Dunu Glacier VS Symphonium Audio Helios SE

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The Dunu Glacier delivers an extraordinary premium experience right from the unboxing, featuring a lavish presentation, a massive high-quality fabric cable with interchangeable terminations, and hand-polished stainless steel earpieces that feel substantial and expensive. Despite the controversial MMCX connectors, the cable and fit are praised, complemented by a ton of accessories including multiple ear tip types, a leather case, and even a brush. This is Dunu’s flagship effort at $1300, and the physical presentation screams luxury.

Sonically, the Glacier is a revelation with a massive, immersive soundstage that places instruments at a distance, creating a surround-like experience rather than an in-your-head assault. The tuning is remarkably relaxed and natural, prioritizing smoothness and spatial depth over aggression. Tracks with atmospheric elements or live recordings become breathtaking, revealing layers of echo and venue acoustics that feel expansive and holographic. This isn’t hyper-detailed or clinical; it’s chill, luxurious, and emotionally resonant, making even familiar music feel newly captivating.

Compared to competitors like the Thieaudio Prestige Limited or Monarch MkIII, the Glacier carves its own niche with its unparalleled sense of space and effortless presentation. It doesn’t compete on technical aggression but instead offers a transportive, almost spiritual listening experience. If you crave an endgame IEM that emphasizes grandeur, natural tonality, and pure musical immersion over analytical prowess, the Glacier is a jaw-dropping contender. Just be prepared for its unique, room-filling signature—it’s less an in-ear monitor and more a portal.

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Limited to 50 units and co-signed with Elise Audio, Helios SE shows up as a 4BA oddball with a vibe: ultra-relaxed, non-aggressive, almost like every track sits one gain click lower than expected. Vocals sit nicely centered, instruments hang back, and stage/separation can flip between muted and “whoa” micro-split moments. Tip rolling swings the personality hard—silicons keep it chill, foam-style tips shove vocals forward and magnify the weirdness; think “interesting” more than “reference.” It’s an experience-first tuning that doesn’t try to punch for attention and can feel almost too polite on energetic songs.

Build is simple, soft cable, occasional twist mismatch, and some units in 3.5 mm that don’t scream “kilobuck.” The pitch here is rarity and flavor: graph glued to the box means nothing about how it actually feels—this is human-ear stuff, not squiggle worship. As a collection piece for lovers of unusual BA staging and “just chill” listening, it charms; as a $1k+ value play, not so much. The verdict: likeable around $500–$600 on novelty and tuning alone, but at four-figure pricing it’s more “own something rare and weird” than a slam-dunk daily driver.

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The Dunu Glacier stands as the brand's latest flagship tribrid IEM, priced around $1,350. Its standout feature is its adherence to the Harman target curve, a rarity at this level, executed with notable success. The Glacier boasts exceptional build quality, featuring polished 904L stainless steel shells that feel substantial and genuinely premium, justifying its price tag aesthetically. It comes loaded with accessories, including a plethora of ear tips (like the Candy and new clear Dunu Lunnies) and a large carry case, though the case design is noted as slightly awkward. The included cable is thick, well-made, and features Dunu's signature swappable terminations (3.5mm and 4.4mm included), though its ear hooks are somewhat loose and the chin cinch doesn't hold perfectly.

Sonically, the Glacier delivers a contrasty, V-shaped signature true to Harman but avoids the thinness sometimes associated with that target, thanks to extra bass emphasis. The bass is a major highlight – big, impactful, deep, well-textured, and satisfyingly clean with zero bleed into the mids. The treble is forward yet remarkably smooth, avoiding sharpness or sibilance. While technically proficient with good imaging and a strong sense of depth (especially from the bass), it leans slightly more towards contrast than nuanced micro-detail, particularly in the mid-range. Compared to rivals like the 64 Audio U4s (more mid-focused, warmer, laid-back) and the Dunu Mirai (brighter, most mid-focused, wider stage but less satisfying bass and slightly digital/scratchier treble), the Glacier excels in bass impact and separation, smoothness, and depth perception, while the others might appeal more for pure mid-range focus.

Overall, the Dunu Glacier is a highly refined IEM with no glaring weaknesses. Its excellent build, satisfying Harman-tuned sound (especially the standout bass and smooth treble), and competitive technicalities make it a compelling option in the flagship tier. While its weight and aggressive shell molding might cause minor comfort issues when lying down, and the ear hooks could be tighter, it earns a very solid four-star rating for delivering a premium experience that largely justifies its cost and successfully champions the Harman target.

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Symphonium Audio’s collaboration with Elise Audio turns the original Helios into a more wearable Helios SE without rewriting its sonics. The shell is smaller, cleaner-looking, and finished in teal, moving from “bulky and awkward” to a still medium-large but more secure fit. It remains unvented, so insertion technique matters, and fit security is improved rather than perfect. Accessories include a metal puck case, cleaning tool, and even a per-unit frequency response slip; the thin stock cable behaves well (4.4 mm on the loaner, 2-pin without earhooks). Power needs are modestly higher than average for an IEM but nowhere near full-size headphones. Only 50 units are being made at roughly $1,200.

The tuning mirrors the OG: a lean, bright-neutral balance with a midrange-forward center, very extended treble, and a sub-bass boost atop lean mid-bass/lower mids. Vocals pop with clarity and texture, and the treble is unusually incisive yet smooth, contributing to a stage that’s wide for the price. Despite using only four balanced armatures, sub-bass notes hit with convincing physicality—surprisingly close to a DD—when the track has true low-end content. The flip side: kick-drum-centric or classic-rock mixes can feel dry, the stage depth varies with bass content, and ride cymbals trade some metallic “ping” for a slightly swishy decay.

Versus peers, 64 Audio’s U4s reads as bassy-neutral with thicker mids and the most inherently tactile bass (it’s a DD, after all), while 7th Acoustics’ Supernova sits closer to neutral with fuller lower mids, sharper imaging, and a vented shell that locks in securely. Helios SE’s value is crystal-clear: keep the Helios’ stellar treble performance and wide headstage, fix the ergonomics, and leave the core tonality intact. It’s a set to respect more than love for those craving warmth, but for enthusiasts chasing clean, airy resolution and vocal focus, it’s a confident 4/5.