Simgot ET142 VS 7hz x Crinacle Divine

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SIMGOT’s ET142 pairs a planar driver with a PZT, delivering a bright-leaning, lively all-rounder that feels like a more mature, slightly more detailed take on the original S12 tonality. Treble is the surprise: it carries bite and air without the usual planar “sizzle”, landing closer to a well-implemented PZT sheen. Micro-nuance on cymbal work is improved, vocals are open, and technical performance is among the best heard from planars in this bracket. The 2 kHz region can read a touch shy, while overall treble sits above Harman, so expect sparkle and energy rather than warmth.

Volume and fit matter. At mid levels (~60–65 dB) the ET142 sounds engaging and airy; push past ~70–75 dB and the upper energy can turn fatiguing, with forward vocals and sharper highs on busy tracks. Tip choice is critical: treble-boosting tips can be too much, whereas wide-bore, smoother tips (e.g., “Senai Wide”) keep the top end in check. Both included nozzles measure and sound essentially the same—an opportunity missed for a second, tamer tuning. Genre-wise, rock, indie and slower pop benefit from the speed and air; dense electronic can edge bright, while K-/J-pop stays bouncy at moderate volume.

Bass is quick, punchy and clean with tight decay and excellent separation—don’t expect DD-level rumble or lingering reverb, but do expect balance and definition. Versus safer, more relaxed tunings (S8/S15/S12 2024), the ET142 is the more exciting pick; against neutral all-rounders (e.g., “Pilgrim”), it trades smoothness for air and sparkle; compared to sets like “Dusk,” it’s livelier with less treble fizzle but a more forward top end. At around $200, build is excellent (metal shells, braided cable) and the value strong—competing with some $300–$400 options. In short: choose ET142 for a bright, technical, energetic listen; skip it if a laid-back or dark tilt is the goal.

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The 7hz x Crinacle Divine comes in as the clean, balanced counterpart to the Diablo, going for a neutral, vocal-centric presentation rather than a basshead slamfest. Vocals sit slightly forward with enough upper-mid energy to keep things lively, so ballads, slower pop, R&B, acoustic tracks and classical instrumentals really benefit from its separation, layering and overall technical performance, which is clearly a step up over the Diablo. It avoids sounding dead or smoothed-over neutral, instead aiming for a refined but engaging tone that many listeners who find stricter Harman-style tunings a bit shouty may actually prefer.

On the flip side, the low end is very tame: sub-bass is tight with quick decay, no bloat and no bleed into the mids, but it simply doesn’t deliver deep rumble or heavy slam, making the Divine a poor fit for rock, hip-hop or bass-heavy genres where vocals can start to dominate the mix. There’s also a touch of extra upper-mid and treble presence that can border on shouty at higher volumes, so smoother silicone tips (like softer, clear styles) help calm things down. It behaves like a mid-volume set that doesn’t scale as dramatically as the Diablo, and while it’s a solid, well-tuned option for vocal and mid-focused listening, the overall value is only decent at its asking price—making it a more attractive pick once typical sale discounts kick in, especially for those prioritizing vocals and cleanliness over raw bass quantity.

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Build & accessories: ET142 arrives with an all-metal chassis, a tidy two-pin cable with interchangeable termination, and swappable nozzles (blue default vs. gold). The blue nozzle proves smoother, as the gold adds extra 2–3 kHz energy that can edge into shout. Ergonomics are compact, vented, and well-finished, though not as feather-light as some resin competitors.

Tuning & technicals: The hybrid architecture (planar plus bone-conduction) projects an expansive, airy stage with clean separation and layering. However, that upper-mid peak can make gunfire and busy mixes feel a bit spicy, leading to a “deer-in-headlights” sensation during chaotic moments. Tonally it’s clear and detailed, but the extra air sometimes pushes nearfield cues slightly forward in the stage instead of delivering immediate urgency.

Gaming performance: Imaging and verticality are solid and footstep cues are intelligible, placing ET142 in a B+ to B range for competitive play. Against a warmer rival with stronger low-end presence, ET142 is less fatiguing than the gold-nozzle setup but still brighter than ideal for Apex/Valorant chaos; the rival’s bass weighting keeps gunfire tamed and localization snappier. Overall, ET142 is good for gaming with strong separation and stage, best for players who value clarity and air over maximum urgency.

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7hz x Crinacle Divine comes in at $150 with a planar driver, a clean neutral-leaning tilt and an all-chrome aesthetic. The accessory set is solid (case, cable, multiple tips) and the shells are comfortable for long sessions. Versus its sibling Diablo, Divine trims the low end for a tidier mix while keeping a modest punch, trading musical warmth for clarity and focus.

On the WallHack gaming rubric, Divine’s imaging, separation and layering are consistently strong—just shy of the “A-” tier but clearly competitive. In Valorant it earns a B+ and edges the Diablo thanks to cleaner footsteps in chaotic 5v5s. In Apex Legends it’s the clear winner: the reduced bass keeps cues intact when storms, grenades and third parties stack up. Call of Duty also benefits from the shaved low end—slides, footsteps and positional reads come through with better definition—while Battlefield favors the weightier Diablo for immersion. Overall, Divine is scored at a confident B+: a balanced, competitively minded planar that prioritizes readability and positional precision over sheer slam, making it the better pick for sweaty lobbies while the Diablo remains the choice for music and cinematic boom.

