Simgot EW300 VS Pula Unicrom

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The Simgot EW300 positions itself as a standout under $80, acting as a direct upgrade to the EW200 with more refined tuning and an uptick in layering/resolution. With the red 3.5 mm nozzle, the presentation is a dynamic, all-rounder tilt: upper-mids/treble are smoother and less peaky yet remain well-extended, vocals “pop” naturally, and separation feels tidier. In comparisons, the EA500 LM carries higher raw detail and a brighter, more exciting edge, but EW300’s calmer balance makes for longer, less fatiguing sessions and genuinely trades blows on preference.

Swapping to the pink nozzle shifts the EW300 into a warmer, bassier, and more laid-back profile with added thickness down low and a tamed 1–3 kHz region that helps vocal comfort and cuts fatigue. It suits rock, hip-hop, and metal while maintaining clean midrange boundaries, improved instrument separation, and a generally relaxing tone. Against similarly priced planars, the analog EW300 sounds less “sizzly” in timbre while holding its own on separation; owners of the original EA500 shouldn’t expect a huge jump here—the bigger step up remains the LM for sheer resolution.

The DSP version skews more vocal-focused and “clean balanced,” sacrificing some analog punch for smoothness and control. A deliberate 5–10 kHz softening plus a 13 kHz accent keeps consonants gentler and overall non-fatiguing, though some may find end-notes a touch too polite; the pink DSP profile further tames vocals while still giving satisfying cymbal crash. Practicalities are strong: the integrated DAC path shows a low noise floor with no odd artifacts on volume changes, and latency is a non-issue; for gaming, the analog 3.5 mm still images slightly better. Net: pick analog for slam and energy, or DSP for a smooth, vocal-centric clarity—either way, the EW300 offers real flexibility and polish at its price.

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Simgot EW300 makes a strong case as a sub-$80 tribrid benchmark, bringing a more natural timbre, better layering, and a small bump in resolution over EW200. With the red 3.5 mm nozzles, tuning is a lively all-rounder: punchy low end, smoother upper-mids/treble with fewer peaks, and vocals that pop without glare—essentially a more refined, less shouty evolution of EW200. Swap to the pink nozzles and the signature shifts warmer and bassier, taming 1–3 kHz for thicker body and reduced fatigue—great for rock, hip-hop, and metal—while keeping separation clean and the midrange free of bleed.

The DSP version pivots toward a clean, vocal-focused balance: extended yet smooth, effortless vocals, and low fatigue. A deliberate 5–10 kHz dip plus an airy upper push trades some bite for longer listening comfort; the pink DSP nozzle dials vocals even calmer while keeping cymbal crashes satisfying. Implementation quality stands out: a dedicated DAC section yields a low noise floor with no volume-change artifacts, and latency stays in check. For gaming and microdetail, the analog 3.5 mm edges ahead with slightly better imaging and resolution.

Against peers, EW300 trades blows with the EA500 LM—LM chases raw resolution with a brighter, more exciting tilt, whereas EW300 sounds smoother and easier for long sessions (OG EA500 owners won’t see a big upgrade, though layering/separation are a touch better). Versus other sub-$100 sets and entry-level planars, EW300’s timbre is less sizzly yet remains technically competent, and the two-nozzle system effectively gives two tunings in one. Taken together—analog punch, DSP polish, and genuine tuning flexibility—EW300 positions itself as a new value benchmark in its price class.

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The Pula Unicrom offers a comfortable and well-built shell with clear left/right indicators and a swappable cable featuring a secure 4.4mm connector. It comes in four colors and includes a highly praised magnetic case considered excellent value. The cable itself is noted as one of the nicer options at this price point, though the lack of a USB-C option is a minor drawback.

Sonically, the Unicrom delivers a smooth, slightly bassy, and darkish signature with visceral, thick bass and rich, thick mids. Its upper mids are nice and not overly shouty or sibilant, resulting in a cohesive dynamic driver sound. While it lacks the absolute best detail, imaging, and air, it provides a fun and engaging listen, described as a strong V-shape. Graph comparisons show it shares similarities with the much more expensive Moondrop Dragon and the RT10 Pro, offering that kind of tonality at a significantly lower price. It faces stiff competition around $100, like the RT10 Pro and Letshuoer S08, but holds its own as a competent, colorized option.

Ultimately rated a solid B minus, the Unicrom earns a value star and a strong recommendation as a great all-rounder under $100. It's highlighted as a beautifully executed product with satisfying, rich mids and bass, making it a compelling choice for those seeking an organic, fun sound, especially as a gift. While the lower mid warmth might not suit everyone and detail seekers might prefer sets like the Hexa, the Unicrom stands out as a unique and interesting bassy dynamic driver option at its price.

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At $80, the Pula Unicrom (aka “Unic”) is a 10 mm single dynamic IEM that keeps the box basic but surprises with a genuinely nice cable—tight weave, slick hardware, and a stealthy screw-on plug that feels finely machined. The shell finishes can be oddball, the naming is weirder, but in the ears it’s easy to drive and hassle-free; throw on preferred tips and it’s ready to go. Marketing quirks aside, build and usability punch well above the bracket.

Sound is the headline: a wide, relaxed soundstage that floats instruments around the head with real dynamics—swells hit hard, decays fall away cleanly, no shout or sting. Bass is warm and textured without bloat, mids stay clear and focused, and treble sprinkles detail instead of poking holes; it’s the rare “fixer IEM” that flatters rough recordings yet makes orchestral and soundtrack cues feel big. For the money it’s a no-brainer—fun, forgiving, cohesive—proof that a well-tuned single DD can still embarrass busier driver packs in this range.