Thieaudio Hype 4 VS Ziigaat Doscinco

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HYPE 4 comes across as the sweet spot of the series: less bass than the HYPE 10, but tighter control with a midrange that feels more natural and unmasked. Listeners called it smoother and more versatile, with punch that doesn’t bleed into the mids and more apparent detail than the HYPE 2 and 10. Several blind testers either preferred it outright or put it neck-and-neck with higher-priced sets, estimating it around “$500” based on sound, while the actual tag sits near $400.

Against the rest, the HYPE 10 drew comments like “boomy,” “less cohesive,” and occasionally underwhelming, while the HYPE 2 read as Harman’s “cooler brother” with fuller male vocals but lower technical ceiling. The Monarch MK3 still edges the field on overall cleanliness, “air,” and refinement, and some would pay the extra $100 to jump there. But viewed through price-performance, the takeaway stayed consistent: HYPE 4 is the most worth it pick for most people, delivering a balanced, engaging presentation without the bloat or brightness trade-offs seen elsewhere in the lineup.

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Ziigaat Doscinco delivers some of the best bass under $400—deep, textured, and controlled—without the usual mid-bass bleed. The overall tonality is warm-leaning, smooth, and relaxing, yet remains well-balanced, with sub-bass that carries airy reverb and satisfying slam. Notes stay distinct instead of mushing together, so bass lines remain clearly separated even on dense tracks. It shines with hip-hop and rock for an immersive, head-bopping presentation, but also suits pop and EDM where the strong sub-bass and forgiving tonality let the volume scale without harshness.

The extra low end does thicken the tone—vocals are a touch husky and less open than cleaner sets—yet the tuning “knows” when to bring the impact and when to let songs breathe. Treble is smooth rather than airy, offering enough detail without pulling focus from the low end; soundstage sits average-to-intimate and can feel closer on bass-heavy material. Versus comparisons: it outmuscles Hype 2 in rumble, impact, and bass texture, while Hype 2 is cleaner and more resolving with more air; Hype 4 offers greater space and separation, but the Doscinco hits harder; sets like EA1000 and LM are more resolving up top, yet can’t match the Doscinco’s low-end richness. It isn’t a bass cannon like Fatfreq’s wildest tunings, but it squarely fills the bassy-warm niche without drowning the mix—an easy upgrade for listeners coming from QKZ HBB/Cadenza/Quartet-style bass sets who want higher quality and control.

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Thieaudio Hype 4 arrives with surprisingly premium trimmings: a compact, comfortable shell (though some ears may need tip rolling for a secure seal), a supple cable akin to the latest Oracle 2/Monarch MKIII leads with a durable 3.5 mm plug, and a classy case lifted straight from pricier models. Overall presentation feels 2–3× its price, with tidy accessories and a cable that’s pleasant in hand even if it won’t lay perfectly flat.

Sonically it’s impactful and engaging: bass is lush and deep without smearing, mids keep vocals forward yet smooth for podcasts, and treble has air and detail without piercing. The tuning graph shows excellent channel matching and hugs a preferred target—3 kHz rise with a 5–6 kHz dip—which explains the easygoing clarity. Minor nitpicks surface: some cymbal shimmer can feel a touch “off,” and a few drum hits could carry more thump/realism; otherwise it’s a cohesive, “just sounds right” presentation that can deliver goosebump moments when the beat drops.

Against peers, Hype 4 comes off as a safer buy and more exciting listen than the Hisenior Mega5 EST (cheaper, better cable/case, and far less dull). It edges the Binary Chopin on overall quality—though Chopin stays a killer budget pick—and proves more fun and library-friendly than the detail-leaning Performer 8. Versus Monarch MKII it’s livelier with better sub-bass and treble reach; compared with Monarch MKIII, it avoids the fatiguing 4–6 kHz energy. The verdict: a mid-fi standout with near top-tier tuning, top-shelf packaging, and a value that challenges pricier options—highly recommended despite not being the absolute cheapest route to great sound.

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Thieaudio HYPE 4 hits far above its price with a lively, bass-driven tuning that stays clean and controlled. The low end delivers physicality without muddying the mids or presence region, evoking a “mini Monarch MK3” vibe for music playback. Resolution and micro-detail—fingers on strings, vocal intimacy—come through impressively, though note that pairing (e.g., a Topping DX9) can influence bass texture and perceived air.

In competitive titles, HYPE 4 reduces ambient haze so audio cues cut through like they’re “piercing a fog,” elevating depth perception and imaging. It takes the edge in Apex Legends, The Finals, and Counter-Strike 2, where some effects can sound metallic on other sets; here, separation remains intact even amid explosions and ultimates. Despite the energetic low end, separation stays steady and never overwhelms complex scenes.

