Letshuoer Cadenza 12 VS AFUL Dawn-X

The 2024 Cadenza 12 makes a strong first impression with premium presentation, though the accessories aren’t flawless. The stock cable looks gorgeous and offers swappable terminations (4.4 / 3.5 / 2.5), but it’s stiff and tricky to coil into the compact case. The metal shell is well-contoured and comfortable with a sensible nozzle lip, yet certain tips can pop off too easily. Overall build feels upscale and weighty without being cumbersome—just expect some practical quirks.

Tonally it sits neutral with a gentle bass lift: clean sub-bass presence without thunder, crisp highs with smooth extension, and a relaxed upper-mid energy that keeps fatigue low. Resolution and imaging are technically adept, but the tuning plays things safe—polished and airy rather than punchy or electrifying. On graphs and by ear it evokes classic “reference” curves (think early Monarch-style balance), trading visceral slam for control and clarity; many audiophiles will find it classy and coherent, while thrill-seekers may wish for more bite.

Against peers, it recalls sets that graph beautifully yet feel a touch reserved in the bass and presence regions. Comparisons to options like Europa highlight how a bit more sub-bass and 4–6 kHz zest can add sparkle and engagement; a light EQ lift to bass and upper mids wakes the Cadenza 12 up nicely. As delivered, it’s a refined, wide, and airy listen that prioritizes neutrality and detail over spectacle—recommended for listeners chasing a mature, low-fatigue signature rather than a high-octane ride.

Jaytiss original ranking

Large, sculpted shells with a bulbous rear (housing the bone conductor) make the Aful Dawn-X a substantial fit—comfortable for some, but risky for small ears. The stock cable feels quality but is 4.4 mm-only, and the case/accessories are tidy; importantly, the nozzle grips tips securely (unlike some past AFUL sets). Overall build is handsome and premium, with fit being the main variable.

Sonically, the tuning favors sub-bass over mid-bass, pairs rich mids with smooth, natural treble that avoids harsh spikes yet has mild 4–6 kHz energy, and presents a cohesive, almost speaker-like soundstage. It wakes up with a bit of volume/power, prioritizing clarity, micro-detail and air over outright slam; the bone conductor subtly supports the midrange more than the lows. At $1,300 it’s competitive for listeners chasing technical refinement and a natural tonality, while value seekers or mid-bass lovers may prefer cheaper AFUL options or sets with more punch.

Jaytiss original ranking

Letshuoer Cadenza 12 goes full flagship spectacle: a 12-driver per side build (1 dynamic + 11 BA from Knowles/Sonion), six-way crossover, and heavy metal shells that feel like a prize out of a treasure chest. The unboxing is decadent—fabric-wrapped stock cable with interchangeable plugs, a big faux-leather case, tip sets (foam, Symbio, Xelastec-style), and even a quirky bulldog stand. Fit can be finicky, tip choice matters, and the shells beg for constant polishing; once seated, isolation and comfort are solid.

Sonically, this set is hyper-analytical yet immersive. It “3D-prints” instruments in space, letting a gentle kick drum’s air, pedal thumps on a piano, and micro-dynamics pop with almost studio-monitor precision. Detail retrieval is wild and imaging is pinpoint; mixes get deconstructed so clearly it’s easy to tell what’s acoustic, what’s processed, and where DSP tricks are hiding. The catch: it’s extremely chain-sensitive. Use the stock cable (impedance clearly matters), prefer single-ended over balanced on many amps, and pair with a clean, muscular amplifier—get the combo wrong and mids can go dull or staging collapses; get it right and it’s pure fireworks.

Verdict: an elite, picky flagship that demands careful setup but rewards with one of the most dissecting, vividly placed presentations available in IEMs. Not the most “natural” tuning on earth and far from cheap, yet when everything clicks, the Cadenza 12 delivers a peak listening experience that can ruin lesser gear for good.

Z-Reviews original ranking

AFUL’s house sound shows up here in its most polished form: Dawn-X is a tribrid (1DD + 8BA + 4EST + bone conduction) flagship at $1,300 that prioritizes consistent fit and execution over flash. Build is understated with stabilized-wood faceplates, above-average isolation, and a medium/medium-large shell that fits better—and more consistently—than the Cantor. The accessory loadout is solid (four silicone tip sets, large but well-made case), though the stock cable does not have swappable terminations (choose 3.5 mm or 4.4 mm).

Tonally, it’s a balanced, warmer-leaning take on AFUL’s signature: a dense, controlled bass that borders on decadent yet stays quick and clean, slightly relaxed mids, and a precise, mildly forward lower-treble that keeps definition high without tipping into harshness for most listeners. Stage favors front-to-back depth over width; transients are clean and a touch clinical, giving strong separation without sounding smeary. The result is a mature, confident presentation that reads refined rather than showy.

Against peers: versus Cantor, Dawn-X is warmer, smoother, and far more consistent thanks to fit; Cantor can sound brighter and a bit wider. Compared with FiiO FX17, Dawn-X has tighter bass and crisper treble, where FX17 feels looser and fuller. The 64 Audio U4s plays softer and wider; Dawn-X is more precise/clinical. DUNU Glacier hits harder and more V-shaped with smoother treble but less natural acoustic timbre; Dawn-X sounds truer on instruments. Versus ThieAudio Monarch MK4, MK4 is more neutral, vocal-forward with greater width, while Dawn-X offers denser low-end and a calmer demeanor—and a friendlier fit for many ears. Verdict: 3/5 stars—not the flashiest in its bracket, but arguably AFUL’s best execution yet of its signature sound.

Super* Review original ranking