Simgot EM10 VS Ziigaat Horizon

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Simgot’s EM10 takes the Supermix 4’s safe, Harman-leaning all-rounder DNA and turns the dial up: richer bass weight with a firmer mid-bass kick, clearer micro-nuances in vocals, and a touch more air up top. Resolution and “tech” step forward without getting edgy—smoother than sets like Aurora and Dusk, roughly on par with the Hype Force family, yet distinctly more immersive, wrapping the stage around the head rather than pushing everything flat in front. If the Supermix 4 is the $150 easy-pick all-rounder, the EM10 reads as its direct upgrade—still agreeable, just more vivid and dynamic.

Against Pilgrim, EM10 trades a bit of cleanliness and decay speed for fuller low-end impact, stronger upper-mid/treble reach, and a more engaging “in the music” feel; Pilgrim remains the safer, more tame choice for those sensitive around 3–4 kHz. EM10 also echoes the best bits of sets like Monarch Mk3 (a “mini” vibe) and reads as a fuller, less thin take on Variations, effectively filling the mid-bass scoop while keeping the crisp upper-mid/treble detail. For listeners who want a smooth yet energetic daily driver that can do shuffle-play across genres and still feel special, EM10 stands out as a top-tier all-rounder; pair it with Supermix 4 if a lower-cost neutral-smooth option is needed, or pick Pilgrim for maximum restraint and balance.

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Ziigaat’s Horizon follows the current meta-inspired recipe—think Astral, Metas, Crescent—but pushes the focus upward: the treble is the most prominent piece here. It’s bright-leaning without turning harsh, giving a crisp, “OCD-like” sense of transient bite and pinpoint imaging. Low end and vocals sit a touch behind the highs, so the presentation feels clean and lively rather than thick; at mid-volume, the top end drizzles detail over the mix like raindrops—engaging and textured, not shouty.

On the technical side, Horizon pulls strong detail retrieval and resolution for the price—above sets like Supermix 4 and near EM10/Volare —yet it doesn’t scale massively because of that treble lift. The bass is snappy and controlled, with good separation, but lacks the slam and rumble seekers of impact will want. Pairing and playlist matter: avoid hot, highly produced pop/K-pop/J-pop or most hip-hop where the combo of elevated highs and lighter bass can feel edgy; it shines with slower pop, R&B, indie acoustics, ballads, and classical where the sparkle reads as “high-fidelity.” Warmer sources help a bit, and tip-rolling (stock black/clear, or bass-adding options like Final E/divinus) can balance things—just skip anything that pushes treble further.

Against close competitors, Astral hit harder down low and feel more V-shaped and contrasty; Crescent is warmer and smoother but not as clear or micro-detailed. Horizon is the cleanest and brightest of the trio, with the most refined treble focus and “tickly” transients. Verdict: a value-minded all-rounder for detail lovers who prefer clarity and air over bass authority—technical, tidy, and energetic at sensible volumes, provided the library isn’t a treble minefield.

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The SIMGOT EM10 is a ten driver hybrid with one dynamic, eight balanced armatures and a piezo electric tweeter, dressed in a lightweight shell that fits very securely and isolates well. Build and accessories are solid overall, with a soft pocketable case and a modular cable that feels good in the hand, although the push pull terminations can loosen and separate a little too easily from the plug. Comfort, fit and passive isolation are therefore clear strong points, and the overall presentation out of the box feels very refined for a modern Harman oriented design.

On the low end, the sub-bass is one of the highlights, delivering very powerful rumble and a stable foundation that shows up on many tracks without muddying the mix. Mid-bass is clean, tight and free of bleed into the lower mids, but the driver character is on the lighter side, so slam, punch and texture are more polite than visceral even on bass heavy hip hop, which can feel a little underwhelming next to some peers. The midrange itself is very forward, putting vocals and guitars right up front with clear, engaging presence and almost no shoutiness across a wide range of genres, while the treble stays smooth, detailed enough and completely free of sibilance, yet slightly pulled back with a touch of BA or piezo timbre and not quite enough air or sparkle compared to the best in class.

