Thieaudio Oracle MKIII VS Dunu x Gizaudio Davinci

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Thieaudio Oracle MKIII (2024) pushes hard into the “fun road” of audio: a 2DD + 2BA + 2EST stack tuned for huge, holographic soundstage and pinpoint stereo placement that feels like a room with “37 speakers.” It’s less about textbook FR and more about phase tricks, imaging, and “sounds coming from impossible places.” On well-produced tracks—Amon Tobin, Pink Floyd, cinematic scores—it throws a trippy, room-filling panorama that makes familiar songs pop with new cues. Gritty recordings don’t get “fixed,” but the set stays surprisingly tolerable given the grunge.

Chain matters: keep it solid-state or a warm hybrid tube to soften the edges—there’s bite up top that benefits from a touch of warmth. It’s not the easiest to drive (quoted 99 dB sensitivity; impedance unspecified), so a bit of gain is welcome; pure tubes flirted with distortion. Low end is a highlight: the dual-DD “Impact 2 subwoofer” delivers chesty sub-bass without smothering the stage. This isn’t built to chase Harman or “serious, linear” targets; it’s for the wild soundstage & placement crowd who want to re-experience their library.

Build and box are lightweight and comfy with a flashy faceplate; the stock swappable-plug cable (2.5/3.5/4.4) and case are adequate. Tip synergy favors Render-style silicones/foams used during testing. At under $600 (~$589) the value pitch is simple: the weirdest, most entertaining staging you can add to a collection without going crazy on price. Verdict: a 10/10 “experience piece”—not for spec sheet comparers, but for listeners who want music to leap out and orbit their head.

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Dunu x Gizaudio Davinci shows up dressed to impress: a five-leaf maplewood faceplate that’s prettier in person than the promo shots, a deep-set 2-pin socket, and DUNU’s slick Q-Lock Mini swappable plug that threads on like it was always meant to be there. Inside, the party is serious—six drivers with dual bio-cellulose DDs (10 mm + 8 mm) in separate chambers both tasked with ultra-low duties, plus four BAs handling the rest. Accessories hit right: the included DUNU S&S tips make easy work of seal and comfort, while “Render” style tips push a touch more brightness and slam if desired. Build, cable, case—everything feels sorted, not fussy.

Sonically, this is a refined bass-head tuning done right: tremendous low end that stays out of the way until the track calls it, with smooth delivery that keeps mids solid and treble non-fatiguing. The stage isn’t super wide so much as tall, giving music a lifted, “above-and-below” presence while the image sits slightly pulled back—cohesive, never shouty. It plays nicely off a range of sources and doesn’t demand exotic amping to shine. At $299, the package feels dialed: bass quality like pricier sets, tasteful tuning, and quality of life that makes daily use easy. Verdict? A full-send recommendation—the kind of collab that earns the name on the box, high-res sticker jokes notwithstanding.

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Build & accessories impress: a chunky yet comfortable shell with a secure 2-pin connection and a nozzle lip that holds tips firmly. The faceplate design looks premium, and the stock cable feels good in hand with a chin slider and swappable 4.4 / 2.5 mm terminations (though the modular plug can loosen under tug). The familiar Thieaudio case and standard tip set round out a solid unboxing.

On the graph and in practice, the Oracle MKIII takes a more neutral approach than MKII—less bass, tamer upper-mids. It shares territory with sets like Hype 4 (trading blows: better upper air here vs. stronger upper-mid presence there) and recalls the Pilgrim with added EST sparkle. There’s extra 4–6 kHz bite and energy in the 10–15 kHz region that can become fatiguing over longer, mixed-content sessions. In context, similarly priced options—Supernova, Noir, and Hisenior Mega5 EST—offer comparable performance with different tonal priorities, while budget picks like Hidizs MP145/MP43 or curve-match contenders such as Juzear 61T and the upcoming Binary Dino Quattro complicate the value equation where many ~$300–$400 IEMs trade blows.

