Tanchjim Bunny VS Artti T10

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Tanchjim Bunny lands as a tiny, cute, ultra-cheap $20 brawler that punches way up. It’s a single dynamic with a clever acoustic maze back-chamber that keeps reflections in check, yielding surprisingly holographic space for something this small. The tuning sits neutral-leaning and intimate—vocals and guitars feel close, detailed, and clean, without the “in-your-face hurts” problem. Bass isn’t a bloated “basshead bomb,” but when fed heavy tracks it digs deep and stays composed; on normal music it behaves, staying tight and controlled.

Build and kit are simple but right where they need to be: detachable 2-pin cable, in-line mic, basic tips (swap to Render-style tips for best seal). There are two versions in the wild—this regular 3.5 mm set and a DSP cable version—yet even straight analog on a neutral source the Bunny sounds shockingly grown-up. Net take: this is a 5:1 value play that can hang with many $100 IEMs, delivering clarity, intimacy, and satisfying low-end control at a price that feels unreal. If the goal is “cheap that actually slaps,” Bunny ears up.

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The Artti T10 is a 14.2 mm planar dressed in an unapologetically industrial shell—textured, raw, almost “1980s test-gear” chic. In the box: case and a solid cable with a 3.5 mm or 4.4 mm choice at checkout (no modular tips to swap later). The shocker is the price: $69 with a 15% coupon, a package that feels like it should sit closer to the $200–$250 crowd. One big knock: a paper insert from the retailer pushing incentivized 5-star posts for $10—hard pass on that practice. Aesthetics aside, the overall presentation screams “budget done right” without pretending to be luxury.

Sonically, this set hits like a grown-up S12: wide staging, crisp detail, and a sweet, forward treble that stays exciting without turning glassy. Bass comes in clean and controlled, vocals land with satisfying color, and the tuning keeps tracks engaging across genres—laid-back when the mix calls for it, energetic when it gets heavy. It scales with source (surprisingly happy on tubes like WA7), and tip-rolling pays off—deep-seal options (Render, Dunu SS, XELASTEC-style) add presence and grip. Under $100, it’s easily a top-five contender on sonics alone. Final word: 9/10 for sound; would edge closer to perfect with a modular plug system and a better tip spread, but as a wide, detailed, insanely good-value planar, the T10 absolutely delivers.

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Build & comfort punch above the price: a tiny, exceedingly comfortable single-DD shell with a translucent finish, secure metal-lipped nozzle, and a soft cable with in-line mic/remote and a chin slider that actually stays put. The two-pin socket is non-standard, so cable swapping is limited. Accessories are generous for the money—two full tip sets, pouch, booklet—and the 3.5 mm mic version or USB-C option makes it an easy daily carry, especially for small ears.

Tonally this is a chill, non-fatiguing listen with a balanced signature, smooth midrange, and vocals that sit naturally up front. Bass isn’t overdone yet carries enough weight, while treble has a touch of upper-air sparkle that keeps things lively without turning sharp. Imaging and depth are surprisingly good for the bracket, making the Bunny equally at home with music and casual media.

Against peers, it recalls sets like Dunu KIMA and NiceHCK NX8 in overall contour, but the Bunny’s slight warmth and extension make it feel more easy-going and engaging. Older Tanchjim models (e.g., Hana) come off a bit “mid,” and while Kara may edge it technically, Bunny’s tuning is simply more relaxed and agreeable. Impedance adapters didn’t meaningfully change response (and can be risky for amps), so stock is the move. Verdict: a solid B (7.7 / three stars) with a strong recommendation at the price—arguably a top pick under $25 and a great giftable IEM for everyday listening.

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Artti T10 hits the budget planar brief with a thoughtful package: a sturdy hard carry case, six pairs of tips (S/M/L in both standard and wide-bore), and a supple 4-wire cable offered in 3.5mm or 4.4mm. The cable behaves well, but the chin slider is frustratingly stiff. Build is reassuring—polycarbonate shells with a UV treatment, metal mesh at the nozzle, and sensible venting—while remaining exceptionally light. It asks for a bit more juice than a phone; a small dongle DAC is recommended. Comfort is solid for average ears, though the “tiny ears test” fails as jaw movement can break seal. Styling leans retro hearing-aid; the “Council of Ladies” gave it a unanimous thumbs-down.

Tonally, this is a mild V-shape with excellent sub-bass extension and punch, speedy planar bass that stays clean, and mids that are accurate with a hint of female-vocal forwardness. Treble is clean, smooth, and non-fatiguing, walking the harmonics tightrope without glare. Technicals impress across the range: clear microdetail, crisp transients, confident separation, and a stage that places instruments naturally with good stereo imaging. It handles electronic bass drops, rock kick drums, complex vocals, and fast acoustic picking with equal ease—planar speed without the usual edge.

Against peers, T10 reads like a slightly more relaxed Letshuoer S12 at a fraction of the cost; brighter and more energetic than Letshuoer S08 and Hidizs MP145, and more lively than the more neutral NiceHCK F1 Pro. It’s a clear step up from the budget Luna, especially when found on sale. Accessory parity is strong, ceding only to sets with modular cables (S08/S12 Pro). Verdict: at $75 MSRP this earns “This is brilliant” on the Audio Amigo scale, with a standing upgrade to “You should buy this” if available around $50. A top-tier value pick for anyone wanting a mature, engaging planar—so long as small-ear fit and the looks aren’t deal-breakers.