Thieaudio Hype 10 VS Softears RSV MK II

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Thieaudio Hype 10 comes across as a competent all-rounder with a lush, boosted bass shelf, but feedback repeatedly notes a touch of boom and occasional treble peaks that undermine cohesion. Staging and detail feel decent yet unremarkable, and several listeners point to cleaner contrast and dynamics on alternatives like the Helios. While one participant enjoyed the “boom-boom” soundstage and put Hype 10 near the top, most impressions describe the bass as slightly bleedy into the mids and the overall presentation as less resolving than expected at its price.

Against its siblings, the Hype 4 frequently wins praise for a more natural midrange, better balance, and a smoother, more versatile listen; multiple listeners preferred it over Hype 10. Versus the step-up Monarch Mk3 (only ~$100 more), the consensus favors the Monarch for being cleaner, more refined, and more detailed. Non-audiophile participants often struggled to distinguish the lineup, but seasoned ears consistently grouped Hype 10 as a decent generalist that doesn’t feel particularly special next to Hype 4 and Monarch Mk3.

Takeaway: Hype 10 offers familiar, bass-forward isobaric flavor with broadly agreeable tonality, yet value perception is mixed. For most listeners, Hype 4 reads as the smarter buy, and if budget stretches, Monarch Mk3 is widely recommended over Hype 10 for its more resolving and cohesive sound.

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Softears RSV MK2 shifts from the OG’s vocal-centric tilt into a bass-forward all-rounder. The sub-bass and mid-bass hit with real slam and weight, giving drums and bass guitars a satisfying, dynamic punch. Upper mids (3–6 kHz) are tamed to avoid shout, while a gentle 1–2 kHz rise keeps vocals open and natural—slightly less pushed than the original but still clear. Treble is smooth with decent air; not super sparkly and there’s no EST “sauce,” but it stays clean and non-fatiguing.

As a package, MK2’s standout is the low-end texture—thunderous yet controlled—making it one of the more engaging bassy sets under four figures. Technical performance is solid for the tier, though some rivals at lower prices bring more raw detail and EST extension. Build and accessories get a tasteful, modern refresh. For best balance, the stock tips work well; bass-boosting or treble-opening tips can shift it toward a more V-shape at the expense of overall smoothness.

On genre fit, MK2 shines with hip-hop, pop, EDM, and R&B, where its punch and warmth bring rhythms to life; for orchestral or leaner acoustic picks, the bass can edge forward depending on the mix. It scales to mid–high volumes nicely (around the 70–80 dB zone) without turning sharp. Compared with the OG RSV—now likely affected by a silent retune in recent units—the MK2 is the safer buy: less shout, more authority down low, and a broader all-rounder appeal. Recommended, especially if found below full MSRP, for listeners craving tasteful bass with natural mids and relaxed, smooth treble.

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Build & comfort hit the modern Thieaudio groove: a compact shell with a gentle wing, secure nozzle lip that plays nice with most tips, and a faceplate that’s tasteful if not flashy. The stock EST cable feels soft and skin-like with tidy ear hooks, a steady chin slider, and a clean Y-split—nothing fussy, everything practical. On-ear fit is extremely comfortable, light, and stable over long sessions.

Tonally, Hype 10 brings impactful—but controlled—bass, pristine mids/treble, and a spacious stage with convincing imaging. It reads neutral with a hint of fun: satisfying sub-bass lift, healthy upper-mids, and air/extension that adds space without splash. Note weight and slam aren’t “insane,” but resolution is high and the overall presentation is natural, clean, and engaging. It’s also one of those rare sets that doesn’t beg for EQ.

Against the lineup and peers: Hype 2 feels flat and unexceptional by comparison; Hype 4 is very close, but Hype 10 fixes the upper-air/treble shortfall and steps up stage and resolution. Versus Monarch Mk I, Hype 10’s extra bass avoids leanness; against Oracle MK3, it avoids that 4–6 kHz “flat energy” rise and sounds more natural up top. Dunu’s Mirai charms but runs leaner with a sharper edge; Jupiter can out-punch and extend, yet the price undercuts its appeal; Diva has special upper mids but the dip-switch fiddle and pricing dull the value. Net: under $1,000 (open-box deals around $800 sweeten the pot), Hype 10 is a standout recommendation—and while Hype 4 gets you ~99% of the flavor if its treble suits you, Hype 10 is the more complete, everyday-ready choice.

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Softears RSV MK2 takes the original’s idea and pushes it into a bolder, bass-centric direction. The compact shell is comfortably contoured, isolates well, and uses a slightly recessed 2-pin; the angular faceplate gives off an “evil Voltron” vibe in the best way. Packaging and accessories feel premium—a silky cable terminated in 4.4 mm with a matching 3.5 mm adapter, tip selection, cleaning tools—though the bundled case looks nice while feeling a bit faux-leather and questionable for durability. Under the hood is a 5-BA array around the ~$700 mark, presented with the fit and finish expected at this tier.

The tuning is unabashedly bass-heavy with a warmer rise through ~150–200 Hz and a slightly dark-leaning top end; not super airy, but undeniably full, rich, and musical. That weight can introduce occasional roughness/sibilance in certain vocals and can muddy spoken-word content, so this isn’t for everyone. Within Softears’ catalog it stands out: far more low-end than RSV (OG), Volume S, Twilight or Studio 4, and a different philosophy than Enigma’s vivid upper-mids. Versus sets like Monarch MK4, this goes for a deeper, thumpier shelf with a gentler upper air—trading a bit of “technical” sheen for tonal density and groove.

