Moondrop Meteor VS Hisenior Mega5-EST +Bass

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Moondrop Meteor arrives as a hybrid with one dynamic, two BA mids, and four treble planars, now priced around $550. The shell is massive but well-contoured resin with a flat 2-pin connector; fit can be good after some tip rolling, though the nozzle runs large. The stock cable feels cheap for the price and the accessory pack is underwhelming—no DAC, a basic case—so the unboxing doesn’t add much value.

Tonally this is a treble-focused set that sounds clean, clear, and crisp, with pleasing air and microdetail. Bass is the weak link: quantity and slam are light, leaving dynamics and note weight on the lean side; lower mids could be richer. Graphs show typical Moondrop-leaning tuning that sits close to target but wants ~2–3 dB more bass. It measures stable with impedance, which, paired with precise imaging and tidy staging (good, not “huge”), makes it a plausible studio monitor-style choice.

Against peers, Variations brings more energy and is the safer pick; Moondrop’s own Concerto and even Caden-line sets feel fuller down low. Cheaper rivals like EPZ P50 and AFUL P7 offer more fun, while HiSenior Mega 5 EST and Softears Volume S present stronger overall value and bass presence. Verdict: a solid, airy detail-getter with attractive aesthetics, but not an upgrade to bass-richer favorites; recommended on the used market or with a discount, and an easy skip at full MSRP if seeking warmth and impact.

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Hisenior Mega5-EST +Bass comes as a custom set with personalized shells and a straightforward Pelican-style case. The build is compact and comfortable with an easy tip-lip, though the color matching can look inconsistent in certain light and the stock cable feels a bit lackluster—thin, slightly stiff, and not as plush as expected at this tier.

Sonically, this is where it clicks: a tasteful bass shelf for proper foundation, pristine upper-mids for clarity, and airy EST extension that brings out detail without harshness. It tracks close to a personal target shaped by sets like the Elysian Annihilator and JM1—cleaner and more engaging than the stock Mega5-EST, which can feel like “clean water” to some. Comparisons paint the path here: the affordable Hexa shows the right upper-mid behavior; the Chopin is a fun benchmark under $200 with small quirks; Hype 4 offers a Mega-style tuning on a budget but with less bass; and Binary Dynaquattro scratches a V-shaped itch while being harder to drive. Mega5-EST +Bass blends these lessons into a punchy, articulate, and well-imaged presentation.

Value is strong for a custom with EST drivers under a grand—excellent channel matching, convincing technicalities, and a tuning that feels “just right” for modern music without turning strident. Caveats: the order process can be slow (think weeks) and communication runs through Hisenior/Facebook, so patience helps. Not the only answer at the price, but as a preference-targeted custom that adds the missing low-end weight to the original Mega5-EST’s clarity, this one earns an unapologetic S-tier.

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Moondrop’s new “flagship” Meteor lands with a decent first impression: a natural planar timbre that avoids the overly sizzly or peaky upper ranges found in rivals, and clean, forward vocals that shine on ballads at mid volume. The overall tuning sits neutral with a tilt toward female vocals, and technical performance is good—competitive but not class-leading at its bracket. Fit is on the thicker side with a quirky curve, so a demo is wise. The catch: the low end is tame to the point of feeling clinical, lacking slam, authority, and bass-guitar/drum texture in busier rock and metal. Treble is balanced with some extension, yet it lacks air and micro-nuance, making the presentation feel less special. Net result: more a side-grade to Dusk than an upgrade—and at $500+, that stings.

Energy genres expose more issues: the boosted 1–3 kHz pushes vocals shouty past ~60–65 dB and the set doesn’t scale well, especially with K-Pop/J-Pop and mainstream pop where even the Dusk can sound more engaging with better contrast and more low end. Value is the real problem: the EPZ P50 at roughly half the price brings more bass, more air, and similar accessories; competitors like IO Volare (4×EST), Oracle Mk1, or a sale-priced Variations offer smoother, airier treble, finer micro-detail, and better all-round balance. The Meteor’s use of micro-planars instead of ESTs, plus unchanged accessories (think Aria 2/Dusk level), makes the premium hard to justify. Overall, it edges sets like “Brain Dance/Damage” on timbre but gives up technicalities and versatility. Recommendation: skip—grab the P50, go IO Volare/Oracle/Variations, or EQ a Variations (fill the scoop, ease 1–2 kHz) for a result that outclasses Meteor. Bonus note: Moondrop’s new flagship Psyche also gets side-eyed—$2,000 without ESTs feels more cash-grab than value.

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The $500 Moondrop Meteor packs an oversized 13mm dynamic driver for bass, two balanced armatures for mids, and four micro planar drivers for treble. Objectively, its frequency response is fantastic—neutral with a tasteful sub-bass lift and exceptionally smooth, reserved treble that avoids harshness. Vocals sound natural and forward without edginess, and high-frequency percussion retains realistic timbre. Build quality impresses with a glossy, semi-transparent shell and a unique "meteorite" side panel, though the bulky design compromises fit stability versus sleeker Moondrop models. Accessories feel recycled from cheaper offerings, including a basic case and functional but kink-prone swappable-termination cable.

Subjectively, however, the Meteor feels unengaging. Its bass lacks punch and definition despite the large driver, coming across as soft and undynamic. Combined with the relaxed treble, this results in a lackluster sense of separation, layering, and imaging—music sounds cohesive but lacks incisiveness and visceral impact. While tonally balanced, the presentation is overly cautious, missing the excitement expected at this price. Even Moondrop’s own $360 Dusk outperforms it with tighter bass, sharper imaging, and greater overall engagement.

Comparisons highlight its shortcomings. The Dunu DK-31BD offers superior bass impact and more expressive treble at the same price, while the HiSenior Mega5EST delivers better definition and layering despite a warmer tilt. Ultimately, the Meteor’s excellent tuning can’t compensate for its dull technical performance. It’s a competent monitor but fails to justify its cost against rivals—or even Moondrop’s cheaper offerings.

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The Hisenior Mega5-EST +Bass tweaks a proven formula with a flashier shell, a softer puck case in place of the Pelican box, and a thick-but-nice stock cable. The most eyebrow-raising extra is a 3.5→4.4 mm adapter that converts single-ended to balanced—an unusual direction that invites skepticism, even if the brand says it’s safe. Fit remains compact and comfortable with a medium nozzle and semi-custom contour; stock tips are serviceable, though shorter tips like SpinFit can improve seal for some. Aesthetically, the red-black motif reads a bit gaudy, but ergonomics and accessory quality are solid overall.

From ~300 Hz up the tuning mirrors the original Mega5-EST: a gently warm midrange, clean upper-mids, and neutral, well-behaved treble that avoids glare while keeping definition. The change is all down low: roughly a +5 dB bass boost that tilts upward from the lower mids rather than living purely in sub-bass. The result is hefty slam that doesn’t completely smear the picture, but it does shave away some micro-contrast and vocal texture; on bass-forward tracks the low end can turn a touch droning and distracting. Still, transient attack up top stays crisp, and the overall presentation remains coherent—just decidedly bass-first.

Versus the standard Mega5-EST, this edition trades nuance for weight; those who wanted “Mega5-EST, but more bass” get exactly that without wrecking the top end. Compared to a purpose-built warm set like the Symphonium Meteor, the Hisenior’s low end feels less integrated and less intentionally voiced, while Meteor’s treble has a bit of special sauce. Verdict: a 3/5—easy to enjoy and well-tuned above the bass shelf, but the extra low-end doesn’t feel necessary and slightly blunts what made the original so delicate and engaging.