the case plus multiple narrow and wide bore tips round out a genuinely complete and well thought out unboxing.

Sonically the Septet leans into a bright neutral profile with a clean sub bass lift, flat lower mids, relaxed upper mids, a mid treble bump and extended upper treble. Bass is tight, clean and sub bass focused, with good rumble and texture but only moderate mid bass punch, so this is quality over quantity rather than a bass head slam machine. The midrange is a highlight, coming through clear and balanced with natural tone, good body and non shouty vocals that sit in a very natural position, while the treble combines a controlled lower region and a boosted mid treble that can sound bright with some material, balanced by a fantastic upper treble that adds sparkle, air and space without becoming splashy.

Technical performance is where the Septet really stretches its legs, delivering excellent detail retrieval, separation and layering that stay intact even when tracks get busy. The open back design, airy upper treble and tuning work together to create a genuinely wide and spacious soundstage with above average imaging and precise placement of cymbals and high frequency effects, giving live recordings and complex mixes a very immersive feel. Compared with other Kiwi Ears models and even much more expensive open back sets, the Septet offers stronger technical performance, wider stage and cleaner bass while trading in some warmth for brightness, making it a great option for listeners who value stage, detail and a clean sub bass focused presentation and who are not overly sensitive to elevated mid treble.

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Kiwi Ears Septet pairs a 1DD + 4BA + planar + PZT array with a quasi open-back rear grill and a modular cable, targeting a fun, energetic presentation at $279. The coupler graph can look brighter than it sounds due to a planar artifact, but on ear the balance is lively rather than sharp. It is a perfect storm of volume: hard to drive, and it only truly opens up when pushed. Once there, it comes across as a very resolving and genuinely entertaining hybrid—more enjoyable and less fatiguing than Astral or Quintet at higher levels.

Bass adds a touch of sub-bass and notably more mid-bass; the driver speed and rear venting keep boom in check, trading density for control. Mids have BA clarity but benefit from the added body, avoiding the hollow U-shape and letting planar/PZT texture add decay cues that feel a tier up. Treble offers clean extension without shout when powered, suiting pop and EDM—tracks like Darude Sandstorm expand convincingly on its larger-than-average soundstage with good projection and depth. Overall, this is serious fun for electronic and modern genres, so long as there is ample power and tolerance for lighter sub-bass weight and reduced isolation from the semi-open design.

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Understated on the outside, the Kiwi Ears Septet is a seven-driver, quasi-open IEM at $270 that emphasizes build and accessories: an all-metal shell with a massively vented faceplate, a modular cable (3.5/4.4), and two sets of silicone tips. The open design truly leaks—isolation is notably below average and nearby listeners can hear music, with fan noise even resonating through the vents. Fit is smooth and lightweight for larger ears, but smaller ears may struggle. It’s also comparatively hard to drive, preferring a beefier source.

Tuning is a bright-leaning, mild V-shape: bass is clean and rumbly rather than thumpy, keeping the midrange clear. Male vocals and instruments are energetic and separated, while female vocals sit a step back. The upper mids are restrained, but the lower/mid treble carries a lot of energy, delivering sparkle and clarity alongside borderline sibilance and listening fatigue on longer sessions or rough masters. Technical chops are a highlight—detail retrieval, stereo separation, and a convincing 3D stage are all above average for the price.

Against rivals, it trades blows: compared with ZiiGAT Odyssey and AFUL Performer 7, Septet feels brighter with more lower-treble bite but less relaxing; versus ZiiGAT Estrella, it offers a touch more treble detail yet less long-term comfort. The verdict: a well-built, genuinely open-backed IEM with a unique signature and strong resolution, but best suited to listeners not treble-sensitive who perceive detail in the 5–8 kHz region (and don’t need isolation). With some EQ, it can become a compelling specialist set; without it, consider it a good-but-polarizing choice.

