Softears Twilight VS Softears RSV MK II

Youtube Video Summary

Softears Twilight presents as a compact, metal, cube-like single-DD with a surprisingly comfortable fit, small nozzle, and recessed 2-pin sockets; build feels solid and understated. The stock cable is tasteful and practical, featuring a 4.4 termination with a matching 4.4-to-3.5 adapter that fits the aesthetic. Overall execution gives premium vibes without flash, and the in-ear ergonomics are notably good despite the chunky silhouette.

Tonally, Twilight carries modest bass presence with a gentle rise through the lower mids, then blossoms into crispy upper-mids and airy treble. The result is world-class imaging and stage, vivid separation, and some of the most engaging vocals in its bracket; however, cymbals can skew a touch sharp and strings may sound glassy if a track leans hot. Listeners craving slam or extra bite may notice a lack of “snap,” but a light EQ shelf can wake up the low end nicely.

Against peers, RSV offers a bit more bass weight and a smoother mid transition, Noir is the more balanced all-rounder, and Monarch trades blows on technicalities while feeling more polite. Twilight’s charm is its engagement: punchy, airy, and uniquely “fantastical,” with sweeter upper registers and less shout than sets like Aurora. Priced around $930, it’s best viewed as a must-demo for vocal lovers and those tolerant of leaner bass—an A-class experience for the right tuning preference, and a tempting buy if found closer to mid-fi pricing.

Youtube Video Summary

Softears RSV MK2 shifts from the OG’s vocal-centric tilt into a bass-forward all-rounder. The sub-bass and mid-bass hit with real slam and weight, giving drums and bass guitars a satisfying, dynamic punch. Upper mids (3–6 kHz) are tamed to avoid shout, while a gentle 1–2 kHz rise keeps vocals open and natural—slightly less pushed than the original but still clear. Treble is smooth with decent air; not super sparkly and there’s no EST “sauce,” but it stays clean and non-fatiguing.

As a package, MK2’s standout is the low-end texture—thunderous yet controlled—making it one of the more engaging bassy sets under four figures. Technical performance is solid for the tier, though some rivals at lower prices bring more raw detail and EST extension. Build and accessories get a tasteful, modern refresh. For best balance, the stock tips work well; bass-boosting or treble-opening tips can shift it toward a more V-shape at the expense of overall smoothness.

On genre fit, MK2 shines with hip-hop, pop, EDM, and R&B, where its punch and warmth bring rhythms to life; for orchestral or leaner acoustic picks, the bass can edge forward depending on the mix. It scales to mid–high volumes nicely (around the 70–80 dB zone) without turning sharp. Compared with the OG RSV—now likely affected by a silent retune in recent units—the MK2 is the safer buy: less shout, more authority down low, and a broader all-rounder appeal. Recommended, especially if found below full MSRP, for listeners craving tasteful bass with natural mids and relaxed, smooth treble.

Youtube Video Summary

Understated presentation, premium execution. Softears Twilight arrives in a minimalist box with a gorgeous leather case, a stock cable terminated in 4.4 mm plus a 4.4→3.5 mm adapter, and a thoughtful IEM sleeve to keep shells from clacking. The shells themselves are matte-black and cleanly finished, signaling a higher-end single dynamic-driver design that positions Twilight as the “little brother” to Turii while aiming at a similar refinement tier.

On first listen, the tuning comes across as mostly neutral with a vocal-forward slant. Bass reaches deep and hits punchy—classic DD dynamics—though some may read quantity as slightly bass-light. Treble is nicely extended with a touch of air, helping the stage feel open, and there’s a satisfying sense of depth and clarity that elevates detail without harshness. Price sits near the kilobuck mark, but early impressions suggest the performance and execution make a strong case, earning Twilight a spot as the session’s second standout and a compelling target for extended A/Bs against established in-game favorites.

Youtube Video Summary

Softears RSV MK II brings back the all-BA ethos at $700 with five armatures and a promise of “re-engineered BA bass.” Build and accessories feel premium (sleek shells, plush case), while the cable choice is quirky—4.4 mm only with a 3.5 mm pigtail. Fit is outstandingly secure and custom-like but on the larger side with a longer nozzle, so comfort depends on ear size. Softears’ Ultra Clear tips work well; the new metal-ring variant adds little beyond novelty.

On the graph, bass looks like gigabass, yet in ear it settles into a warm, weighty foundation without steamrolling the mids. The midrange follows a “new-meta neutral” tilt—fuller than Harman with forward upper-mids—while treble lands clean and sparkly without fatigue. Imaging is tidy rather than cavernous; separation and delineation are convincing, with the top end executed better than the bottom. BA bass here is among the more physical and satisfying of its kind, though tactility can be track-dependent and turn a bit tubby on very bass-heavy mixes.

Against peers, Symphonium Meteor sounds warmer and more “special” but less all-round; DUNU SA6 MK2 is more colored with janglier treble and the least convincing bass; 7th Acoustics Supernova trades warmth for vivid, bright-tilted imaging; Softears Studio 4 is lighter on bass and airier; and the old Moondrop S8 stays the lively, vocal-centric counterpoint. Net take: a supremely competent, character-light all-rounder that favors bass weight over panoramic staging. Verdict: 4/5 stars—a welcome throwback done right, and notably cheaper than the original RSV launch price.