Westone W30 VS Moondrop x Crinacle Dusk

The new Moondrop x Crinacle Dusk borrows the Blessing 3’s ergonomics and accessory spread—spring tips, a lightweight 3.5 mm cable, and a braided USB DSP cable—while switching to a tribrid driver array: 2DD for bass, 2BA for mids, and 2 micro-planars for treble. The shell is medium-large yet secure and comfortable, with a narrower nozzle than earlier Blessings and a cleaner faceplate design. The DSP cable can sweeten tonality, but there are caveats: occasional artifacts, spotty DAP compatibility, and an Android-only app with EQ limits (no tweaks below ~60 Hz or above ~10 kHz).

On the analog cable, tonality lands neutral and mid-centric with a tasteful sub-bass lift and slightly eased presence region—still a touch clinical, but now with added body and engagement. The star is the bass quality: tight, punchy, and tactile without masking the mids. Imaging/separation are clearly above average, and treble has better extension and metallic timbre than older Moondrops. Swapping to the DSP cable warms the mids and adds a bit of mid-bass punch (less brightness, richer tone), trading a hint of separation for extra smoothness.

Comparisons: vs OG Dusk, the new set’s bass is less blammy but higher quality, and the treble timbre is more realistic; vs Blessing 3, this is fuller, deeper, and less thin; vs Hype 4, stage width and bass quantity favor the Hype, but the Dusk keeps vocals cleaner and more balanced. DSP experiments show Blessing 3 + DSP can get very close to the Dusk’s FR, and even the budget Moondrop May narrows the gap—yet the Dusk still wins on bass tightness, treble refinement, and overall technical polish. As an analog IEM around $360, this is the one to beat—an easy 5/5.

Super* Review original ranking

Stock tuning lands in the safe-and-smooth lane: a gently warm balance with a slight treble emphasis, nothing egregious and nothing especially standout. It works well for J-pop/K-pop at mid volume thanks to tamed upper-mids that keep sibilance in check. The trade-off is softer, “vanilla” vocals that miss the last bit of extension, air, and micro-detail; turn it up for more presence and the treble gets spicy—not helped by unit variance that can throw a 16k peak. Cymbal detail is decent with minimal “planar timbre,” but it can get a touch sizzly.

Against the field, Dusk struggles to justify the premium. Truthear Nova plays the same all-rounder role for much less while feeling more open up top; want a bit more top-end than Nova, there’s the Chopin at ~$200. Hype 4 comes off as a more well-rounded Dusk—better low-end texture, a hint more vocal reach, and less sharpness—and Quintet delivers a similar idea for cheaper. Even with EQ in the mix, Blessing 3 can match or better the result (smoother treble, no channel imbalance). Net: the sound is good but not special, and the value calculus isn’t favorable.

The supposed differentiator—DSP—isn’t it. The app feels unstable (settings not applying, frequent crashes), Android-only for adjustments, and awkward with external DAC/amps where EQ may not pass through. There’s a minor noise floor between pauses. Of the presets, “Stock 3.5mm (Analog)” and Bass+ are the only keepers; “Stock USB” is warmer but needs more upper-mids, and the Diffuse Field Tilt lands awkwardly. Phone amps also bottleneck staging; better sources open it up—but then the DSP conflicts. Add in QC concerns, and the verdict is clear: a pleasant, inoffensive listen, yet overhyped and overpriced for what it delivers; a solid sub-$200 proposition, not at its current bracket.

Jays Audio original ranking