Tanchjim Fission VS DUNU x KOTO ITO

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Tanchjim Fission follows the brand's long-arc approach with a full bass arc and upper mids set just under Harman, yielding natural lower mids and balanced male/female vocal weight. A four-way switch plus three swappable, clearly labeled nozzles alter geometry subtly and nudge treble/texture, so cycling nozzles matters; in total there are up to twelve tuning combinations that stay coherent rather than gimmicky.

Compared with Origin, bass sits lower/back on the stage, freeing space for vocals and instruments; presentation is bigger and airier with better imaging and layering. Mids are more neutral in weight and closer to the open “Oxygen” style than the thicker, in-head feel of Origin, which helps EDM and mixed-genre playlists sound cleaner while avoiding mid-bass bloat.

Technical resolve is modest for the class: detail retrieval trails the stage/imaging strengths, and treble extension is good but not top-tier for a dynamic driver. Value is price-appropriate; pick the most resolving nozzle and consider lowering bass via the switch. The modular USB-C DSP connector and app add five sensible warm U-shaped presets—this brings real versatility—whereas a CS43198 “Luna”-type dongle tends to flatten depth, making the DSP path the preferable pairing.

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The Tanchjim Fission presents a neutral, balanced, and clean sound signature that is also described as smooth and full. It offers a very natural and laid-back listening experience, making it a strong option for those seeking a safe, non-fatiguing tuning. The technical performance is solid for its price, with good detail retrieval and instrument separation, though it isn't the most dynamic or sparkly set available.

Tip selection is crucial, with recommendations for the Tri Clear or Final E tips to open up the sound, while the Spinfit CP155 can add a touch more bass. The included tuning switches are largely seen as a gimmick; only the middle silver setting is recommended, as the others introduce a significant sub-bass roll-off. The Fission excels with genres like rock, indie, acoustics, and classical at moderate volumes, but its lack of sub-bass rumble and extension makes it a weak choice for hip-hop, EDM, or rap.

Its greatest strength is its value proposition, as it is essentially a cheaper version of the Tanchjim Origin, sharing the same driver and sound profile for a lower cost. This makes competitors like the Moondrop Kato seem less relevant. However, when compared to other all-rounders like the Juzear 4U or Simgot EW300, the Fission faces stiff competition. The EW300, in particular, offers more bass, tuning variety, and similar technicalities for half the price, making the Fission a tougher sell unless its specific brand of smooth, neutral tonality is exactly what you're after.

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Tanchjim Fission comes in at $130 with a quirky onboard tuning dial that offers four bass positions—but every setting trends toward modest bass anyway, making the adjuster more novelty than necessity. The default “bass-max” profile presents that familiar single-DD contrastiness with a bit of dynamic punch, a slightly bright/forward tilt, and overall inoffensive treble. It never tips into harshness or sibilance, but the bass attack reads a touch pillowy and the whole presentation stops short of truly incisive.

In direct comparison, it’s more comfortable tonally than the spikier sets yet less engaging and less tight than the standouts, settling into a solid C-tier alongside other “fine but unremarkable” options. Resolution and imaging are serviceable, treble stays safe, and the included cable is surprisingly nice, but there’s not enough slam or bite to push it up the chart. Net result: a competent, easy-listen single-DD for those who value smoothness over excitement, with limited payoff from that bass dial.