Simgot EW300 VS Shanling Tino
IEM Comparison: Expert & Community Scores Side-by-Side
Simgot EW300 and Shanling Tino use 1DD+1Planar+1PZT and 2DD (10mm LCP+8mm DLC) driver setups respectively. Simgot EW300 costs $69 while Shanling Tino costs $79. Shanling Tino is $10 more expensive. Simgot EW300 holds a slight 0.2-point edge in reviewer scores (6.8 vs 6.6). Shanling Tino has better mids with a 0.8-point edge.
Insights
| Metric | Simgot EW300 | Shanling Tino |
|---|---|---|
| Bass | 6.9 | 7 |
| Mids | 6.8 | 7.6 |
| Treble | 6.9 | 6.8 |
| Details | 6.8 | 6.7 |
| Soundstage | 6.7 | 6.5 |
| Imaging | 7.2 | 7 |
| Dynamics | 6.8 | 6.9 |
| Tonality | 7.2 | 7.6 |
| Technicalities | 6.9 | 6.9 |
Simgot EW300 Aggregated Review Score
IEMR Normalized Score
IEMR Normalized Score
6.8Cautiously Favorable
Reviewer Average Score
6.7Cautiously Favorable
Shanling Tino Aggregated Review Score
IEMR Normalized Score
IEMR Normalized Score
6.6Cautiously Favorable
Reviewer Average Score
7.4Generally Favorable
Reviews Comparison
Simgot EW300 reviewed by Joyce's Review
6.8
Reviewer Score
Youtube Video Summary
The Simgot EW300 is a compact tri-brid in-ear monitor combining a dynamic driver, planar driver and PZT unit, offered in Standard, HBB and DSP versions around the 70-80 USD range. Build quality is solid with small, lightweight shells, good ventilation and comfortable fit, while the detachable nozzles and tuning tubes allow quick swaps between the default silver tube and the softer, gamer-focused golden tube. The DSP package adds a clever Type-C cable with the DAC section positioned away from the ear, keeping heat on the hand and reducing RF interference for cleaner sound and more comfortable long gaming sessions.
With the standard cable, bass on the DSP version starts out average with looser mid-bass and quicker decay, but once the original Type-C DSP cable is used, sub-bass levels rise noticeably, mid-bass gains weight and impact, and the low end becomes cleaner and more decisive without turning boomy. The midrange stays well separated from bass and treble, with intimate vocals that carry a slight 3D feel; female voices sound crisp and bright, male voices remain full, and instruments are clearly layered with minimal reverb. The treble is bright yet controlled, offering excellent extension, crisp attack and strong detail retrieval, leaning toward a cooler tonality that favors clarity, transparency and accuracy for the price.
The Standard and HBB EW300 share a very similar overall tuning to the DSP, but with more bass presence in both sub-bass and mid-bass, adding warmth and richness to the midrange and giving vocals and strings a pleasing studio-like vibe. Regardless of version, separation between bass, mids and treble is strong, the soundstage feels wide and spacious with good dimensionality, and positional cues like gunshots and vehicle directions are easy to pick out, making the DSP edition especially convincing for gaming. Compared with the older EW200, the EW300 brings a more complete technical package, and overall the EW300 lineup offers a lot of value at its price point by combining flexible tuning, engaging bass and convincing technical performance for both music and games.
Joyce's Review original ranking
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Shanling Tino reviewed by Joyce's Review
8
Reviewer Score
Youtube Video Summary
The Shanling Tino presents a very balanced dual-dynamic tuning that puts clear emphasis on the mid-range and upper mids, giving vocals a crisp, bright and forward character without stepping into harshness. Sub-bass performance is solid and reasonably substantial for R&B, rap and EDM, while the mid-bass stays clean and restrained, avoiding muddiness but leaving a bit of slam and weight on the table. Vocals from both male and female singers come through with a warm, full-bodied tone and studio-like texture, supported by instruments that sound clear, well-defined and naturally separated across the mix.