In terms of technical performance, detail retrieval, imaging and soundstage are squarely in the average camp and noticeably below what is now common at around 400 to 450 dollars, especially when compared directly with sets such as Pilgrim or DaVinci that offer clearer separation, sharper imaging and more open treble. There is also a measured channel mismatch above roughly 11 kHz on this sample, which is disappointing at this price even if it is not always obvious in casual listening. Even the much cheaper Chopin comes surprisingly close in overall tonality while offering more natural, airy high frequencies, so the EM10 ends up feeling like a very well tuned but somewhat smooth and safe Harman style set that asks flagship money for mid tier resolution. Ignoring the price, it remains a very enjoyable, balanced and non fatiguing listen with powerful sub-bass and intimate mids, but for listeners who care about value and top tier technicalities there are simply stronger options in this bracket.

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The ZiiGaat Horizon comes with a solid accessory package for its price, including a spacious hard case, a modular 3.5 and 4.4 cable that is soft and easy to manage, and a good selection of silicone and foam tips that seal well and feel comfortable. The resin shell with metal lip nozzle feels stable in the ear, with venting that avoids pressure build up or driver flex and an average size that sits securely even when walking around. The colorful faceplate with sparkles, flat two pin connector and overall ergonomics make the Horizon look and feel like a well built, everyday friendly in ear.

Sonically the tuning leans sub bass focused at a neutral level, delivering tight, clean, textured bass with natural decay and a strong sense of physicality that stays neatly separated from the mids so vocals and instruments remain clear. The midrange is mostly neutral and very clear sounding, with vocals sitting nicely forward without becoming shouty and a balanced note weight that gives male voices depth and female voices an open, airy quality. Separation and timbre in the mids are excellent, making instruments sound realistic and well layered while clear forward vocals remain free of harshness.

The lower treble on the Horizon is smooth, controlled and detailed without obvious peaks, while the boosted upper treble brings a crisp, airy, sparkly character with plenty of shimmer and micro detail on cymbals, hi hats and upper harmonics, though listeners sensitive to upper treble may find it a touch bright. Overall treble avoids sounding splashy or metallic and works with the open bass and midrange to give the set a spacious, airy feel. In terms of technical performance the Horizon is one of the more resolving options at this price, offering excellent detail retrieval, separation and imaging, and in comparisons it tends to trade the heavier bass and warmth of rivals like Crescent, Astral, Kir SPET, Volume S, Sivo 24 or Zens T Pro for cleaner mids, more upper treble air and clearer vocals, making it ideal for listeners who value clarity and vocal focus over sheer low end quantity.

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Simgot EM10 steps in at $440 with a premium vibe: comfortable shell (very much like the SuperMix), striking yin-yang faceplates, and a classy unboxing that wouldn’t feel out of place next to Annihilator or Pilgrim. There are quirks—ear tips can slip off the nozzle, the pretty cable can separate at the plug if yanked from an amp, and the case prioritizes looks over function. On the measurement bench the EM10 shows a handsome, Harman-leaning curve, though the sample exhibited a minor channel mismatch within reasonable tolerance.

On the ear, tuning reads as a slight U-shape with impactful, confident bass, smooth treble extension, and extra 2–3 kHz energy that adds presence without harshness; technical performance is solid, if occasionally soft in resolution—a touch “tube-like.” The value question looms because the SuperMix 4 shares nearly the same shell and graph; EM10 sounds 1–2% more refined (smoother upper treble), but not dramatically so. Versus Moondrop Variations, EM10 brings fuller bass and thicker mids. Against Dunu Da Vinci (often cheaper), Da Vinci hugs the JM-1 target and feels less fatiguing but carries lighter sub-bass. Pilgrim plays more relaxed ear-gain; both it and EM10 deliver quality low end. Practical note: EM10 uses 2-pin, Pilgrim employs Pentaconn Ear.

As a package, EM10 earns an S- for its engaging, bass-robust, smooth presentation and premium feel. The smartest path for many is to try SuperMix 4 first, then move to EM10 if the aesthetic, small technical polish, and/or EQ headroom sweeten the deal. In a vacuum, it’s an easy recommendation for fans of polished Harman-ish tuning; in today’s crowded mid-fi, weigh price and preferences—try before you buy, or pick a retailer with returns.