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Positioned at $500, the Xenns Top Pro gets stacked against the Subtonic Storm at around $5,400—a full 10× price gap that shouldn’t be glossed over. Level-matched listening shows the two land surprisingly close in overall technical performance, with differences in DDs/ESTs and driver counts mattering less than expected. What stands out more is transparency: the Top Pro is upfront about its internals and branded components, while the Summit-Fi piece plays things closer to the vest—par for the course at that tier.

In back-to-back A/B, the Top Pro’s mid-forward balance proves the hook. Instead of leaning on a mid-bass lift for “note weight,” it nudges the mids, keeping vocals, guitars, and cymbals clean and engaging without tipping thin or brittle. Anchored at the same SPL, track after track, the choice often becomes a coin flip—and many listeners would likely pick the more affordable set on tuning alone, because it’s simply more immediately musical across genres while holding its own technically.

This is diminishing returns in the palm of a hand. Slotting the Top Pro into a ranking even risks crowding out pricier neighbors, because its value sits uncomfortably high for its bracket. If the shells were disguised and the price tags hidden, the pick rate would tell the story: a “top-of-the-line” listen without the Summit-Fi tax, driven by smart tuning rather than spec sheet theatrics.

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Z-Reviews expresses immediate and strong enthusiasm for the Xenns Top Pro, a $500 IEM featuring a 10-driver configuration (8 balanced armatures + 2 dynamic drivers). He notes their exceptional build quality and stunning visual design, describing them as one of the "prettiest IEMs that has ever existed" with a "color explosion" on the back. The accessories impress him, particularly the thoughtful custom foam insert in the case to protect the zipper, a soft padded case, a high-quality "196-core copper silver cable", and uniquely presented tip sets housed in pre-numbered, multicolored boxes. He finds the large nozzle comfortable enough for extended listening sessions, even though his arms fell asleep during one.

The core of the review focuses on the outstanding sound quality. Z-Reviews describes the sound as "smooth magical things" to his ears, emphasizing its non-fatiguing nature despite excellent detail retrieval: "clear as a whistle but not painful". He highlights the exceptional bass performance, which creates a unique physical sensation, fooling his body into feeling sub-bass pressure like a subwoofer was nearby, without being overpowering or unnatural. The treble is detailed and sharp without causing discomfort. The overall presentation is cohesive, "substantial", and immersive, making him want to listen track after track. He compares the experience favorably to much more expensive IEMs like the $1,500 FIO FX17.

Z-Reviews concludes with a strong recommendation, declaring the Xenns Top Pro "100% worth their $500 price tag". He states they do "everything I want a $500 IEM to do" and outperform his own collaborations like the Defiant, attributing this to the superior driver count and implementation ("there's no replacement for displacement"). Minor critiques include the large nozzle size and the lack of a plastic stand, but these are insignificant compared to the overall performance. His final verdict is that they are a "great" IEM that justifies their price through exceptional sound, build, and accessories.

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The Xenns Top Pro stands as a significant evolution from its predecessors, bearing little resemblance to the original Top despite sharing a similar driver configuration. Its tuning aligns much more closely with the Tea Pro, effectively acting as an upgrade to that model – perhaps better named the "Tea Pro Max". It delivers a slightly warmish mid-range with a boost in the upper mids, creating a natural yet contrasty and fun presentation. Vocals retain life and presence, avoiding sounding pushed back or dead neutral. Crucially, the Top Pro executes this mid-range cleaner than the T Pro, thanks to a cut in the mid-bass. This cut enhances bass definition, making it punchier and more dynamic, while also improving separation between the bass and mid-range.

Treble performance is generally lively and detailed, contributing significantly to the perception of strong technical ability. However, it can be slightly peaky, introducing a touch of BA timbre that detracts slightly from perfection – a minor nitpick considering the overall quality. Instrumental separation across the frequency range (bass, mids, treble) is a standout feature, resulting in very good technical performance that surpasses competitors like the Blessing 3. The signature manages to sound snappy and tactile despite a weighty low end. Compared directly to the original Top, the Top Pro offers a fuller, more realistic mid-range adhering to modern tuning philosophies, whereas the original Top remains brighter and leaner. Against the highly regarded HiSenior Mega 5 EST, the Top Pro provides a more engaging and contrasty alternative to the Mega 5 EST's exceptional but potentially "vanilla" neutrality and smoother timbre.

