Punch Audio Martilo VS HiSenior Cano Cristales

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Punch Audio Martilo steps in as a new-brand debut with a confident package: a hybrid array (planar + BAs + DDs), a metal nozzle, proper venting, and a recessed 2-pin socket set into a shell that sits securely thanks to an anti-tragus catch. The faceplate gives off AFUL Performer 7 vibes, the included cable is supple with clear R/L markings, and the textured carry case plus two tip sets round out a thoughtful accessory kit. Priced around $329—with occasional deep discounts during big Linsoul sales—build and accessories feel dialed in for the bracket.

Sonically, this is a bassy set that still behaves like an all-rounder. The bass shelf rises from roughly ~150 Hz, bringing weight and warmth without turning podcasts and vocals into mud; upper-mids are present yet controlled, minimizing shout, while mid-treble energy keeps things crisp. Female vocals avoid huskiness, note weight is satisfying, and the tuning strikes a balanced, fun profile that works across genres. On the graph it hugs a safe line, then sprinkles in extra low-end for flavor—bass-head friendly, but not a blunt instrument.

In A/Bs, it addresses the AFUL Explorer’s softness with more bass and mid presence, and compared to similarly priced Kiwi Ears Astral (the safer neutral pick), Martilo offers the spicier, more engaging option. Against “specialist” bass sets like Deuce or Quantum, Martilo feels cleaner in the mids, less abrupt in its slam, and more universally usable; versus warmer bass champs (e.g., Mega 5 Bass), it trades some warmth for clarity and refinement. This isn’t sterile “audiophile-neutral”—it’s audiophile-fun done with taste. Scoring reads like: bass (10/10), note weight (10/10), mids (9/10), with surprisingly solid highs, stage, and imaging for the money. Not flawless, but distinctive, well-tuned, and easy to recommend—especially for listeners who want real bass without sacrificing everyday versatility.

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Solid build with a comfortable shell, metal nozzle, and a handsome faceplate; accessories are practical—a leatherette puck case, a supple modular cable with color-coded sides, and 4.4/2.5 mm plugs. Sonically it’s a bold, V-shaped tuning with substantial mid-bass lift and lively upper energy around 4–6 kHz. Despite the bite, fatigue stays manageable, but the lower mids feel cooked, pushing it well away from a neutral or studio-leaning all-rounder. Net effect: a fun, energetic listen that prioritizes excitement over balance.

Against peers, HiSenior’s own Mega 5 EST remains the safer, more target-hugging neutral pick, while Cano Cristales is the spicier specialist—engaging but potentially forgettable in a crowded $400 field. Comparisons highlight more thump and upper-mid sparkle here versus sets like Glacier; alternatives such as Punch Audio Martillo (for bassheads) or AFUL Explorer (air/extension) may offer stronger value for specific tastes. Verdict: a soft, hesitant recommendation—enjoyable dynamics (think “A+” energy, ~92 for punch), yet price-to-performance is debatable; best to demo first, especially if sensitive to elevated upper mids/treble.

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Boom — time for bass. Punch Audio’s Martilo is a tribrid (2×8 mm DD + 2 BA + 1 micro planar) coming in around $330. The package is stacked: sturdy square case, extra filters, multiple tip sets, and a genuinely excellent modular 3.5/4.4 cable that lays flat, has no microphonics, and a firm chin slider. The shells are ergonomic with venting, metal nozzles with a proper lip, and a small nozzle diameter (5.9/5.0 mm) that helps seal; comfort and passive isolation are both strong.

Sonically, this is unapologetically bass-focused without being bass-only. Expect massive sub-bass depth and a punchy mid-bass, yet the low end stays tight, controlled, textured and doesn’t bleed. Mids retain clarity with non-shouty presence, while treble is crisp, smooth, non-fatiguing with decent extension (not ultra-airy). For a bass-heavy set, technical performance is solid: detail is good, and imaging/separation keep busy tracks coherent and energetic.

Against Hisenior’s Mega5EST Bass Plus, Martilo hits harder, feels more engaging, and offers better vocal clarity — and it steamrolls on value at the lower price. Compared with Xenns Tea Pro, the Tea Pro is a bass-lover all-rounder that spotlights vocals/instruments more; Martilo goes full bass-head with bigger rumble and impact. Ideal for listeners who crave deep slam but still want clarity, comfort, and great accessories; not for neutral/reference chasers. Final verdict: 4/5 — it truly punches above its price.

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HiSenior Cano Cristales pushes a decidedly V-shaped, high-energy tuning: big slam and rumble with fun low-end texture, but an elevated upper-mid/treble that comes across peaky and sharp. Compared with Estrellas, it’s bassier yet clearly spikier and less refined; against sets like Hype 4 / DT Pro or Odyssey, it lacks the same balance and smoothness. The extra bite can make snares, vocals and electronic transients jump forward unpredictably, so it plays best at moderate volumes and with genres like hip-hop, R&B, pop, and EDM; crank it for K-/J-pop, rock or metal and the shout creeps in.