Versus the Yanyin Canon 2, HYPE 4 is the more fun and slightly more resolving listen; Canon 2 can be preferable on tight, bass-heavy maps in Valorant and Fortnite, with Rainbow Six Siege essentially a toss-up. Comfort is close, with a slight fit edge to HYPE 4 over longer sessions. Overall gaming grade sits around a B+ (≈88 ±2) on the “wallhack certified” list—an excellent hybrid that bridges music enjoyment and competitive clarity at its price.

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Ziigaat Doscinco comes across as the more tame of the two new Ziigaat sets, trading a bit of bite for a smoother stage. The tuning sits in that Hype 4–adjacent bracket, but separation and layering don’t feel quite as incisive as Hype 4. That gentler presentation pays off in long sessions, keeping the mix clean without over-hyping transients, and easily earns a spot on the Wall-Hack Certified list.

In game, the Doscinco’s reduced emphasis helps with horizontal footsteps in Valorant—picking movement through walls feels easier and less cluttered. For Apex Legends, the punchier Cincotres gets the nod thanks to its greater urgency on cues, while in Call of Duty it’s a toss-up; both deliver an exceptional experience. Overall placement sits around a solid B: versatile, competitive, and smooth enough to avoid fatigue, even if it doesn’t quite match the Hype 4’s top-end layering prowess.

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The Thieaudio Hype 4 brings a hybrid setup of 2DD + 4BA at around $400, wrapped in a distinctive all-white shell with tidy faceplate patterning and a slightly tinted cable. Shell size is medium and the ergonomics echo other modern Thieaudio designs: easy insertion, stable fit, and genuine all-day comfort. Build quality and finish feel a notch more refined than usual for the brand, making the whole package look and wear better than expected at this price.

Tonality targets a neutral with bass boost profile, with emphasis kept largely to the sub-bass so things don’t turn warm or boomy. Versus Hype 2, there’s a touch more mid-bass and, more importantly, a firmer bass attack—swapping the softer, pillowy edges for punch and control. Treble stays smooth and well-controlled without sibilance. The star, though, is the imaging and head-stage: unusually wide and clean at this price, giving precise placement and clear separation that pops immediately on first listen.

Not everything is perfect—midrange micro-contrast can feel a bit “glassy,” so ultra-fine vocal texture and analog grit aren’t its specialty. In lateral comparisons, Yanyin Canon 2 plays warmer and fuller with slightly better textural nuance, while Hype 4 sounds cleaner, airier, and more expansive for live and electronic material. With meaningful improvements over Hype 2 (especially in bass behavior) and standout staging, Hype 4 earns a confident 4/5 as a polished, engaging all-rounder.

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Thieaudio Hype 4 delivers the redemption arc this series needed: a $399 hybrid that channels the beloved Clairvoyance vibe at a lower price. The 2DD+4BA setup hits with a chest-filling low end—powerful yet clean—while treble comes through with airy, flute-and-violin sheen, free of splash. Imaging feels gapless and pinpoint; handclaps and spatial cues lock into place with convincing realism. Despite “studio monitor” marketing, the tuning is smooth and musical rather than dry or clinical, inviting long sessions and even some dancing. Tip rolling (from silicone to foam-injected silicone) nudges seal and focus but doesn’t derail the signature, signaling a universally forgiving character.

At 17 Ω, the Hype 4 is easy to drive and plays nicely with everything from sterile DAC/amps to warmer class-A and even tubes—differences show as subtle nuance, not hit-or-miss synergy. Build is handsome in black/blue/white shells (the white “dragon-meat” look gets a wink), with a comfy deep-recessed 2-pin fit and decent included tips/foams. The miss: a non-modular 3.5 mm cable at this price, plus the usual accessory minimalism. Sonically, though, this feels like the $600-tier polish of the old Clairvoyance—cohesive, punchy, and silky across the band—making Hype 4 an easy recommendation. Final verdict: a confident 9/10 on sound, dinged mainly for the cable, and a clear “this is what Thieaudio should sound like” moment.

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Ziigaat Doscinco hits the “fun” side of the lineup: a warm, V-shaped tuning with borderline bass-head output. Sub-bass rumble meets punchy mid-bass, delivering “best of both worlds” quantity with notably better bass texture than Arcadia. Lower mids carry a rich, warm body, while upper mids push vocals forward without shout—engaging, not harsh. As one of the five-driver “twins,” it’s the more musical, fuller option versus its leaner sibling.

The treble is sparkly in places—a touch of sheen on cymbals and harmonics—yet calmer than Estrea’s intensity, keeping fatigue in check for most listeners. Technicalities are strong for the price tier: solid resolution, lively dynamics, and staging that sits a notch above average with clean imaging. Note that the twin platform can exhibit driver flex on some ears; build is the familiar resin shell with confident execution.

Within Ziigaat’s range, Doscinco emerges as the go-to “fun” pick for broad genres—Arcadia-level slam with nicer texture and a bit more vocal presence. It was rated in the “This is brilliant” bracket and frequently recommended as a high-value buy, especially on sale. For listeners wanting bass quantity, sparkle, and all-day grin factor without tipping into treble glare, Doscinco is the sweet spot.