Simgot ET142 VS Ziigaat Horizon

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SIMGOT ET142 pairs a polished CNC metal shell with a comfortable ergonomic fit and the LC7 modular cable including 3.5 mm and 4.4 mm plugs plus a case. Four interchangeable nozzles are provided, with revised geometry in production rather than just foam stuffing, and the foam can be added or removed for fine-tuning. Build and accessories feel genuinely premium for the segment.

The original gold/blue nozzles target a brighter, analytical upper range; the new black sits in the middle with a smoother treble line, and red is the most restrictive and warmest. With black, ET142 tracks close to Letshuoer S12 2024 in balance but remains more relaxed up top with slightly less resolve; with red, the tonality leans toward a clean, dynamic-driver style that edges out Timeless 2's Gold Leaf for ease of listening. Swapping foam in or out yields small but useful shifts without breaking the core signature.

As a package, this set prioritizes tuning flexibility and ease of listening over chasing maximum air and extension. S12 2024 stays the single-planar reference for sheer end-to-end resolution, but ET142 answers with a best-in-class shell and cable and friendlier options for treble-sensitive ears. For those wanting planar technicalities with a smoother top end, the black and red nozzles form a compelling, configurable choice.

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ZiiGaat Horizon is a $329 tribrid (1DD+2BA+2MPL) that prioritizes treble extension, clarity, and very sharp imaging. Compared with EPZ P50 and Daybreak, ear-gain is set lower, which yields less shout and more natural vocals while keeping an even transition from lower to upper treble. The result is a clean, transparent presentation that reads more refined than typical $300 hybrids and feels end-to-end coherent.

The trade-offs sit mostly in the low end and upper-treble edges: the stock mid-bass dip reduces body and impact, and sibilants can pop, especially around 8 kHz. Bass quality itself is quick and tidy with good depth rather than rumble, matching BA/MPL speed but leaning lean for bass-heavy genres. A light EQ lift of lower mids/mid-bass (about 2–3 dB) and a small 8 kHz trim (around 0.5–1 dB) makes it a more versatile daily driver while preserving its separation and sense of stage depth.

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SIMGOT’s ET142 pairs a planar driver with a PZT, delivering a bright-leaning, lively all-rounder that feels like a more mature, slightly more detailed take on the original S12 tonality. Treble is the surprise: it carries bite and air without the usual planar “sizzle”, landing closer to a well-implemented PZT sheen. Micro-nuance on cymbal work is improved, vocals are open, and technical performance is among the best heard from planars in this bracket. The 2 kHz region can read a touch shy, while overall treble sits above Harman, so expect sparkle and energy rather than warmth.

Volume and fit matter. At mid levels (~60–65 dB) the ET142 sounds engaging and airy; push past ~70–75 dB and the upper energy can turn fatiguing, with forward vocals and sharper highs on busy tracks. Tip choice is critical: treble-boosting tips can be too much, whereas wide-bore, smoother tips (e.g., “Senai Wide”) keep the top end in check. Both included nozzles measure and sound essentially the same—an opportunity missed for a second, tamer tuning. Genre-wise, rock, indie and slower pop benefit from the speed and air; dense electronic can edge bright, while K-/J-pop stays bouncy at moderate volume.

Bass is quick, punchy and clean with tight decay and excellent separation—don’t expect DD-level rumble or lingering reverb, but do expect balance and definition. Versus safer, more relaxed tunings (S8/S15/S12 2024), the ET142 is the more exciting pick; against neutral all-rounders (e.g., “Pilgrim”), it trades smoothness for air and sparkle; compared to sets like “Dusk,” it’s livelier with less treble fizzle but a more forward top end. At around $200, build is excellent (metal shells, braided cable) and the value strong—competing with some $300–$400 options. In short: choose ET142 for a bright, technical, energetic listen; skip it if a laid-back or dark tilt is the goal.

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Ziigaat’s Horizon follows the current meta-inspired recipe—think Astral, Metas, Crescent—but pushes the focus upward: the treble is the most prominent piece here. It’s bright-leaning without turning harsh, giving a crisp, “OCD-like” sense of transient bite and pinpoint imaging. Low end and vocals sit a touch behind the highs, so the presentation feels clean and lively rather than thick; at mid-volume, the top end drizzles detail over the mix like raindrops—engaging and textured, not shouty.

On the technical side, Horizon pulls strong detail retrieval and resolution for the price—above sets like Supermix 4 and near EM10/Volare —yet it doesn’t scale massively because of that treble lift. The bass is snappy and controlled, with good separation, but lacks the slam and rumble seekers of impact will want. Pairing and playlist matter: avoid hot, highly produced pop/K-pop/J-pop or most hip-hop where the combo of elevated highs and lighter bass can feel edgy; it shines with slower pop, R&B, indie acoustics, ballads, and classical where the sparkle reads as “high-fidelity.” Warmer sources help a bit, and tip-rolling (stock black/clear, or bass-adding options like Final E/divinus) can balance things—just skip anything that pushes treble further.

