Moondrop May VS Moondrop Lan 2 Pop

Super* Review original ranking

The Moondrop May offers a convenient USB-C DSP cable with multiple EQ presets accessible via the Moondrop Link app, though the app suffers from connectivity issues and requires invasive permissions like location and file access. Its lightweight resin build provides solid comfort for extended wear, but the included ear tips are notoriously difficult to install on the nozzles. The DSP cable itself can exhibit a faint electronic whine during audio pauses, which disrupts calls or quiet passages.

Sonically, the May delivers a balanced signature with smooth, natural midrange, though male vocals occasionally lack resolution and texture. The 6mm planar driver handles treble with refinement, avoiding harshness, but struggles with airiness and micro-detail retrieval compared to competitors like the Truthear Hexa. Bass texture and layering also fall short despite the hybrid 1DD + 1 planar configuration, leading to a somewhat one-dimensional low end in complex tracks.

Technical performance is adequate for the price, with a moderately intimate soundstage and competent imaging, though instrument separation and dynamics can feel congested in busy mixes. The May scales better with analog cables than its own DSP solution, revealing improved clarity and midrange texture when bypassing the stock setup. While the DSP concept is innovative, execution issues limit its appeal, making the May a competent but inconsistent package at $65.

The Moondrop LAN 2 Pop is a single-dynamic IEM built around a 10 mm dual-cavity driver in a stainless-steel (MIM) shell. Retailers list identical hardware to the Ref version—30 Ω impedance, ~118 dB/V sensitivity, and a 4.4 mm balanced termination—so differences come down to tuning rather than components. Street pricing hovers at $59.99, positioning it as a budget set with a feature-forward cable package for the bracket.

Tonally, the Pop variant elevates mid-bass and pushes vocals forward for contemporary genres, trading some upper-treble air for energy and body; by contrast, the Ref aims for leaner, clearer mids and openness. Expect engaging punch and fuller male/female vocals, while treble stays safe and non-spiky—good for fatigue control but less crisp than neutral targets. Relative to price peers, technicalities are competent (imaging precision and micro-detail are average; stage width is modest but coherent).

Build and spec execution are strong for the cost: the MIM steel shells feel robust, isolation is typical of a sealed DD, and the included cable terminating in 4.4 mm is uncommon at this price. The voicing is deliberately U-shaped/vocal-centric, making Pop a sensible pick for listeners prioritizing bass punch and presence over ultimate treble air or expansive staging. Overall value is high if preferences align with its tuning, while studio-leaning users should consider the Ref instead.