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The ZiiGaat Horizon arrives as the brand’s first tribrid at around $330, pairing one dynamic driver with two BA and two planar drivers. Build is solid: a vented, flat 2-pin socket, metal nozzle, and a distinctive blue-white faceplate that looks like mountains under stars. The cable feels premium with red/blue channel dots and a working chin slider, plus an easy swappable plug (3.5 mm); the included zip case is pleasantly sturdy. Nothing flashy in shell shape, but the fit is secure and the accessories feel thoughtfully sorted.

Sonically, Horizon takes a clean, sub-bass-focused route with bass that reads linear and occasionally a touch pillowy, followed by full, rich upper mids and a treble presentation that steals the show. There’s generous upper air and extension with a tactful lower-treble rise, kept in check by a helpful 5–6 kHz dip to avoid fatigue; a splash of ~15 kHz energy adds sparkle that treble fans will relish. The result sidesteps the “EQ’d-to-death” flatness—this tuning carries just enough color to stay engaging while remaining clean and controlled.

Against peers, Horizon’s top end feels more refined than ZiiGaat’s Luna, while Crescent plays thicker and more V-shaped with extra 10 kHz “twinkle.” Versus sets like the SL224, Horizon’s treble is smoother and less sibilant; compared with Punch Audio Martillo, think of Horizon as the treble-head counterpart to a bass specialist. It also mirrors some strengths of AFUL Performer 7 but with cleaner bass and a more polished top end, and it offers more microdetail than the hard-to-find YU9 Chuer. Taken together, this is a special package: a well-built, distinctive tribrid with 10/10 treble energy and air, competitive technicals, and a tuning that treble lovers will find hard to put down.

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The Simgot EM10 stands out in this roundup for competitive gaming, scoring a solid B+ overall. In Valorant it pushes into A–/B+ territory thanks to notably precise positional accuracy—footsteps and cues are located with convincing depth perception, making direction and distance easy to read. In Apex, performance sits around B+/B where separation can occasionally feel a touch short of top-tier, while Call of Duty sits at a dependable B+. Across titles like Fortnite and Siege, the EM10 remains consistently good, offering a balanced, confident read of the soundscape.

Versus more affordable picks—such as the Truthear x Crinacle Zero and the warm, easy-going Letshuoer S08—the EM10 distinguishes itself with superior imaging precision and a cleaner depth read, especially in Valorant. Value calculus matters, though: those sets still perform well for less, and Simgot’s own Supermix 4 (~$150) competes surprisingly closely for gaming. For players who prize positional exactness and play a lot of Valorant, the EM10 justifies the step up; for tighter budgets, Supermix 4 or the noted budget options remain smart alternatives.

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Ziigaat Horizon arrives as a striking tri-brid in the ~$300 bracket (1DD + 2BA + 2 planar) with a tuning that brushes close to Kiwi Ears Astral yet comes across a touch thinner and more balanced. The low end focuses on sub-bass rumble that’s tight, clean, and richly tactile, while mids keep timbre accurate and treble stays controlled—never shouty or fatiguing—yielding a fun-yet-almost-reference presentation. Build and comfort impress: ergonomic shells with that aqua-to-silver fade can be worn for 8-hour sessions, and the package includes Ziigaat’s new two-pin cable with interchangeable terminations (3.5/4.4), a roomy faux-leather case, silicone sets plus foams; tip rolling (e.g., ASMR tips) pairs well.

In games, ambient clutter drops away and crucial cues get spotlighted with confident imaging, separation, and convincing verticality. Footsteps in Valorant are clear and positional, though the lightest taps can blur a bit under nearby low-end rumble or heavy gunfire; Apex performance is exceptional, just a hair behind Astral/Mangird Tea Pro when ultimates stack; Call of Duty delivers satisfying impact with disciplined decay, though micro-cues can soften during chaos. Net-net, Horizon is a great all-rounder with clean, technical bass and a natural balance that works across titles. On the WallHack list it gets A– overall (A– in Apex, B+ in CoD, Valorant just shy of top marks), primarily nudged down by occasional masking of the lightest cues during intense mixes.

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ZiiGaat Horizon is a tribrid with one dynamic driver, two balanced armatures and two planars that combines a beautiful hand painted faceplate with a very balanced sonic presentation. Bass focuses on sub bass with an 8 to 9 dB shelf that feels tight, impactful and well controlled, giving a wide and comfortable stage without becoming overly warm. The shell in medical resin, the detachable silver plated cable with both 3.5 and 4.4 plugs and the firm orange carrying case round out a package that feels thoughtfully put together at its 329 USD price.

