LetShuoer EJ07M VS Softears RSV MK II

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Letshuoer x HBB’s Kinda Lava retunes the EJ07M toward a neutral-with-tasteful-bass-boost signature, thickening the mid-bass versus the original’s Harman-leaning sub-bass shelf. The midrange sits essentially dead-on neutral with excellent clarity and micro-contrast, while the treble is well-extended yet notably safe for sibilance, occasionally showing a soft, sandy EST texture. Versus the stock EJ07M, this tuning feels more integrated and less “subwoofery,” though overall differences remain subtle.

The headline is the bass quality: firm attack, clean decay and addictive depth—easily among the top tier in the price class—without bleeding into the mids. Technicalities are solid, with decent imaging, but the head-stage runs a bit narrow and the overall tilt can sound slightly dark on airy recordings. Build is light metal with red shells and a handsome screw-top metal case; the stock cable feels basic for the price and the faceplate finish looks less premium than expected.

Fit is comfortable but may need SpinFit CP100 tips or a taller two-pin cable to lock in seal and stability. In comparisons, Sennheiser IE600 hits harder up top with a V-shaped incisiveness and wider sense of space, while Moondrop S8 offers brighter openness and BA-clean mids but less bass body. Kinda Lava threads the middle with balanced tonality, safe/detail-rich treble, and outstanding bass, culminating in a confident 5/5 verdict for listeners prioritizing natural mids and elite low-end over max soundstage.

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Softears RSV MK II brings back the all-BA ethos at $700 with five armatures and a promise of “re-engineered BA bass.” Build and accessories feel premium (sleek shells, plush case), while the cable choice is quirky—4.4 mm only with a 3.5 mm pigtail. Fit is outstandingly secure and custom-like but on the larger side with a longer nozzle, so comfort depends on ear size. Softears’ Ultra Clear tips work well; the new metal-ring variant adds little beyond novelty.

On the graph, bass looks like gigabass, yet in ear it settles into a warm, weighty foundation without steamrolling the mids. The midrange follows a “new-meta neutral” tilt—fuller than Harman with forward upper-mids—while treble lands clean and sparkly without fatigue. Imaging is tidy rather than cavernous; separation and delineation are convincing, with the top end executed better than the bottom. BA bass here is among the more physical and satisfying of its kind, though tactility can be track-dependent and turn a bit tubby on very bass-heavy mixes.

Against peers, Symphonium Meteor sounds warmer and more “special” but less all-round; DUNU SA6 MK2 is more colored with janglier treble and the least convincing bass; 7th Acoustics Supernova trades warmth for vivid, bright-tilted imaging; Softears Studio 4 is lighter on bass and airier; and the old Moondrop S8 stays the lively, vocal-centric counterpoint. Net take: a supremely competent, character-light all-rounder that favors bass weight over panoramic staging. Verdict: 4/5 stars—a welcome throwback done right, and notably cheaper than the original RSV launch price.

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Softears RSV MK2 shifts from the OG’s vocal-centric tilt into a bass-forward all-rounder. The sub-bass and mid-bass hit with real slam and weight, giving drums and bass guitars a satisfying, dynamic punch. Upper mids (3–6 kHz) are tamed to avoid shout, while a gentle 1–2 kHz rise keeps vocals open and natural—slightly less pushed than the original but still clear. Treble is smooth with decent air; not super sparkly and there’s no EST “sauce,” but it stays clean and non-fatiguing.

As a package, MK2’s standout is the low-end texture—thunderous yet controlled—making it one of the more engaging bassy sets under four figures. Technical performance is solid for the tier, though some rivals at lower prices bring more raw detail and EST extension. Build and accessories get a tasteful, modern refresh. For best balance, the stock tips work well; bass-boosting or treble-opening tips can shift it toward a more V-shape at the expense of overall smoothness.

On genre fit, MK2 shines with hip-hop, pop, EDM, and R&B, where its punch and warmth bring rhythms to life; for orchestral or leaner acoustic picks, the bass can edge forward depending on the mix. It scales to mid–high volumes nicely (around the 70–80 dB zone) without turning sharp. Compared with the OG RSV—now likely affected by a silent retune in recent units—the MK2 is the safer buy: less shout, more authority down low, and a broader all-rounder appeal. Recommended, especially if found below full MSRP, for listeners craving tasteful bass with natural mids and relaxed, smooth treble.

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Softears RSV MK2 takes the original’s idea and pushes it into a bolder, bass-centric direction. The compact shell is comfortably contoured, isolates well, and uses a slightly recessed 2-pin; the angular faceplate gives off an “evil Voltron” vibe in the best way. Packaging and accessories feel premium—a silky cable terminated in 4.4 mm with a matching 3.5 mm adapter, tip selection, cleaning tools—though the bundled case looks nice while feeling a bit faux-leather and questionable for durability. Under the hood is a 5-BA array around the ~$700 mark, presented with the fit and finish expected at this tier.

The tuning is unabashedly bass-heavy with a warmer rise through ~150–200 Hz and a slightly dark-leaning top end; not super airy, but undeniably full, rich, and musical. That weight can introduce occasional roughness/sibilance in certain vocals and can muddy spoken-word content, so this isn’t for everyone. Within Softears’ catalog it stands out: far more low-end than RSV (OG), Volume S, Twilight or Studio 4, and a different philosophy than Enigma’s vivid upper-mids. Versus sets like Monarch MK4, this goes for a deeper, thumpier shelf with a gentler upper air—trading a bit of “technical” sheen for tonal density and groove.

As a “tactfully executed bass-head” Softears, RSV MK2 delivers: impactful low end, natural mids, comfortable build, and a coherent, down-sloping balance that suits modern music exceptionally well. It isn’t flawless—moments of aggressiveness, plus a case that feels more pretty than tough—but the overall package is compelling. In the $400–$900 bracket it scores a 9.4 on this scale, while strong lower-priced options (e.g., bass-shelf specialists like Punch-tuned sets) may satisfy similar cravings if budget leads. For listeners craving a plush, powerful low end done with intent, this is a distinctive and deeply enjoyable take from Softears.

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The Softears RSV MK II is a 5BA set at $699 with a sleek, performance-driven look—carbon-fiber “V” and RS badge on the faceplate—paired to an ergonomic shell and fish-mouth nozzle that stays light and exceptionally comfortable over long sessions. The package is solid: a braided 4.4 cable (plus a 3.5 mm dongle), cleaning cloth, two pouches, and two sets of silicone tips; the only nitpick is wishing for a more premium carrying case at this price.

What sets RSV MK II apart is how a generous bass boost/extension coexists with top-tier imaging, separation, and layering. In Valorant, footsteps hit with extra energy and impact yet subtle cues—water steps, micro-movements—cut through even during Vandal spam and 5v5 ability chaos. In Battlefield the set is a standout for immersion (planes, tanks) while preserving precise gunfire placement and the light “clinks” that win fights. The latest mix in Apex plays to its strengths: thermites don’t mask light taps, elevation cues remain clear, slides and shield pops are easy to track; and in Call of Duty, airstrikes and mortar fire don’t swamp critical information. It’s scored as the lowest-priced S-tier on the WallHack-certified list—note the tonality skews a touch dark, so strict reference seekers may prefer something lighter, but for impactful low-end plus elite competitive clarity, RSV MK II is a killer pick.