Tip choice is critical: Velvet Divinus for more bass weight, or Tanchjim T-Sankei/Nova-style tips to tame the upper-mids; avoid tips that boost treble. Technicals sit “competitive but unremarkable” for the price—good bass texture, less impressive separation and refinement up top. Versus Top Pro, the Cristales brings more bass quantity but trails in clarity, resolution, and tonal balance (Sonians/EST implementations elsewhere handle boost more smoothly). At the current $400 MSRP it’s a tough sell when Hype 4, Odyssey, HBB Punch, Martell—or simply Estrellas at $250–$300—offer better balance or value. If a hard-hitting, aggressive V-shape is the goal and a deal around $250 appears (with smoothing via tips/filters), it can make sense; otherwise, most listeners will find stronger, more refined options nearby.

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Punch Audio Martilo hits the brief for bass-centric listeners. The tuning kicks up from ~200 Hz, driving a potent low end, then rides a flat porch through the mids with a gentle ear-gain that crests around 3 kHz before easing off. It mirrors the well-known Kiwi Ears collab curve but with a touch more upper-mids energy for cleaner, clearer vocals. At $279 with the card (and still competitive around $320), this set undercuts many rivals and, for libraries heavy on rock and hip-hop, feels purpose-built.

The hybrid stack—2DD + 2 BA (branded) with a planar on top—keeps the upper-mids sensible and lets the treble play from roughly 5 kHz+ without glare. Personal preference might lean to EST or a high-end BA super-tweeter, but here the planar’s implementation stays out of trouble by avoiding an overcooked 1–3/4 kHz shelf. Result: strong slam, stable mids, and treble that’s present yet subordinate to the preceding bands—focused on transparency rather than flash.

Beyond sound, the packaging and cable show real forethought—distinct from the usual cookie-cutter unboxings—and the overall execution reads like a brand finally dedicated to the low-end community. With more models in the pipeline (including a budget single DD and a planar+DD combo), Martilo arrives as a market shaker for bass lovers seeking muscle without muddying the mids. For the asking price, it’s an easy recommendation to audition—especially if the playlist is built on rhythm sections and big grooves.

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The Punch Audio Martilo shows up screaming BASSHEAD on the box, but the tuning is smarter than that. A hybrid stack—2×8 mm DD + 2×BA + 1 planar—delivers bass that hits when the track calls for it, then gets out of the way. The surprise is the huge soundstage: airy, wide, borderline cinematic, so pianos, crowds, and live recordings feel expansive rather than claustrophobic. Low 9 Ω impedance and easy efficiency keep the power demands chill, though a low-impedance cable is recommended.

Tip rolling matters. With thin-wall silicone (e.g., Dunu S&S) the stage opens up and balance feels right; foams and some wide-bore options can push treble into a slightly sharp zone on certain tracks. Tonality reads clean and natural—warm-adjacent without a blanket—so everyday music stays unbloated, while proper sub-bass test tracks pressurize with that “firm hand on the chest,” not a sledgehammer.

Build is solid: thick, comfy modular cable with swappable plugs, flashy red shells, and a comically oversized box for a modest accessory set (silicone + foams). Street price around $330 lands in the sweet spot—easily justifying $375 by ear. Think “poor man’s Mega 5 EST Bass Plus”: similarly satisfying slam and stage, with the pricier set showing a touch more upper-mid/treble refinement. Not just for bassheads—more like a full-range thrill ride that lets music breathe and hit when it should.

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Hybrid muscle at $400: a 2DD + 8BA “Wild Nature” tuning focused squarely on bass. The package is generous—sheepskin-style case, piles of tips (silicone + foam), shirt clip, microfiber, and a cable with swappable 4.4mm & 2.5mm terminations. The silver cable is a bit stiff but coils tidy; hardware stays compact, chin slider so-so. Shells are translucent acrylic with a medium-large, semi-custom shape; stability and comfort impress, even for all-night use. The bold, river-inspired faceplate won’t be for everyone, but build feels solid and not toy-like.

Tonally it’s a V-shaped, high-contrast presentation: lower treble sits around Harman-ish energy for sparkle, upper treble stays tame to avoid splash, and the star of the show is a massive, yet unusually incisive low end—deep-digging sub-bass, fast transients, and punch that “hits like a truck” without turning boomy. Despite the emphasis, timbre remains largely “right,” cymbals keep their metallic ping, and imaging performs above average. It’s an assertive listen that drives music into you rather than inviting a laid-back soak.

Versus HiSenior’s own Mega… Bass Plus, the Cristales’ low end is far cleaner—no sludge, no smear. Compared with the Moondrop x Crinacle Dusk, expect similar bass physicality but dialed further up, trading the Dusk’s mid-centric refinement for excitement. Against Dunu DK-3001 “Brain Dance”, Cristales hits harder and punchier; Brain Dance stays brighter, more mid-forward and “stagey.” Verdict: a confident 4/5 for delivering arguably the most aggressive, well-defined bass under $500, while keeping the rest of the spectrum coherent enough to be genuinely fun.