Technically, the Tino offers a clean and controlled presentation with moderate decay, fast transients and commendable separation that help string instruments show off their finer nuances and harmonics. The treble is crisp and direct with adequate extension and excellent comfort, deliberately avoiding sharpness, though the upper treble feels a bit short on air, ambience and ultimate micro-detail compared to more atmospheric peers. Overall, this is a vocal-focused and easy-listening set that trades a little mid-bass punch and top-end sparkle for stability, balance and a relaxed but engaging presentation that suits listeners who value clarity and separation over sheer explosiveness.
Joyce's Review original ranking
Joyce's Review Youtube ChannelSimgot EW300 reviewed by Web Search
7.5
Reviewer Score
The Simgot EW300 offers a compelling tribrid driver configuration combining a 10mm dynamic driver, 6mm planar magnetic driver, and piezoelectric ceramic driver in a durable all-metal shell. Fit can be divisive due to the shorter nozzles, requiring tip experimentation for optimal seal, but the included detachable tuning nozzles (silver and gold) enable noticeable sound adjustments. The default silver nozzle delivers a balanced profile with punchy, well-controlled bass, a natural midrange favoring vocals, and treble that avoids excessive harshness despite occasional timbral quirks from the planar driver.
Swapping to the gold nozzle boosts bass warmth and smooths treble, aligning closer to a Harman-inspired tuning, which enhances positional audio clarity for gaming. Technical performance is solid for the price, with good detail retrieval and soundstage width, though complex tracks can expose minor congestion in layering. The occasional timbral unevenness in upper frequencies and sparse accessories are trade-offs, but the EW300’s cohesive tuning versatility across genres and activities makes it an exceptional value in its class.
Shanling Tino reviewed by Web Search
6.7
Reviewer Score
The Shanling Tino is a compact dual dynamic driver IEM using a 10 mm liquid-crystal diaphragm driver for bass and an 8 mm DLC driver for mids and treble, housed in a lightweight resin shell with a modular cable system and optional 3.5 mm, 4.4 mm and Type-C terminations. Comfort and ergonomics are a strong point thanks to the low weight (around 4.6 g per side) and smooth resin contours, while accessories such as the modular cable and case are competitive in the sub-$100 segment. At an MSRP of about $79, it targets the crowded budget category rather than mid- or high-end audiophile territory.
Sonically, the Tino offers a neutral-warm tuning with a modest bass lift and gently elevated upper mids and treble, often described as a mild V- or U-shape rather than strictly flat neutral. Bass extends well with good sub-bass presence and a reasonably tight mid-bass, giving drums and electronic kicks a solid but not bass-head level of impact. The midrange remains relatively clear and natural, with vocals slightly forward and only occasional hints of upper-mid shout depending on recording and volume, while the treble stays smooth and non-fatiguing, with enough energy for cymbal definition but not a focus on maximum “air.”
Technical performance is average to slightly above average for its price: detail retrieval and separation are competent but not class-leading, and the soundstage is more intimate than expansive, with decent depth and fairly precise imaging for individual instruments. Reviews generally position the Tino as a musical, easy-listening option that balances smoothness with sufficient resolution, competing well against other respected sub-$100 models without focusing on hyper-analytic presentation. Considering its price, comfort, and balanced tuning, the value proposition is strong, though absolute technical specialists or listeners seeking very wide staging and extreme detail may prefer alternatives in the same bracket.
Simgot EW300 (more reviews)
Simgot EW300 reviewed by Kois Archive
7.4
Reviewer Score
Kois Archive Youtube Channel
Simgot EW300 reviewed by ATechReviews
6.8
* Score computed by IEMRanking.com
Youtube Video Summary
The Simgot EW300 follows a warm neutral presentation with powerful sub bass, punchy mid bass and a generally smooth tonality that stays non fatiguing. Bass has very good texture and detail with minimal bleed into the lower midrange, while the mids sound full and rich with slightly thick note weight and male vocals that could use a bit more clarity to pop. Female vocals and upper mids stay forward yet never shouty, giving instruments like strings and acoustic guitars a natural timbre and a pleasantly spacious feel.
