Letshuoer S12 Ultra VS 7hz x Crinacle Diablo

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The Letshuoer S12 Ultra comes through as the smoothest tuning in the S12 family— a sub-bass boosted all-rounder with quick transients and satisfying rumble that makes pop, hip-hop, and EDM notably fun. Technical performance sits around earlier S12 variants, but treble detail is dialed back a touch versus the OG/Pro in exchange for a more natural timbre and less “planar-bright” edge. It’s the bassiest S12 to date, hitting with better texture, impact, and extension, while keeping imaging crisp enough to stay engaging rather than clinical.

Tuning tweaks tame the upper range: a cut past 1.5 kHz and an 8–15 kHz dip ease shout and sibilance, with air returning via a lift around 15 kHz. Vocals sit a bit pulled back and the treble is the least energetic of the series, which helps long-session comfort—though brighter, heavily produced tracks or songs with little low-end can still sound peaky if pushed. Best results come at ~65–70 dB; tip-roll toward clear or bass-supporting tips to smooth the top and reinforce the lows, while avoiding brightening tips that exaggerate energy.

Versus peers, S12 Ultra feels like a bassier, less shouty take on Supermix 4/Nova and a slightly more V-shaped, punchier alternative to Defiant. It’s not a value monster for sheer detail compared with cheaper planars (T10, F1 Pro, etc.), but the payoff is a presentation that’s more musical, smoother, and easier to live with. For listeners wanting added slam without losing the S12’s speed and airy sense of space, this version offers the most enjoyable balance in the lineup.

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LETSHUOER S12 Ultra wraps up the S12 line with a 14.8 mm planar driver and a familiar metal shell in gunmetal or mocha. The housing is vented, comfy for long sessions, and solidly built with a flat 2-pin interface that grips tips well. The stock package is practical: a soft case, a fair tip spread, a braided cable with swappable 4.4 mm termination, and even a plug-and-play USB-C DAC that performs capably for on-the-go use.

Sonically, this set aims for a mild V-shape with tasteful tweaks that elevate it over prior S12 iterations. There’s a touch more sub-bass than the S12 Pro and a smoother 10 kHz zone, reducing fatigue while keeping upper-treble reach for air. The presentation favors balance over sparkle: detailed without the brittle edge many planars flirt with, and notably non-fatiguing over longer listens. Technical chops are strong for the class—clean, clear, and “planar-fast”—though instrument separation can lag behind pricier hybrids, and the topmost “crispy” sheen is slightly restrained.

On graphs and in practice, S12 Ultra reads as a refined take on modern planars—more bass weight, tidier 4–6 kHz, and better treble behavior than its siblings. Listeners hypersensitive up top may still prefer something like the S15 for a softer treble contour, while those chasing maximal separation may lean to sets like AFUL Performer 7 (with a spicier treble). With the usual planar caveat about unit variance and fit, this edition comes through as the standout of the S12 series: a clean, engaging, and genuinely high-value recommendation under $500.

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Final revision of the series brings a very coherent, slightly warmer presentation with treble pulled into safer territory and mids that feel a bit weightier. Ultra sits between the smoother S08 and the rawer S12 Pro, and it comes across a touch bassier than the graphs suggest. As a single-driver planar, it retains solid resolve and a natural, easy tonality that will suit most listeners, especially at the 169 price point.

Despite graphs looking similar to S12 2024, Ultra sounds smaller and flatter, with less transparency and dynamics. Soundstage is mainly left-right; height and depth are curtailed, so placement is not always in the right place on more spacious tracks. The smoother top end avoids harshness and makes long sessions comfortable, but the trade-off is reduced sparkle and air versus the 2024 tuning.

Versus budget planar standouts like KZ PRX, Ultra is a clear, smoother upgrade; versus S12 2024, it is the safer all-round pick but not as open or exciting. Dense mixes can nudge the bass toward a slight bloom and compress the center image. For most, this is the one S12 to buy; stage and transparency chasers may still prefer the 2024 version.

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Priced at $150, the 7hz x Crinacle Diablo is a planar IEM with a bass-heavier tilt that contrasts the more neutral Divine. Packaging is solid for the money: a nice carrying case, a decent cable, and multiple tips, while the shells are comfortable with a nozzle that’s neither too long nor wide. The tuning brings extra low-end heft without muddying the mids, creating an immersive presentation that suits modern tracks and engages without harshness. Aesthetically it fits the collab theme—black faceplate with a chrome outline—and overall ergonomics allow long-session comfort.

For competitive play, the Diablo delivers good imaging and engaging impact, shining in Battlefield where footstep “clanks” and environmental cues cut through, though extreme chaos can trim separation/layering. In Valorant it reads footsteps well and remains organized—earning a B+—but the extra bass energy can color gunshots and abilities; Divine edges it there and in Apex, where Diablo’s low end can mask finer cues during third-party frenzies. In Call of Duty, verticality demarcation could be cleaner and the bass body rides too many guns, placing overall gaming performance at a solid B. As a music-first pick with satisfying punch that stays reasonably clean, the Diablo is an immersive all-rounder, while the Divine remains the safer call for pure positional clarity.