Thieaudio Hype 10 VS Softears RSV MK II

Softears RSV MK2 shifts from the OG’s vocal-centric tilt into a bass-forward all-rounder. The sub-bass and mid-bass hit with real slam and weight, giving drums and bass guitars a satisfying, dynamic punch. Upper mids (3–6 kHz) are tamed to avoid shout, while a gentle 1–2 kHz rise keeps vocals open and natural—slightly less pushed than the original but still clear. Treble is smooth with decent air; not super sparkly and there’s no EST “sauce,” but it stays clean and non-fatiguing.

As a package, MK2’s standout is the low-end texture—thunderous yet controlled—making it one of the more engaging bassy sets under four figures. Technical performance is solid for the tier, though some rivals at lower prices bring more raw detail and EST extension. Build and accessories get a tasteful, modern refresh. For best balance, the stock tips work well; bass-boosting or treble-opening tips can shift it toward a more V-shape at the expense of overall smoothness.

On genre fit, MK2 shines with hip-hop, pop, EDM, and R&B, where its punch and warmth bring rhythms to life; for orchestral or leaner acoustic picks, the bass can edge forward depending on the mix. It scales to mid–high volumes nicely (around the 70–80 dB zone) without turning sharp. Compared with the OG RSV—now likely affected by a silent retune in recent units—the MK2 is the safer buy: less shout, more authority down low, and a broader all-rounder appeal. Recommended, especially if found below full MSRP, for listeners craving tasteful bass with natural mids and relaxed, smooth treble.

Jays Audio original ranking

Build & comfort hit the modern Thieaudio groove: a compact shell with a gentle wing, secure nozzle lip that plays nice with most tips, and a faceplate that’s tasteful if not flashy. The stock EST cable feels soft and skin-like with tidy ear hooks, a steady chin slider, and a clean Y-split—nothing fussy, everything practical. On-ear fit is extremely comfortable, light, and stable over long sessions.

Tonally, Hype 10 brings impactful—but controlled—bass, pristine mids/treble, and a spacious stage with convincing imaging. It reads neutral with a hint of fun: satisfying sub-bass lift, healthy upper-mids, and air/extension that adds space without splash. Note weight and slam aren’t “insane,” but resolution is high and the overall presentation is natural, clean, and engaging. It’s also one of those rare sets that doesn’t beg for EQ.

Against the lineup and peers: Hype 2 feels flat and unexceptional by comparison; Hype 4 is very close, but Hype 10 fixes the upper-air/treble shortfall and steps up stage and resolution. Versus Monarch Mk I, Hype 10’s extra bass avoids leanness; against Oracle MK3, it avoids that 4–6 kHz “flat energy” rise and sounds more natural up top. Dunu’s Mirai charms but runs leaner with a sharper edge; Jupiter can out-punch and extend, yet the price undercuts its appeal; Diva has special upper mids but the dip-switch fiddle and pricing dull the value. Net: under $1,000 (open-box deals around $800 sweeten the pot), Hype 10 is a standout recommendation—and while Hype 4 gets you ~99% of the flavor if its treble suits you, Hype 10 is the more complete, everyday-ready choice.

Jaytiss original ranking

Softears RSV MK II brings back the all-BA ethos at $700 with five armatures and a promise of “re-engineered BA bass.” Build and accessories feel premium (sleek shells, plush case), while the cable choice is quirky—4.4 mm only with a 3.5 mm pigtail. Fit is outstandingly secure and custom-like but on the larger side with a longer nozzle, so comfort depends on ear size. Softears’ Ultra Clear tips work well; the new metal-ring variant adds little beyond novelty.

On the graph, bass looks like gigabass, yet in ear it settles into a warm, weighty foundation without steamrolling the mids. The midrange follows a “new-meta neutral” tilt—fuller than Harman with forward upper-mids—while treble lands clean and sparkly without fatigue. Imaging is tidy rather than cavernous; separation and delineation are convincing, with the top end executed better than the bottom. BA bass here is among the more physical and satisfying of its kind, though tactility can be track-dependent and turn a bit tubby on very bass-heavy mixes.

Against peers, Symphonium Meteor sounds warmer and more “special” but less all-round; DUNU SA6 MK2 is more colored with janglier treble and the least convincing bass; 7th Acoustics Supernova trades warmth for vivid, bright-tilted imaging; Softears Studio 4 is lighter on bass and airier; and the old Moondrop S8 stays the lively, vocal-centric counterpoint. Net take: a supremely competent, character-light all-rounder that favors bass weight over panoramic staging. Verdict: 4/5 stars—a welcome throwback done right, and notably cheaper than the original RSV launch price.

Super* Review original ranking

RSV MK II presents a three-way 5BA design with a bold carbon-fiber faceplate and oversized “V,” pairing clean aesthetics with comfortable fit. The tuning shows a heavy 20–200 Hz lift that delivers dense, punchy bass, followed by a 200–600 Hz dip that trims muddiness but also thins vocals and instruments. Up top, a pronounced ~14 kHz peak adds air and sparkle, while a dip near 6 kHz doesn’t fully suppress sibilance given the overall upper-energy; treble can read bright for sensitive listeners.

On music, bass cues sit forward with convincing impact for an all-BA set, though sub-bass doesn’t reach especially deep and can mask lower-set vocals. Mids skew neutral-cool with sharp outlines and lighter body—male voices, in particular, can sound slightly elevated in pitch—while the energized treble brings crisp overtone detail and stage openness. The result is a bass-driven, EDM-friendly presentation that favors thump and shimmer over warmth and weight.

Owner-type notes: the bass emphasis can overshadow parts of the midrange and shift instrument focus (e.g., bass lines becoming more prominent than guitars). Versus similarly priced peers mentioned—Rockus and Mega 5 EST—RSV MK II feels the brightest with the heaviest bass placement, trading natural vocal density for excitement and slam. A compelling pick for listeners chasing impact and sparkle, less so for vocal-centric libraries that demand fullness and timbral gravity.

Fox Told Me So original ranking