Verdict: gorgeous build, good extension and upper air from the ESTs, and a generally chill-neutral tonality—yet the emphasized presence/treble bands make it a fatiguing neutral for sensitive ears. Rated a solid A for quality, but not a universal pick or a clear recommendation over peers; those who loved the Pilgrim are the most likely match, while others may prefer alternatives with either fuller bass or smoother upper-mid/treble energy.

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The Dunu x Gizaudio DaVinci brings handsome aesthetics and thoughtful accessories to the table: a supple modular **cable** with easy-swapping terminations and a dark, well-finished **case** that even fits a dongle DAC. The shell presents as **pretty** and well-built, though the flat faceplate and slightly wider nozzle make the **fit** merely decent rather than class-leading; tip rolling helps. Overall build quality inspires confidence, with **recessed 2-pin** sockets and neat finishing.

Sonically, this tuning reads as **balanced-neutral** with a tasteful lift in **sub-bass/mid-bass** and forward, lively **upper mids** that can flirt with **shout** on some material. Graphs show the response hugging target within a couple dB almost everywhere, and the **channel matching** is essentially perfect. Compared to other Dunu sets, it improves on the SA6 MK2’s flatter pin gain and the Mirai’s sharper treble; versus Crin x Moondrop Dusk (analog), DaVinci feels less fatiguing around **5–6 kHz** and more engaging down low. Technical performance is **good**—clean transients, solid air and extension—though not the widest or most spacious in its class.

Stacked against peers, DaVinci trades blows with the **Hype 4** (which projects a bigger stage/“air” advantage), while **AFUL Explorer** offers a bassier, budget-friendly flavor with surprisingly competitive **technicalities**. Expect **forward vocals**, smooth treble past the 8 kHz coupler quirks, and a generally “just-right” tonality; some listeners may still want a touch more **sub-bass** slam. Verdict: a strong **recommendation** for the tuning alone—tastefully neutral, musical, and easy to enjoy—tempered by the note that emerging releases with similar targets (and a bit of **EQ**) may deliver comparable results for less. Demo first if possible, then commit.

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Thieaudio Oracle MKIII brings the Oracle line back on track with a refined 2DD + 2BA + 2EST tribrid at $590. Packaging is handsome and complete, though the large carry case is overkill. The stock cable’s swappable terminations (3.5/4.4/2.5) are convenient but the connector is bulky and a bit memory-prone; recessed 2-pin sockets play nicer with plugs that have a slight protrusion. Build is classic Thieaudio: a tasteful faceplate on a semi-custom shell that sits medium-large in the ear, secure and comfortable if the shape agrees. Fit stability is excellent.

Tonally it’s neutral with a bass boost, with the lift starting earlier than a strict Harman rise for a more consistent low-end presence—kick drums have punch without mid-bass bloat. Bass is tight and well-defined if not the last word in rumble texture. A mild lower-treble emphasis adds bite to strings and vocal edges without tipping into sibilance, though it can make the midrange feel a touch lean versus warmer sets. Where it truly shines is imaging and separation: a clean, organized stage with above-average width and standout delineation on busy tracks.

Against peers, Oracle MKIII feels like a more engaging riff on neutral-with-bass compared to sets like AFUL Performer 8, and proves tighter and more resolute than softer, warmer competitors (e.g., Symphonium Meteor), though those can offer richer midrange micro-contrast. Versus the Oracle MKII, it’s a clear course correction toward the original Oracle’s livelier balance. It may not be the most distinctive flavor at its price, and options like the Crinacle Dusk undercut it on value for bass texture, but as an all-rounder with excellent technical cleanliness the MKIII is an easy recommendation. Rating: 4/5.

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Dunu x Gizaudio DaVinci targets the current hybrid hype with a 2DD + 4BA array at $300, packaged with Dunu’s tidy cable and the new low-bulk swappable termination system, a roomy semi-hard case, and three silicone tip sets. The shell uses stabilized wood faceplates over a smoky, translucent body; the fit is a broadly “universal” medium that benefits from a deeper insertion than usual. Tip choice matters: moving to smaller or grippier tips to seat the nozzle deeper noticeably adjusts treble texture and overall balance.