The treble is a clear highlight, offering very good detail, sharp definition and fast transients without harshness or sibilance, which in turn supports strong imaging and a convincing sense of soundstage with space around voices and instruments. Overall resolution is appropriate for the price, not hyper detailed but clearly a step up over sets like the Kine Delci, especially when using the silver nozzle, while the gold nozzle trades some clarity for extra warmth and bass.
Compared with alternatives, the EW300 sounds safer and more relaxed than bright, aggressive options such as EA500 LM, Dunu Titan S2 or Supermix 4, giving punchier bass and a smoother upper midrange at the cost of ultimate detail, air and micro nuance. For listeners seeking a comfortable fit, warm non fatiguing tuning, excellent treble quality and engaging low end in this price bracket, it comes across as a very competitive and easy recommendation.
ATechReviews Youtube Channel
Simgot EW300 reviewed by Paul Wasabii
6.5
* Score computed by IEMRanking.com
Youtube Video Summary
EW300 DSP takes the familiar EW300 design and dresses it in a matte black shell while adding a compact USB C DSP cable with an inline DAC, call controls and microphone, plus the same analog cable, tips and accessories as the regular version. The DSP module sits a bit down the cable with a right angle connector, so it feels like a very portable plug and play solution that keeps the set easy to use straight from a phone or laptop without changing what makes the EW300 appealing.
Sonically, EW300 DSP is still very much an EW300 with a balanced, slightly bass boosted tuning that avoids the really thick, bottom heavy presentation of sets like the Civa Q or K. Bass has a nice lift and a quicker, faster hitting character rather than a big mid bass hump, and there is only a very subtle change in level with the DSP cable compared to the analog one. The tuning sits between the original EW300 and the HBB edition, with a small treble bump that makes it a quarter step away from the original balance but not as noticeably bright as the HBB version, so the overall signature stays on the safer, more relaxed side for most listeners.
Technical performance is solid for the price, with good resolution and detail that can better older Simgot dynamics like EA500 while staying easier on the ears than the very bright and resolving EA500 LM. There is enough stage and separation for the subtle shifts in treble around 5 kHz to be heard as a change in balance and perceived space, but the core EW300 character is still there, especially when the DSP version is run on the analog cable where it is basically interchangeable with the stock EW300. For those who like the original tuning but want black shells and the convenience of a clean sounding USB C DSP cable, EW300 DSP is a neat option, while the pure original remains the slightly safer pick for very treble sensitive listeners chasing that exact original balance.
Paul Wasabii Youtube Channel
Simgot EW300 reviewed by Jays Audio
6
Reviewer Score
Youtube Video Summary
The Simgot EW300 positions itself as a standout under $80, acting as a direct upgrade to the EW200 with more refined tuning and an uptick in layering/resolution. With the red 3.5 mm nozzle, the presentation is a dynamic, all-rounder tilt: upper-mids/treble are smoother and less peaky yet remain well-extended, vocals “pop” naturally, and separation feels tidier. In comparisons, the EA500 LM carries higher raw detail and a brighter, more exciting edge, but EW300’s calmer balance makes for longer, less fatiguing sessions and genuinely trades blows on preference.
Swapping to the pink nozzle shifts the EW300 into a warmer, bassier, and more laid-back profile with added thickness down low and a tamed 1–3 kHz region that helps vocal comfort and cuts fatigue. It suits rock, hip-hop, and metal while maintaining clean midrange boundaries, improved instrument separation, and a generally relaxing tone. Against similarly priced planars, the analog EW300 sounds less “sizzly” in timbre while holding its own on separation; owners of the original EA500 shouldn’t expect a huge jump here—the bigger step up remains the LM for sheer resolution.