Against close competitors, Astral hit harder down low and feel more V-shaped and contrasty; Crescent is warmer and smoother but not as clear or micro-detailed. Horizon is the cleanest and brightest of the trio, with the most refined treble focus and “tickly” transients. Verdict: a value-minded all-rounder for detail lovers who prefer clarity and air over bass authority—technical, tidy, and energetic at sensible volumes, provided the library isn’t a treble minefield.

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SIMGOT ET142 comes across as a sleek, chrome-heavy hybrid with a planar + PZT setup, dressed in CNC’d stainless shells and a surprisingly thick premium cable, plus a magnetic case and swappable 4.4/3.5 plug. Two tuning nozzles are included; differences are subtle, but the gold nozzles give a warmer, more relaxed balance versus the blued “airier” set. At a listed ~$220, the build and accessories feel upscale, though that cable is borderline overkill for an IEM.

On power, the ET142’s 14 Ω load behaves better with a more linear solid-state source (e.g., JDS Labs Element) than with tubes; an impedance adapter can tame noise. The tuning reads smooth, non-aggressive, with bass present but not the star; sub-bass “slam” isn’t the focus, yet vocals and staging are clean and pleasing. Treble with the gold nozzles stays polite, while the blued set adds some sparkle without turning harsh.

The special sauce is the imaging: sound feels “inside” and slightly behind the head, creating a quirky but engaging sense of placement that should be excellent for gaming. Overall it fits neatly among planar hybrids at this price—refined, smooth, and easy to enjoy rather than a fireworks show—earning a straightforward recommendation, especially for SIMGOT fans who value comfort, build, and that distinctive spatial presentation over brute-force bass.

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Ziigaat’s Horizon goes for a flashy tribrid recipe—1×10 mm bio-dynamic for slam, 2×BA for mids, and dual planar treble up top—wrapped in pretty shells and “horizon” art. Street price hovers around $329, though bundle quirks can drop it to roughly $283. The cable is the familiar modular “big boy” plug system (3.5 mm/4.4 mm), chunky but perfectly usable, and the case/tips kit is typical Ziigaat: practical with a dash of theatrics.

Sonically, this one is bold and a bit unnatural—in a good way. Think W-shaped: bass, mids, and treble all step forward, almost competing for attention. The low end hits with big, big bass energy when the track calls for it yet doesn’t trample everything on softer material. Stage is not very wide—more focused and up-front—but there’s satisfying detail/decay and an aggressive, engaging center image. Expect excitement and texture over air and spread, and expect some fatigue after long sessions.

Call it an interesting outlier rather than a safe neutral. Price/performance feels fine (the sweet spot would be closer to $250), and it fits Ziigaat’s “many flavors, similar price” playbook. For listeners stacked with natural-tuned sets and craving a different, punchy, attention-grabbing presentation, Horizon delivers; for chill, long-haul listening, there are calmer choices.

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Build & accessories: ET142 arrives with an all-metal chassis, a tidy two-pin cable with interchangeable termination, and swappable nozzles (blue default vs. gold). The blue nozzle proves smoother, as the gold adds extra 2–3 kHz energy that can edge into shout. Ergonomics are compact, vented, and well-finished, though not as feather-light as some resin competitors.

Tuning & technicals: The hybrid architecture (planar plus bone-conduction) projects an expansive, airy stage with clean separation and layering. However, that upper-mid peak can make gunfire and busy mixes feel a bit spicy, leading to a “deer-in-headlights” sensation during chaotic moments. Tonally it’s clear and detailed, but the extra air sometimes pushes nearfield cues slightly forward in the stage instead of delivering immediate urgency.

Gaming performance: Imaging and verticality are solid and footstep cues are intelligible, placing ET142 in a B+ to B range for competitive play. Against a warmer rival with stronger low-end presence, ET142 is less fatiguing than the gold-nozzle setup but still brighter than ideal for Apex/Valorant chaos; the rival’s bass weighting keeps gunfire tamed and localization snappier. Overall, ET142 is good for gaming with strong separation and stage, best for players who value clarity and air over maximum urgency.

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Ziigaat Horizon arrives as a striking tri-brid in the ~$300 bracket (1DD + 2BA + 2 planar) with a tuning that brushes close to Kiwi Ears Astral yet comes across a touch thinner and more balanced. The low end focuses on sub-bass rumble that’s tight, clean, and richly tactile, while mids keep timbre accurate and treble stays controlled—never shouty or fatiguing—yielding a fun-yet-almost-reference presentation. Build and comfort impress: ergonomic shells with that aqua-to-silver fade can be worn for 8-hour sessions, and the package includes Ziigaat’s new two-pin cable with interchangeable terminations (3.5/4.4), a roomy faux-leather case, silicone sets plus foams; tip rolling (e.g., ASMR tips) pairs well.