On the graph it follows a “new meta” contour—linear rise through the lower mids into the bass—but on ear it’s unmistakably the bassy one of its cohort. Mid-bass is elevated enough to crowd vocals and guitar attack, giving the low end a harder thud than sub-bass rumble. The surprise is technicality: imaging and separation are excellent for the price, and bass attack is reasonably tight, so definition stays intact even when the mix gets thick. Treble sits relaxed in level but carries a dry / slightly scratchy timbre; deeper fit and different tips (e.g., Softears UC) smooth it, though a hint of dryness remains.

Against peers like Hype 4, Pilgrim, Canon 2, and the Moondrop x Crin Dusk, DaVinci trades mid presence and air for weighty bass plus sharp stage mapping. For listeners prioritizing a big low end with crisp positional cues, it’s a compelling flavor; for those seeking vocal clarity and more natural treble, alternatives prove more cohesive. Net: a solid 3/5—distinct, fun, and capable, but tuned thicker and drier up top than the all-rounders in this bracket.

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Thieaudio Oracle MKIII pushes the Oracle line into its most refined form yet: an all-rounder that’s slightly airy but remains smooth and balanced. The big story is the bass—the new dual-DD with an isobaric chamber adds tighter texture, greater tactility, and cleaner control than the MKII, and it handily outclasses the OG’s notably lean low end. Mid-range balance, layering, and separation see a small but audible step up; vocals are fuller and more natural than the thin, floaty presentation of the OG, while avoiding the MKII’s bright, wispy timbre. In the treble, MKIII strikes the best equilibrium of refinement and detail—where MKII can sound sharp, fatiguing, and poor at scaling, MKIII stays composed and nuanced.

Within the family, the OG Oracle still charms as the most natural and “pure” vocal set thanks to its 3 kHz lift and low fatigue, but it’s less resolving and less exciting overall. The MKII brings more low-end fun than OG yet trails MKIII in texture and control; its treble will mainly suit treble-heads or those needing extra upper-energy. Against peers, Mega5 EST shares the balanced, laid-back ethos but feels too neutral and light down low; MKIII hits harder and engages more without smearing the mids. Versus Hype 4, MKIII is cleaner, tighter, and more separated, though Hype 4’s bigger bass and forwardness can feel more fun. Compared with Hype 10, technical footing is similar, but Hype 10 is fuller, more dynamic, and sharper in imaging, while MKIII stays airier and more relaxed.

If stretching the budget, Monarch MKIII becomes the favorite all-rounder: more dynamic with more detailed, “popping” vocals yet still carrying the air and smoothness MKIII fans want. The truest step-up in the same vibe is Prestige LTD—larger stage, better layering, and higher detail—though MKIII actually retains better bass tactility. Verdict: a much-needed update over MKII and a strong $500 benchmark for a balanced, airy listen that stays engaging, controlled, and easy to live with.

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Warm, thick, and syrupy sums up the Dunu x Gizaudio DaVinci. The low end hits with heavy slam and satisfying impact—great for hip-hop, R&B, and drum-centric tracks—yet the decay is slow, so notes linger and instrument separation tightens up. That mid-bass bloom nudges vocals—especially female—toward a huskier, warmer hue. Treble reaches adequately without sparkle; micro-detail isn’t the focus, but nothing crucial goes missing.

Despite community buzz, DaVinci isn’t a pure basshead monster. It’s more a warm-tilted all-rounder with a thick, smooth presentation—think regular syrup versus exotic maple: pleasurable, familiar, easy to like. Resolution is fine for the price, though the bass texture can feel smoothed and blunted, fusing notes on complex passages. Compared side-by-side, faster sets with snappier drivers can sound cleaner and more separated in the lows and smoother yet more detailed up top.

