Symphonium Audio Helios SE VS Campfire Audio Alien Brain

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Symphonium Audio’s collaboration with Elise Audio turns the original Helios into a more wearable Helios SE without rewriting its sonics. The shell is smaller, cleaner-looking, and finished in teal, moving from “bulky and awkward” to a still medium-large but more secure fit. It remains unvented, so insertion technique matters, and fit security is improved rather than perfect. Accessories include a metal puck case, cleaning tool, and even a per-unit frequency response slip; the thin stock cable behaves well (4.4 mm on the loaner, 2-pin without earhooks). Power needs are modestly higher than average for an IEM but nowhere near full-size headphones. Only 50 units are being made at roughly $1,200.

The tuning mirrors the OG: a lean, bright-neutral balance with a midrange-forward center, very extended treble, and a sub-bass boost atop lean mid-bass/lower mids. Vocals pop with clarity and texture, and the treble is unusually incisive yet smooth, contributing to a stage that’s wide for the price. Despite using only four balanced armatures, sub-bass notes hit with convincing physicality—surprisingly close to a DD—when the track has true low-end content. The flip side: kick-drum-centric or classic-rock mixes can feel dry, the stage depth varies with bass content, and ride cymbals trade some metallic “ping” for a slightly swishy decay.

Versus peers, 64 Audio’s U4s reads as bassy-neutral with thicker mids and the most inherently tactile bass (it’s a DD, after all), while 7th Acoustics’ Supernova sits closer to neutral with fuller lower mids, sharper imaging, and a vented shell that locks in securely. Helios SE’s value is crystal-clear: keep the Helios’ stellar treble performance and wide headstage, fix the ergonomics, and leave the core tonality intact. It’s a set to respect more than love for those craving warmth, but for enthusiasts chasing clean, airy resolution and vocal focus, it’s a confident 4/5.

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Limited to 50 units and co-signed with Elise Audio, Helios SE shows up as a 4BA oddball with a vibe: ultra-relaxed, non-aggressive, almost like every track sits one gain click lower than expected. Vocals sit nicely centered, instruments hang back, and stage/separation can flip between muted and “whoa” micro-split moments. Tip rolling swings the personality hard—silicons keep it chill, foam-style tips shove vocals forward and magnify the weirdness; think “interesting” more than “reference.” It’s an experience-first tuning that doesn’t try to punch for attention and can feel almost too polite on energetic songs.

Build is simple, soft cable, occasional twist mismatch, and some units in 3.5 mm that don’t scream “kilobuck.” The pitch here is rarity and flavor: graph glued to the box means nothing about how it actually feels—this is human-ear stuff, not squiggle worship. As a collection piece for lovers of unusual BA staging and “just chill” listening, it charms; as a $1k+ value play, not so much. The verdict: likeable around $500–$600 on novelty and tuning alone, but at four-figure pricing it’s more “own something rare and weird” than a slam-dunk daily driver.

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Alien Brain arrives as a single-DD + 4BA hybrid around $1,000 with a truly peculiar shell: the rounded, “alien cortex” faceplate is magnetic, uses MMCX, and can be tricky to seat. The unboxing is lavish—two cables (including 4.4 mm), a compact magnetic leather case, a USB-C DAC/amp, foams plus “sticky” tips, cleaning tools, and extras. Fit is the hurdle; tip-rolling is essential, but once positioned correctly, comfort and seal fall into place.

Tonally, this set pursues a balanced, all-rounder tuning with a near-ideal bass shelf, lively but controlled upper mids, and sparkly yet composed treble. There’s punch and detail without drifting into fatigue; extension is strong, but staging isn’t the most expansive and note weight isn’t “thumpy”—this isn’t a bass-head cannon, more a clean, grounded presentation. The FR shows a touch of 1 kHz energy and smooth ripples through presence/air that favor natural timbre over hyper-etched brilliance, making it a long-session, non-fatiguing listen.

Versus Campfire’s own lineup, it’s far more normalized than the colorful Trifecta, better extended than the warm Axion, and closer in poise to Moon Rover but with a bit more bass and refinement. Compared to peers like Dunu Glacier or DA Mecca, Alien Brain trades V-shaped excitement for cohesive neutrality, and avoids the upper-mid glare that can scare off listeners. Net result: a strong recommendation for those who can manage the fit and want a high-end Campfire that does something new—not the classic house warmth, not sterile flatness, but a realistic, well-rounded signature with broad appeal.