The DSP version skews more vocal-focused and “clean balanced,” sacrificing some analog punch for smoothness and control. A deliberate 5–10 kHz softening plus a 13 kHz accent keeps consonants gentler and overall non-fatiguing, though some may find end-notes a touch too polite; the pink DSP profile further tames vocals while still giving satisfying cymbal crash. Practicalities are strong: the integrated DAC path shows a low noise floor with no odd artifacts on volume changes, and latency is a non-issue; for gaming, the analog 3.5 mm still images slightly better. Net: pick analog for slam and energy, or DSP for a smooth, vocal-centric clarity—either way, the EW300 offers real flexibility and polish at its price.
Jays Audio Youtube Channel
Simgot EW300 reviewed by Gizaudio Axel
5.5
Reviewer Score
Simgot EW300 reviewed by
Fresh Reviews
5*
* The score of this reviewer influences only the Gaming
Score
Youtube Video Summary
Simgot EW300 makes a strong case as a sub-$80 tribrid benchmark, bringing a more natural timbre, better layering, and a small bump in resolution over EW200. With the red 3.5 mm nozzles, tuning is a lively all-rounder: punchy low end, smoother upper-mids/treble with fewer peaks, and vocals that pop without glare—essentially a more refined, less shouty evolution of EW200. Swap to the pink nozzles and the signature shifts warmer and bassier, taming 1–3 kHz for thicker body and reduced fatigue—great for rock, hip-hop, and metal—while keeping separation clean and the midrange free of bleed.
The DSP version pivots toward a clean, vocal-focused balance: extended yet smooth, effortless vocals, and low fatigue. A deliberate 5–10 kHz dip plus an airy upper push trades some bite for longer listening comfort; the pink DSP nozzle dials vocals even calmer while keeping cymbal crashes satisfying. Implementation quality stands out: a dedicated DAC section yields a low noise floor with no volume-change artifacts, and latency stays in check. For gaming and microdetail, the analog 3.5 mm edges ahead with slightly better imaging and resolution.
Against peers, EW300 trades blows with the EA500 LM—LM chases raw resolution with a brighter, more exciting tilt, whereas EW300 sounds smoother and easier for long sessions (OG EA500 owners won’t see a big upgrade, though layering/separation are a touch better). Versus other sub-$100 sets and entry-level planars, EW300’s timbre is less sizzly yet remains technically competent, and the two-nozzle system effectively gives two tunings in one. Taken together—analog punch, DSP polish, and genuine tuning flexibility—EW300 positions itself as a new value benchmark in its price class.
Fresh Reviews original ranking
Fresh Reviews Youtube ChannelSimgot EW300 reviewed by Head-Fi.org
6.9
* score rescaled + normalized
Simgot EW300 Details
Driver Configuration: 1DD+1Planar+1PZT
Tuning Type: V-Shaped
Brand: Simgot Top Simgot IEMs
Price (Msrp): $69
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Shanling Tino Details
Driver Configuration: 2DD (10mm LCP+8mm DLC)
Tuning Type: Neutral-warm with bass boost
Price (Msrp): $79
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Simgot EW300 User Review Score
Average User Scores
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Shanling Tino User Review Score
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Simgot EW300 Gaming Score
Gaming Score & Grade
- The gaming score is prioritizing technical capabilities of the IEM (Separation, Layering, Soundstage) and good value.
Gaming Score
6.5Gaming Grade
B+Shanling Tino Gaming Score
Gaming Score & Grade
- The gaming score is prioritizing technical capabilities of the IEM (Separation, Layering, Soundstage) and good value.
Gaming Score
7.1Gaming Grade
A-Simgot EW300 Scorings
Average Technical & Tuning Grades
Average Tunign Grade
A-- A smooth, agreeable balance keeps the presentation engaging without obvious flaws. Only sensitive ears will nitpick the bumps.
Average Technical Grade
B+- It offers a competent showing, maintaining cohesion on straightforward arrangements. Complex passages start to challenge it, but never derail the show.
Shanling Tino Scorings
Average Technical & Tuning Grades
Average Tunign Grade
A- It presents a smooth, well-integrated tonal balance that plays nicely with many styles. It maintains natural timbre across the range.
Average Technical Grade
B+- Overall technicalities are acceptable, delivering enough clarity for casual sessions. Imaging is serviceable though not immersive.
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