Hercules Audio Noah VS ThieAudio Hype 4 MKII

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Hercules Audio Noah arrives with a premium package: a metallic, cozy shell with a secure anti-tragus catch, a gold nozzle, and a genuinely excellent 4.4 mm cable (red/black channel markers, smooth chin slider, solid Y-split). Accessories are thoughtful—tips, cleaning brush, a USB-C DAC, and a plush case—making the whole experience feel dialed-in and durable. Fit is easy, build is handsome, and the cable quality stands out as one of the better stock options at this price.

Sonically, Noah brings a vocal-forward presentation with a clean, punchy, and hard-hitting bass shelf; it’s engaging, rich, and fun. There’s a notable 1 kHz rise and energetic upper-mids that push presence, while treble stays polite—good clarity, but not the last word in sparkle/air or micro-detail. Think “audiophile-style tuning” rather than meta-neutral: more drive and dynamism than shimmer. Compared with peers, it carries some Elysian-style DNA (cleaner and more exciting than Pilgrim/Noir, less dazzling up top than Apostle/Annihilator), and versus the hyped YU9 it swaps treble dazzle for meatier bass impact, making the two strong complements.

Value depends on region: list sits around $400, but tariffs and shipping can push it above $500 in the U.S., which tempers the bang-for-buck. As a result, it’s an easy recommendation for those seeking a mid/bass-forward, vocal-centric signature—demo at a show if possible, or consider the used market for a sharper deal. Bass is a 10/10 with satisfying slam, the overall presentation is lively and majestic, and while treble finesse is merely good, the tuning’s energy and musical drive make Noah a memorable, hype-worthy listen for the right ears.

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Hercules Audio’s Noah targets the mid-tier with a 1DD+3BA setup around $400, and the physical package impresses: a premium, crush-resistant case, Divinus Velvet ear tips, a Type-C dongle, and an all-metal black-and-gold shell that looks luxe and fits comfortably for long sessions. The four-core black cable feels solid with quality connectors and a working chin slider, even if it isn’t the softest. Sonically, the Noah aims for a fun, engaging listen via a relaxed treble, but bass hype meets reality—there’s strong sub-bass extension while mid-bass weight and texture come up short, so punch and grit aren’t at “basshead” levels.

The midrange is the star: forward enough to keep vocals clear without sounding shouty, though a slightly lean lower-mid can thin out male voices. Treble stays smooth yet extended, ideal for treble-sensitive listeners (treble-heads may want more bite). Technicalities hold their own for the price—good layering, imaging, and micro-detail, with a soundstage that’s a touch above average. Versus the YU9/CH it’s smoother and more fun (that set is brighter and more clinical), while Dusk Analog (DSP) runs warmer with bass some may prefer but even more laid-back mids/treble; for a true bass fix, Kiwi Ears Punch remains a go-to. Overall, Noah is enjoyable with standout build and accessories, best for those who like sub-bass focus + relaxed treble; tuning quirks keep it from a higher nod, settling on a two-star recommendation for value.

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Thieaudio Hype 4 MKII comes as part of the renewed Hype lineup and immediately feels like a big upgrade in presentation. The flip open box separates the earphones and case from the ear tips and paperwork, while the broken mother of pearl style faceplates and smoothly machined aluminum shells look luxurious and sit in the ears with a very comfortable, moderate size that does not create pressure build up. The new textured matte case, modular 3.5 and 4.4 terminations on the copper and silver hybrid cable, and the dedicated ear tip box with both proprietary silicone tips and memory foam sets make the whole package feel thoughtful and premium, showing that the brand is really listening to user feedback.

In terms of tuning, the Hype 4 MKII delivers a bass response that extends deep, giving bass guitars and kick drums a strong, satisfying punch while staying cleanly separated from the rest of the mix thanks to a controlled bass shelf and a sharp cut around the midbass. The lower mids have a subtle lush bump that adds body to cellos and warmth to vocals without muddying the overall transparency, leading into a midrange where vocals sound airy yet focused and instruments like guitars carry more texture, cleaner lines and a wider sense of space than the first generation. Upper mids follow a classic peak that is balanced with the bass level so they do not feel shouty, and the treble is described as very airy, bright and clear with excellent extension and resolution, giving more soundstage, ambience and atmosphere, though with a slightly more noticeable sibilance region compared to the original that still stays within an acceptable range without harshness.

Technical performance on the Hype 4 MKII is strong, with very good resolution, separation and sensitivity that make it easy to drive and reveal fine details in cymbals, triangles and electronic effects, while the stage feels more open and expanded than before. Compared to the original Hype 4, the MKII keeps a warm and punchy character but cleans up the separation between bass and mids, pulls the extremely forward vocals slightly back into a more natural blend with instruments, and upgrades treble detail so that the older tuning can sound flatter and a bit rough by comparison. Against Moondrop Blessing 3, it offers clearly higher resolution and a more dynamic, lively presentation with less bass lean, and overall comes across as a more coherent evolution of the Hype 4 that combines warm punchy bass, enhanced upper mids and treble, richer ambience and better soundstage to earn a solid 8.5 out of 10 recommendation around its 399 USD price.