Thieaudio Origin VS Punch Audio Martilo

Thieaudio Origin goes full mad-science: 1DD + 4BA + 2EST + bone conductor (eight drivers per side), big shells, hefty stock cable, and a tuning built around a ~12 dB sub-bass shelf. Fit can be a touch chunky, but foam tips (think Render) lock in seal and turn the low end from “more bass somewhere” into deep, anchored slam; silicone leaves it a bit loose. Accessories are barebones—swap plugs, tips, case—and that’s it. No fancy gifts, just a box of sound.

Sonically it’s a deconstructed presentation: instead of one smooth ribbon like a single DD, the Origin spreads the band across space—drivers carving out their lanes so instruments pop up here… then there… then over there. It’s not “mushy blend,” it’s forcible separation that can feel museum-exhibit surreal: treble details flit around (hello ESTs) while bass feels omnipresent and room-filling. It doesn’t really scale with amps; neutral DAC/amps to pricier rigs all keep roughly the same character. What can change the tonality is cable impedance—at 9 Ω and high sensitivity, cheap/high-resistance wires can skew things, so stick with a stout low-impedance lead.

Gripes? The cable is thick, custom faceplates up the bill, and the package isn’t exactly a Santa sack. But for $850, the payoff is a unique, spacious, “pulled-apart” soundstage that turns playlists into set pieces. Not for purists chasing one-driver cohesion; absolutely for listeners who crave clarity, staging theatrics, and tactile bass. Final word: a solid 9/10 on sound and swagger—price keeps it off the throne, excitement keeps it in the cart.

Z-Reviews original ranking

The Punch Audio Martilo shows up screaming BASSHEAD on the box, but the tuning is smarter than that. A hybrid stack—2×8 mm DD + 2×BA + 1 planar—delivers bass that hits when the track calls for it, then gets out of the way. The surprise is the huge soundstage: airy, wide, borderline cinematic, so pianos, crowds, and live recordings feel expansive rather than claustrophobic. Low 9 Ω impedance and easy efficiency keep the power demands chill, though a low-impedance cable is recommended.

Tip rolling matters. With thin-wall silicone (e.g., Dunu S&S) the stage opens up and balance feels right; foams and some wide-bore options can push treble into a slightly sharp zone on certain tracks. Tonality reads clean and natural—warm-adjacent without a blanket—so everyday music stays unbloated, while proper sub-bass test tracks pressurize with that “firm hand on the chest,” not a sledgehammer.

Build is solid: thick, comfy modular cable with swappable plugs, flashy red shells, and a comically oversized box for a modest accessory set (silicone + foams). Street price around $330 lands in the sweet spot—easily justifying $375 by ear. Think “poor man’s Mega 5 EST Bass Plus”: similarly satisfying slam and stage, with the pricier set showing a touch more upper-mid/treble refinement. Not just for bassheads—more like a full-range thrill ride that lets music breathe and hit when it should.

Z-Reviews original ranking

Thieaudio Origin takes the “Meta” idea and dials it toward a fuller, bass-forward presentation without losing control. The bone conduction driver is not a gimmick—low notes carry palpable vibration and reverb while staying tight with clean layering and no mid bleed. Vocals sit naturally—neither shouty nor buried—though this isn’t a vocal-focused set (reach for RS5 if that’s the priority). Versus Oracle Mk II, the Origin trades some cleanliness for deeper tactility and weight, making bass textures feel more alive.

The top end is airy and extended on smooth Sonion ESTs, cutting through the warmth to balance the tuning. Most tracks are fine, but snare- and cymbal-heavy songs at higher volumes can push the treble into fatiguing territory (e.g., around 3:30 in Hikaru Utada’s “Time”). It’s generally controlled at moderate levels; just note that treble energy scales and can turn sharp when cranked.

In A/Bs, the Origin’s bass texture outclasses sets like Mega 5 EST, offering more detail, impact, and less boom. Against TITAN, Origin’s reverb and low-end “shake” edge it out while avoiding the Titan’s 5 kHz peak—though Titan still feels more exciting with livelier vocals. Versus all-rounders Monarch Mk II and Hype 10, those remain cleaner with better mids/layering but can’t match Origin’s sheer bass depth. The wildcard is BAJIE: stock, Origin wins; with EQ, BAJIE’s bigger 14.2 mm driver slams harder, while Origin stays the more balanced, tactile choice. Net: for a premium, fun, bass-centric daily driver under a grand, Origin sets a new reference—unless maximum slam with EQ is the goal.

Jays Audio original ranking

Thieaudio Origin brings a wild driver stack—1 DD + 4 BA + 2 EST + 1 bone conductor—inside a massive yet surprisingly comfortable shell. Build feels premium: striking faceplate, visible bone-conductor puck, proper nozzle lip, and a thicker cable than usual from the brand. The hockey-puck case is a nice touch, and for about $100 more there’s custom artwork available, making the unboxing and ownership experience feel a bit more special.

Sonically, this one swings for impact. Bass hits clean, strong, and fun, with upper mids that come across pristine. The trade-off: a hotter mid/treble band (around the 4–10 kHz region, with a notable 6 kHz glare) that can push cymbals and strings into an unnatural territory. Resolution and imaging don’t always keep pace for the price; stage is big and enveloping, but fine detail and separation can blur, making it a specialist that thrills on bass-centric tracks yet feels less convincing on metal or complex orchestral pieces.