In games, ambient clutter drops away and crucial cues get spotlighted with confident imaging, separation, and convincing verticality. Footsteps in Valorant are clear and positional, though the lightest taps can blur a bit under nearby low-end rumble or heavy gunfire; Apex performance is exceptional, just a hair behind Astral/Mangird Tea Pro when ultimates stack; Call of Duty delivers satisfying impact with disciplined decay, though micro-cues can soften during chaos. Net-net, Horizon is a great all-rounder with clean, technical bass and a natural balance that works across titles. On the WallHack list it gets A– overall (A– in Apex, B+ in CoD, Valorant just shy of top marks), primarily nudged down by occasional masking of the lightest cues during intense mixes.

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The Simgot ET142 is a $220 planar–piezo hybrid that arrives like a mini system: full-metal shells, the chunky but well-behaved LC7 modular cable (3.5/4.4 included), a sturdy magnetic case, and four tuning nozzles (titanium stock, gold, short black foam, short red foam). Build is solid and venting prevents pressure issues; finish is a fingerprint magnet and the shell+cable combo is heavy, comfortable for average ears but failing the “tiny ears” test in stock form. Accessory spread is excellent at the price, with multiple tip sets and spare O-rings/foams rounding out a thoughtful package.

Sonically, this is textbook planar bass: clean sub-bass rumble with punchy, textured mid-bass that doesn’t bleed. The midrange stays clear and unmasked, presenting busy mixes with ease, while vocal presence shifts with nozzle choice (short nozzles push fundamentals slightly forward). Treble is where the nozzles matter most: short red = relaxed and smooth; short black = balanced sparkle; titanium/gold = vivid, edging toward “hot” for treble-sensitive listeners. Technical chops impress—crisp microdetail from the PZT without harshness, precise imaging, strong separation, and a notably 3D soundstage. It’s also very easy to drive, playing happily from modest sources.

Think of ET142 as a three-in-one planar: titanium delivers a bright, energetic V-shape (S12/“classic planar” territory), short black dials it to a balanced, less aggressive profile (S12 Pro/2024 vibe), and short red shifts into the modern warm planar lane (akin to S15/S08). Compared with other nozzle-swap sets (e.g., Timeless 2), ET142 offers a wider tuning range up top, trading fine micro-timbre tweaks for genuinely distinct signatures. Caveats: none of the nozzles are truly neutral and the low end stays boosted, so lean-bass seekers should look elsewhere; the weight may be a deal-breaker for small ears. For anyone wanting a versatile planar that can swing from sparkly and fun to warm and relaxing with a quick nozzle swap, this earns a confident “you should buy this” recommendation on value and flexibility alone.

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The ZiiGaat Horizon arrives as the brand’s first tribrid at around $330, pairing one dynamic driver with two BA and two planar drivers. Build is solid: a vented, flat 2-pin socket, metal nozzle, and a distinctive blue-white faceplate that looks like mountains under stars. The cable feels premium with red/blue channel dots and a working chin slider, plus an easy swappable plug (3.5 mm); the included zip case is pleasantly sturdy. Nothing flashy in shell shape, but the fit is secure and the accessories feel thoughtfully sorted.

Sonically, Horizon takes a clean, sub-bass-focused route with bass that reads linear and occasionally a touch pillowy, followed by full, rich upper mids and a treble presentation that steals the show. There’s generous upper air and extension with a tactful lower-treble rise, kept in check by a helpful 5–6 kHz dip to avoid fatigue; a splash of ~15 kHz energy adds sparkle that treble fans will relish. The result sidesteps the “EQ’d-to-death” flatness—this tuning carries just enough color to stay engaging while remaining clean and controlled.

Against peers, Horizon’s top end feels more refined than ZiiGaat’s Luna, while Crescent plays thicker and more V-shaped with extra 10 kHz “twinkle.” Versus sets like the SL224, Horizon’s treble is smoother and less sibilant; compared with Punch Audio Martillo, think of Horizon as the treble-head counterpart to a bass specialist. It also mirrors some strengths of AFUL Performer 7 but with cleaner bass and a more polished top end, and it offers more microdetail than the hard-to-find YU9 Chuer. Taken together, this is a special package: a well-built, distinctive tribrid with 10/10 treble energy and air, competitive technicals, and a tuning that treble lovers will find hard to put down.

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The Horizon aims for a neutral-natural tonality with a slightly lean lower midrange, delivering standout vocal transparency and crisp separation. Bass is mostly sub-bass focused—felt and supportive rather than boomy—giving notes a pleasing sense of density without smearing the mids. The trade-off is an elevated upper-treble that adds air and detail but can tilt gritty/sandy if the fit or tips aren’t dialed in.

Build and accessories are a mixed bag: a surprisingly nice carrying case and swappable termination, but a fussy cable and a resin shell that fits deep and may need shorter, grippier tips to shine. Once seated well, the Horizon’s imaging and instrument separation pop, making complex mixes feel organized and engaging.

Versus pricier hype pieces with similar FR, the Horizon feels like a “short king” take: not as refined up top as the best of them, yet more weighty and satisfying than some leaner peers. Compared to something like Volume S at a similar price, this set is clearer and more incisive (better separation), while Volume S is fuller and smoother with punchier bass presence. At $330, it’s the most compelling entry in its family so far—addictive for transparency and staging, with the caveat of treble sensitivity and fit quirks.