For listeners chasing fun impact, warmth, and thickness over ultimate precision, DaVinci delivers an engaging, cozy listen—thumpy and enjoyable with enough upper-mid/treble lift to keep things from turning murky. Those prioritizing speed, air, and technical performance per dollar will likely find better fits elsewhere. But if a warm-smooth groove is the goal—and the wood-accented aesthetic appeals—DaVinci makes a compelling, everyday-friendly pick.

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Thieaudio Oracle MK3 brings a spacious, slightly pushed soundscape that can place effects a touch farther out than expected. That extra air and separation pays off in Fortnite where the game’s echo-y weapon tails and environmental cues read cleanly with excellent verticality and depth perception—a strong A- to B+ performer there. In Call of Duty, positional info stays clear and reliable for a solid B. But in tighter mixes like Valorant and Apex, some cues don’t punch through with the needed emphasis, settling closer to a B to B- range.

As a hybrid daily driver, Oracle MK3 doubles as a highly enjoyable music set: the brand’s signature F-Audio bass hits with satisfying weight and control—especially for rap—making it a kickass listen off the clock. For competitive play, it doesn’t outpace its big sibling Monarch MK3, but for players who split time between COD/Fortnite and music, Oracle MK3 is a compelling choice; pure Valorant/Apex grinders will find better-focused options higher on the WallHack list.

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Build & unboxing deliver the full Dunu experience: a high-quality interchangeable cable (2-pin with swappable terminations, plus a 6.35 mm adapter), multiple tip sets including Dunu Candy/S&S, and a sturdy carrying case. The unique faceplates make each unit feel one-of-a-kind, and comfort is excellent—wearable for long sessions without hotspots.

For music, DaVinci aims at a sub-bass emphasized, warm tuning with a tactile, resonant rumble that stays controlled. Bass has good extension and texture without bleeding into the mids; the midrange stays clear with natural timbre and standout vocals. Treble is well-controlled—never sharp, never dull—keeping the set non-fatiguing. Stage is on the more intimate side, but the imaging is precise, making positional cues and instrument placement feel confident.

In competitive gaming, that same low-end weight can be a double-edged sword. In Apex and COD the sub-bass resonance adds epic immersion yet can mask lighter cues (e.g., subtle footsteps) during chaotic fights; tip rolling (e.g., SpinFit W1) helps. Valorant fares better thanks to the engine and map scale. Overall placement on the WallHack list is around a B− for competitive play, while for single-player and VR the immersive rumble, intimate stage, and solid imaging make DaVinci an easy recommendation.

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Warm-neutral done right. DaVinci brings a thick, soothing tonality to the mid-fi space, pairing a 2DD + 4BA array and five-way crossover with a high-quality resin shell that’s comfortable and pressure-free. The package is stacked: a sturdy modular cable (secure, tight braid), plentiful tips including DUNU S&S and Candy, 6.35 mm adapter, and a genuinely excellent carry case with elastic strap and net. Fit is easygoing, though the nozzle is thick (≈6.7 mm)—tip choice matters.

The tuning is a gently warm-neutral curve with a deep, enveloping bass that stays tidy, avoids boom, and adds body without bleeding. Midrange is smooth, nuanced, and natural—lower mids carry weight and realistic timbre; upper mids are present but not shouty, gliding seamlessly for a non-fatiguing listen. Treble extends cleanly and “just right”: no glare, good air, ideal for treble-sensitive ears (treble-heads may want more bite on bass-heavy mixes). It scales with source—more power tightens bass and opens the stage—and crucially sounds coherent at low, medium, and high volumes without losing engagement.

Technicalities favor musicality over microscope: stage and depth are satisfying, separation/layering are decent for the price, and the standout is timbre. Versus peers, it’s warmer and more immersive than Yanyin Canon 2 (which is cleaner/brighter up top), smoother and tonally superior to HiBy Project Ace, more fun and less shout-prone than DUNU Falcon Ultra, and more balanced (if less technical) than SIMGOT EA2000. Net: one of the most compelling warm-neutral IEMs under $500—not the most analytical set at ~$300, but a richly engaging, timbre-first listen that’s easy to love for long sessions.