Ultimately, the Xenns Top Pro earns a strong recommendation and a deserved A-tier ranking. It represents a compelling value proposition at its price point, offering an engaging signature with excellent technicalities that many listeners will enjoy. The only significant caveat is for those extra sensitive to treble, who are strongly advised to demo it first due to its elevated and occasionally peaky nature.

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Xenns Top Pro arrives with a tidy bundle: a sturdy carrying case, three tip sets (two silicone, one foam), and a lightweight modular cable (3.5/4.4) on a 2-pin connector. The translucent blue, 3D-printed shell is ergonomic and comfortable over long sessions; the nozzle size feels just right. On the graph it follows HBB’s curve with more sub-bass than mid-bass, yielding a fun, energetic sound that’s also notably resolving with strong driver performance; the balanced silicone tips proved best for gaming.

In Valorant, the presentation is intimate and action-packed: rumble from Vandal/Operator/Sheriff hits with tactile weight, and depth cues/verticality stay coherent. Still, the elevated low end adds a slight “husk” that softens imaging precision when team fights erupt, so separation and layering can blur as abilities and gunfire stack—landing around a B+ to A- experience, with sets like the Mango T Pro and Kiwi Ears Astral feeling a bit more breathable.

In Apex Legends, that extra low-end energy makes chaotic scenes less breathable—smokes, grenades, and third parties push separation/layering harder than ideal—while Call of Duty (Treyarch mix) fares surprisingly well, keeping doors, slides, and distant fire easy to track. Counter-Strike 2 doesn’t image as cleanly as Valorant because of the same low-end pull. Overall, the Top Pro is excellent for music (resolving, technical, and punchy—great with rap), but for competitive gaming the original Top remains the safer pick; placement sits around an AB tier, in line with sets like the Letshuoer EJ07M Kinda Lava.

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The Xenns Top Pro enters the competitive $500 IEM arena with a hybrid driver configuration (two dynamic drivers, eight balanced armatures per side) and striking aesthetics, described as a "Jackson Pollock cross cyberpunk" design offering impressive visual depth within its lightweight, translucent resin shells. While the packaging is handsome and premium, including a large carry case, a soft pouch, a cleaning tool, a shirt clip, a termination adapter, and a generous selection of ear tips (foam and two silicone styles), the included thin, lightweight cable feels somewhat lackluster and uninspiring despite its swappable termination mechanism (3.5mm/4.4mm/6.35mm). Fit is stable but leans medium-large, potentially challenging for smaller ears, with a nozzle depth requiring tip experimentation for optimal comfort.

Sonically, the Top Pro follows the "new meta" tilted diffuse field sound signature, measuring close to a neutral target. However, its execution falls short of expectations. The boosted bass lacks definition and physicality, coming across as soft, unengaging, and lacking sharp attack or tactile impact, reminiscent of the HiSenior Mega5-EST's low-end. While the upper treble elevation adds brightness and air without harshness or sibilance, it combines with the bass presentation to create an overall tonality that feels clinical, thin, and surprisingly bodyless, lacking warmth and richness despite the bass quantity. Technical performance is decent but unremarkable; imaging and separation are competent due to the brighter tilt, but the presentation feels smoothed over and ultimately unengaging.

Comparisons highlight its shortcomings against key competitors: the Mega5-EST offers better mid-range body and natural tonality; the Oracle mk3 delivers superior bass tactility and a more exciting, stagey presentation; the Brain Dance provides a more impactful, bombastic sound with better-defined bass; and the cheaper Dusk excels with exceptional vocal texture, micro-contrast, and significantly superior bass physicality and engagement. Consequently, while not a bad IEM and confirming that $500 can buy top-tier sound, the Xenns Top Pro earns a modest 3-star rating for its lackluster bass, clinical tonality, and failure to stand out in a crowded field where alternatives simply offer more compelling and engaging listening experiences.