On the low end the sub bass reaches under the ears and around the neck with good depth, fast decay and clean retrieval, so kicks hit with satisfying punch while never smearing into the mids. Lower mids stay relatively flat to provide a balanced foundation, and vocals come across three dimensional, intimate and well focused with a strong sense of vertical soundstage and clear separation from instruments. Male voices sound full and weighty, female vocals are bright and natural, and midrange instruments are layered, tight and elastic with controlled decay that keeps the presentation lively without excess reverb.

Treble is airy and open with careful dips around 5 to 8 kHz to reduce sibilance, then a well judged peak in the upper treble that extends past 20 kHz, adding space and air without turning cymbals or high hats piercing. Across the band the separation between bass, mids and treble is excellent, imaging feels precise and stable and detail comes through in a granular yet natural way that compares favorably even to more expensive tribrids like the Dunu DK3001. For listeners who enjoy balanced, vocal centric music with clean, extended treble and long term comfort, Horizon offers a refined, beautiful and emotionally evocative listen that really does feel like a fresh dawn for the ears.

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The Horizon aims for a neutral-natural tonality with a slightly lean lower midrange, delivering standout vocal transparency and crisp separation. Bass is mostly sub-bass focused—felt and supportive rather than boomy—giving notes a pleasing sense of density without smearing the mids. The trade-off is an elevated upper-treble that adds air and detail but can tilt gritty/sandy if the fit or tips aren’t dialed in.

Build and accessories are a mixed bag: a surprisingly nice carrying case and swappable termination, but a fussy cable and a resin shell that fits deep and may need shorter, grippier tips to shine. Once seated well, the Horizon’s imaging and instrument separation pop, making complex mixes feel organized and engaging.

Versus pricier hype pieces with similar FR, the Horizon feels like a “short king” take: not as refined up top as the best of them, yet more weighty and satisfying than some leaner peers. Compared to something like Volume S at a similar price, this set is clearer and more incisive (better separation), while Volume S is fuller and smoother with punchier bass presence. At $330, it’s the most compelling entry in its family so far—addictive for transparency and staging, with the caveat of treble sensitivity and fit quirks.

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ZiiGaat Horizon is a $329 tribrid (1DD+2BA+2MPL) that prioritizes treble extension, clarity, and very sharp imaging. Compared with EPZ P50 and Daybreak, ear-gain is set lower, which yields less shout and more natural vocals while keeping an even transition from lower to upper treble. The result is a clean, transparent presentation that reads more refined than typical $300 hybrids and feels end-to-end coherent.

The trade-offs sit mostly in the low end and upper-treble edges: the stock mid-bass dip reduces body and impact, and sibilants can pop, especially around 8 kHz. Bass quality itself is quick and tidy with good depth rather than rumble, matching BA/MPL speed but leaning lean for bass-heavy genres. A light EQ lift of lower mids/mid-bass (about 2–3 dB) and a small 8 kHz trim (around 0.5–1 dB) makes it a more versatile daily driver while preserving its separation and sense of stage depth.

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Ziigaat’s Horizon goes for a flashy tribrid recipe—1×10 mm bio-dynamic for slam, 2×BA for mids, and dual planar treble up top—wrapped in pretty shells and “horizon” art. Street price hovers around $329, though bundle quirks can drop it to roughly $283. The cable is the familiar modular “big boy” plug system (3.5 mm/4.4 mm), chunky but perfectly usable, and the case/tips kit is typical Ziigaat: practical with a dash of theatrics.

Sonically, this one is bold and a bit unnatural—in a good way. Think W-shaped: bass, mids, and treble all step forward, almost competing for attention. The low end hits with big, big bass energy when the track calls for it yet doesn’t trample everything on softer material. Stage is not very wide—more focused and up-front—but there’s satisfying detail/decay and an aggressive, engaging center image. Expect excitement and texture over air and spread, and expect some fatigue after long sessions.

Call it an interesting outlier rather than a safe neutral. Price/performance feels fine (the sweet spot would be closer to $250), and it fits Ziigaat’s “many flavors, similar price” playbook. For listeners stacked with natural-tuned sets and craving a different, punchy, attention-grabbing presentation, Horizon delivers; for chill, long-haul listening, there are calmer choices.