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The Simgot ET142 is a $220 planar–piezo hybrid that arrives like a mini system: full-metal shells, the chunky but well-behaved LC7 modular cable (3.5/4.4 included), a sturdy magnetic case, and four tuning nozzles (titanium stock, gold, short black foam, short red foam). Build is solid and venting prevents pressure issues; finish is a fingerprint magnet and the shell+cable combo is heavy, comfortable for average ears but failing the “tiny ears” test in stock form. Accessory spread is excellent at the price, with multiple tip sets and spare O-rings/foams rounding out a thoughtful package.

Sonically, this is textbook planar bass: clean sub-bass rumble with punchy, textured mid-bass that doesn’t bleed. The midrange stays clear and unmasked, presenting busy mixes with ease, while vocal presence shifts with nozzle choice (short nozzles push fundamentals slightly forward). Treble is where the nozzles matter most: short red = relaxed and smooth; short black = balanced sparkle; titanium/gold = vivid, edging toward “hot” for treble-sensitive listeners. Technical chops impress—crisp microdetail from the PZT without harshness, precise imaging, strong separation, and a notably 3D soundstage. It’s also very easy to drive, playing happily from modest sources.

Think of ET142 as a three-in-one planar: titanium delivers a bright, energetic V-shape (S12/“classic planar” territory), short black dials it to a balanced, less aggressive profile (S12 Pro/2024 vibe), and short red shifts into the modern warm planar lane (akin to S15/S08). Compared with other nozzle-swap sets (e.g., Timeless 2), ET142 offers a wider tuning range up top, trading fine micro-timbre tweaks for genuinely distinct signatures. Caveats: none of the nozzles are truly neutral and the low end stays boosted, so lean-bass seekers should look elsewhere; the weight may be a deal-breaker for small ears. For anyone wanting a versatile planar that can swing from sparkly and fun to warm and relaxing with a quick nozzle swap, this earns a confident “you should buy this” recommendation on value and flexibility alone.

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SIMGOT ET142 pairs a polished CNC metal shell with a comfortable ergonomic fit and the LC7 modular cable including 3.5 mm and 4.4 mm plugs plus a case. Four interchangeable nozzles are provided, with revised geometry in production rather than just foam stuffing, and the foam can be added or removed for fine-tuning. Build and accessories feel genuinely premium for the segment.

The original gold/blue nozzles target a brighter, analytical upper range; the new black sits in the middle with a smoother treble line, and red is the most restrictive and warmest. With black, ET142 tracks close to Letshuoer S12 2024 in balance but remains more relaxed up top with slightly less resolve; with red, the tonality leans toward a clean, dynamic-driver style that edges out Timeless 2's Gold Leaf for ease of listening. Swapping foam in or out yields small but useful shifts without breaking the core signature.

As a package, this set prioritizes tuning flexibility and ease of listening over chasing maximum air and extension. S12 2024 stays the single-planar reference for sheer end-to-end resolution, but ET142 answers with a best-in-class shell and cable and friendlier options for treble-sensitive ears. For those wanting planar technicalities with a smoother top end, the black and red nozzles form a compelling, configurable choice.

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SIMGOT ET142 comes across as a sleek, chrome-heavy hybrid with a planar + PZT setup, dressed in CNC’d stainless shells and a surprisingly thick premium cable, plus a magnetic case and swappable 4.4/3.5 plug. Two tuning nozzles are included; differences are subtle, but the gold nozzles give a warmer, more relaxed balance versus the blued “airier” set. At a listed ~$220, the build and accessories feel upscale, though that cable is borderline overkill for an IEM.

On power, the ET142’s 14 Ω load behaves better with a more linear solid-state source (e.g., JDS Labs Element) than with tubes; an impedance adapter can tame noise. The tuning reads smooth, non-aggressive, with bass present but not the star; sub-bass “slam” isn’t the focus, yet vocals and staging are clean and pleasing. Treble with the gold nozzles stays polite, while the blued set adds some sparkle without turning harsh.

The special sauce is the imaging: sound feels “inside” and slightly behind the head, creating a quirky but engaging sense of placement that should be excellent for gaming. Overall it fits neatly among planar hybrids at this price—refined, smooth, and easy to enjoy rather than a fireworks show—earning a straightforward recommendation, especially for SIMGOT fans who value comfort, build, and that distinctive spatial presentation over brute-force bass.

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7Hz x Crinacle Divine takes the familiar planar recipe and refines it. The shell is vented, comfortable, and highly isolating, with a flat 2-pin that makes cable swaps easy. The stock cable is 3.5 mm-only, chunky, and a bit memory-prone but usable, and the included case is surprisingly premium. Overall build and fit are faultless at the price.

Tonally, this is a fun, slightly V-shaped planar with thick, satisfying bass that avoids the pillowy feel many expect at this price. The midrange is clean and well-judged (occasionally a touch edgy on some tracks), and the treble brings air and sparkle without harsh peaks. Crucially, it sidesteps the usual planar “cat-ear” spikes around 2–5 kHz, focusing its energy closer to 3 kHz for presence that’s vivid yet controlled. Technicals hit the planar checkboxes—speed, separation, and an expansive stage—delivering a cohesive, engaging listen.

Against peers, Divine feels like a course correction: compared with the earlier Dioko it adds more bass weight and smoother treble; versus the twin Diablo, it’s less sizzly and more balanced. Sets like Letshuoer S12/Ultra still appeal thanks to accessories and value, but Divine’s tuning direction is special and, for many, more versatile. Verdict: an S-minus pick and a favorite planar at ~$150. Not for extreme bassheads, but for listeners who want great air, detail, and planar speed without the usual glare, this earns a wholehearted recommendation.