Against its siblings, Origin sits like a more fun, bass-forward take compared with HYPE 4/10, but with a treble execution that’s less refined. Versus Oracle MK3, the latter’s ESTs sound crisper and cleaner; versus Monarch MKIII, that model’s tasteful 5–8 kHz dip lends better resolution. If pure detail is the target, sets like HiSenior Mega5 Bass or the Subtonic Annihilator may prove more satisfying. As a whole, Origin is a unique, bass-thrilled experience with excellent fit, huge space, and customization perks—great for those chasing visceral low-end and a cinematic stage, less ideal for listeners prioritizing treble finesse and microdetail at this tier.

Jaytiss original ranking

Thieaudio Origin steps into the high end with a hybrid array—1DD + 4BA + 2EST + bone conduction—that pushes a richly textured, holographic presentation. The soundstage is wide and deep, imaging snaps into place, and the resolution clears the bar set by mid-tier sets. Most striking is the low-end: sub-bass digs deep with palpable rumble and impact yet avoids flooding the mix, leaving mids clean, detailed, and lifelike, and the treble airy with convincing cymbal sheen. At $850, the overall technical polish and bass quality feel appropriately premium—better than some kilobuck options.

For competitive gaming, the tuning translates across titles with ease. In Valorant, staging, separation, and distance cues deliver an A experience; occasional low-end bloom can introduce slight over/under flicks on sudden off-screen shots, but not often enough to dent performance. In Apex Legends, verticality and imaging impress (A-): during chaotic third/fourth-party fights, some lighter movement cues (slides, climbs) could cut through a bit more. In Warzone, depth and impact enhance immersion without masking key information, keeping imaging and separation strong. Tip rolling helps: foam trims bass and brightens; silicone restores slam.

Build and ergonomics match the sonic ambition: a galactic faceplate, sturdy 2-pin cable with swappable terminations, and a chassis that’s larger than average yet comfortable for long sessions (minor fatigue around the 6-hour mark). The nozzle is wide but short with a solid lip for secure tips. Overall, this is a fun yet precise set that excels in music and earns a high mark on a “wall-hack certified” style tier list for shooters—driven by standout bass, convincing staging, and top-tier separation.

Fresh Reviews original ranking

At $850, Thieaudio Origin positions itself as an unapologetic bass icon with a complex driver stack (1DD/4BA/2EST plus bone conduction). Build and accessories are a mixed bag: the large, chunky shells will be too big for many ears, and the semi-transparent, pattern-heavy faceplates feel a bit generic. The thick stock cable suits the heft but the swappable plug mechanism is long, doesn’t lock, and often detaches at the adapter rather than the jack—an unnecessary annoyance. Fit is the major caveat; for smaller ears, contact is mostly at the tip, which compromises comfort and seal consistency.

Sonically, Origin is unmistakably bass-forward—well beyond Harman—with a warm, thick low end that initially reads as overbearing and soft on definition. With time, that bass takes on a distinctive, “ooey-gooey” atmospheric quality that sits under the mix rather than congesting it, enabling a surprisingly grand, spacious presentation. Above the lows, the tuning is “new-meta” adjacent: neutral-ish mids, balanced upper-treble, and a touch of mid-treble bite that sharpens transients and adds contrast. The trade-off is occasional edginess/sibilance on certain vocals, but guitars and percussion benefit from extra snap. Live recordings in particular gain scale and drama.

Against the Mega 5 EST Bass+ (cheaper, similarly boosted), Origin offers better separation and more engaging transients, while the Mega feels sludgier and less distinct—though also less edgy. Overall, Origin is a unique bass experience that prioritizes mood and scale over textbook bass tightness. The combination of fit challenges, polarizing low-end quality, and treble bite tempers enthusiasm, settling at a three-star (out of five) verdict—compelling for bass lovers seeking something different, but not a universal recommendation.

Super* Review original ranking

Boom — time for bass. Punch Audio’s Martilo is a tribrid (2×8 mm DD + 2 BA + 1 micro planar) coming in around $330. The package is stacked: sturdy square case, extra filters, multiple tip sets, and a genuinely excellent modular 3.5/4.4 cable that lays flat, has no microphonics, and a firm chin slider. The shells are ergonomic with venting, metal nozzles with a proper lip, and a small nozzle diameter (5.9/5.0 mm) that helps seal; comfort and passive isolation are both strong.

Sonically, this is unapologetically bass-focused without being bass-only. Expect massive sub-bass depth and a punchy mid-bass, yet the low end stays tight, controlled, textured and doesn’t bleed. Mids retain clarity with non-shouty presence, while treble is crisp, smooth, non-fatiguing with decent extension (not ultra-airy). For a bass-heavy set, technical performance is solid: detail is good, and imaging/separation keep busy tracks coherent and energetic.

Against Hisenior’s Mega5EST Bass Plus, Martilo hits harder, feels more engaging, and offers better vocal clarity — and it steamrolls on value at the lower price. Compared with Xenns Tea Pro, the Tea Pro is a bass-lover all-rounder that spotlights vocals/instruments more; Martilo goes full bass-head with bigger rumble and impact. Ideal for listeners who crave deep slam but still want clarity, comfort, and great accessories; not for neutral/reference chasers. Final verdict: 4/5 — it truly punches above its price.

Gizaudio Axel original ranking