As a “tactfully executed bass-head” Softears, RSV MK2 delivers: impactful low end, natural mids, comfortable build, and a coherent, down-sloping balance that suits modern music exceptionally well. It isn’t flawless—moments of aggressiveness, plus a case that feels more pretty than tough—but the overall package is compelling. In the $400–$900 bracket it scores a 9.4 on this scale, while strong lower-priced options (e.g., bass-shelf specialists like Punch-tuned sets) may satisfy similar cravings if budget leads. For listeners craving a plush, powerful low end done with intent, this is a distinctive and deeply enjoyable take from Softears.

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Build & package: Both arrive with the same tips, case, and box, but the Hype 10 adds an interchangeable 3.5/2.5/4.4 mm cable. The shells differ in size—Hype 4 is smaller—while the Hype 10’s faceplate is a standout, galaxy-like design. Driver & price: Hype 4 runs 2DD + 4BA at $399; Hype 10 upgrades to 2DD + 10BA at $899, featuring Sonion bass/mids and Knowles ultra-tweeters, plus dual 10 mm isobaric DDs.

Sound & use-case: Versus Hype 4, the Hype 10 brings tighter, punchier bass with more texture and quicker attack, cleaner mids with a slightly more natural timbre, and a treble that’s crisp, airy, and more analytical. It offers better separation, layering, and a slightly larger stage, making instruments, vocals, and even orchestral passages easier to parse—excellent for music and single-player titles with cinematic scores. For competitive gaming, however, the Hype 10’s elevated presence region turns gunshots/explosions spicy and can crowd out footsteps, while the Hype 4 stays smoother up top and keeps positional cues clearer with comparable imaging. On the Wall Hack Certified list: Hype 4 = B+, Hype 10 = B. Net: both are fantastic, but at half the price and with stronger FPS performance, the Hype 4 remains the easier recommendation and current daily driver.

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The Softears RSV MK II is a 5BA set at $699 with a sleek, performance-driven look—carbon-fiber “V” and RS badge on the faceplate—paired to an ergonomic shell and fish-mouth nozzle that stays light and exceptionally comfortable over long sessions. The package is solid: a braided 4.4 cable (plus a 3.5 mm dongle), cleaning cloth, two pouches, and two sets of silicone tips; the only nitpick is wishing for a more premium carrying case at this price.

What sets RSV MK II apart is how a generous bass boost/extension coexists with top-tier imaging, separation, and layering. In Valorant, footsteps hit with extra energy and impact yet subtle cues—water steps, micro-movements—cut through even during Vandal spam and 5v5 ability chaos. In Battlefield the set is a standout for immersion (planes, tanks) while preserving precise gunfire placement and the light “clinks” that win fights. The latest mix in Apex plays to its strengths: thermites don’t mask light taps, elevation cues remain clear, slides and shield pops are easy to track; and in Call of Duty, airstrikes and mortar fire don’t swamp critical information. It’s scored as the lowest-priced S-tier on the WallHack-certified list—note the tonality skews a touch dark, so strict reference seekers may prefer something lighter, but for impactful low-end plus elite competitive clarity, RSV MK II is a killer pick.

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$900 tribrid with a naming twist: despite the “10,” it’s a 12-driver stack—2x dynamic for the lows and 10x BA for the rest—tuned to feel like a single DD done right. It’s easy to drive yet scales with better amps, delivering a warm, cohesive cloud of sound with a shockingly natural low end from the dual dynamics and clean, clarified treble from the BAs. The tonality straddles the line between fun and audiophile: throw on bangers and it hits; cue up quiet, moody scores and it gets soft, spacious, and atmospheric without smearing detail. Compared to a reference single-DD like Softears Twilight, this set brings better bass authority and brighter treble definition, giving up a tick of soundstage in exchange for a more enveloping, “everything-just-blends” presentation that feels more cohesive than a 2+10 should.

Build and pack-ins are the buzzkill: the shells are huge, the finish can look plainer than promo photos, and the accessories are sparse (basic case, tips, adapters, standard cable). Tip rolling matters—silicone (e.g., Dunu SS) keeps the bass tight and the vibe relaxed; foams can blunt the magic. Despite the light bundle, the tuning is a no-brainer recommendation at this tier: flagship-level dynamics with zero obvious deal-breakers, equally at home with industrial grit and orchestral whispers. Call it a confident 9/10: fewer trinkets in the box, but the sound is the show—and it’s the real hype.

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Softears RSV MK II brings back the all-BA ethos at $700 with five armatures and a promise of “re-engineered BA bass.” Build and accessories feel premium (sleek shells, plush case), while the cable choice is quirky—4.4 mm only with a 3.5 mm pigtail. Fit is outstandingly secure and custom-like but on the larger side with a longer nozzle, so comfort depends on ear size. Softears’ Ultra Clear tips work well; the new metal-ring variant adds little beyond novelty.

On the graph, bass looks like gigabass, yet in ear it settles into a warm, weighty foundation without steamrolling the mids. The midrange follows a “new-meta neutral” tilt—fuller than Harman with forward upper-mids—while treble lands clean and sparkly without fatigue. Imaging is tidy rather than cavernous; separation and delineation are convincing, with the top end executed better than the bottom. BA bass here is among the more physical and satisfying of its kind, though tactility can be track-dependent and turn a bit tubby on very bass-heavy mixes.

Against peers, Symphonium Meteor sounds warmer and more “special” but less all-round; DUNU SA6 MK2 is more colored with janglier treble and the least convincing bass; 7th Acoustics Supernova trades warmth for vivid, bright-tilted imaging; Softears Studio 4 is lighter on bass and airier; and the old Moondrop S8 stays the lively, vocal-centric counterpoint. Net take: a supremely competent, character-light all-rounder that favors bass weight over panoramic staging. Verdict: 4/5 stars—a welcome throwback done right, and notably cheaper than the original RSV launch price.