Xenns Top Pro VS ZiiGaat Crescent

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The Xenns Top Pro boasts an exceedingly comfortable, vented resin shell with a metal nozzle, praised as one of the better shells out there. It's light, isolates well, and features a flat two-pin connector. The included case feels extremely premium, matching cases found on more expensive IEMs. Accessories are generous, including a 4.4mm cable, 6.3mm adapter, three sets of tips, a pouch, and a shirt clip. The cable itself is appropriate for the price, described as plush and nice with a Dunu-style locking system, though the chin slider feels slightly loose.

Sonically, the Top Pro presents an interesting and effective mild V-shaped tuning that aligns perfectly with the reviewer's preferences. It features slightly elevated bass and mids with a hint of darkness, delivering clean, pristine mids and great treble extension and air without sibilance. Technical performance is strong across imaging, note weight, and detail. Graph comparisons show similarities to sets like the Dusk DSP and Annihilator, but the Top Pro distinguishes itself with better bass impact than its metallic-shelled sibling (the Tea Pro) and a more comfortable, all-day listen compared to the ultra-detailed but potentially fatiguing AFUL Cantor. It holds its own against flagships like the Monarch MkIII (offering potentially better bass) and the Astral (with minor tonal differences), proving highly competitive in the $400-$900 range.

Ultimately, the Xenns Top Pro emerges as a standout offering from the brand and a top contender at its $500 price point. It hits a sweet spot with very few faults, combining a world-class comfortable shell, generous premium accessories, and a cohesive, engaging sound signature. It delivers nice everything – impactful bass, clean mids, well-extended treble, and strong technicals – making it an easy all-day listen and a set that's hard to beat for this specific tuning philosophy. While responsible purchasing and demos are always advised, it earns a full recommendation as an excellent all-rounder.

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The ZiiGaat Crescent, priced at $279, features a familiar, comfortable ZiiGaat shell build that's durable and slightly larger than models like the Magic One. The package includes a new premium-feeling case with a vibrant color and a great black cable featuring easy-to-change connectors and a functional chin slider. Overall, the build and accessories are solid, representing a step up from previous ZiiGaat offerings.

Sonically, the Crescent delivers a strong V-shaped signature characterized by great, impactful bass that some might find a touch boomy and elevated upper air/treble. While not the most incisive or natural treble, it's clean and engaging. Technical performance is really good, making it a hyper-competitive option in its price bracket. It compares favorably to the ZiiGaat Odyssey (more fun, more bass), the Arcanis (more V-shaped vs vocal specialist), and the Binary Dynaquattro (more refinement, richer mids). While the Luna offers cleaner micro-details and a more "audiophile" tuning for $100 more, the Crescent provides a richer, more organic, bass-forward alternative. It shares similarities with the S-tier Top Pro, differing by only 1-2%.

Ultimately, the Crescent earns a strong A+ rating and a strong recommendation. It's a fantastic value with excellent dynamics, well-done tuning, and great technicalities for the price. This is a highly competitive set ideal for those seeking an engaging, fun signature with elevated bass and air. While its specific tuning won't suit everyone, especially those sensitive to bass or preferring absolute neutrality, it's a special set worth serious consideration and likely a keeper for many.

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Positioned at $500, the Xenns Top Pro gets stacked against the Subtonic Storm at around $5,400—a full 10× price gap that shouldn’t be glossed over. Level-matched listening shows the two land surprisingly close in overall technical performance, with differences in DDs/ESTs and driver counts mattering less than expected. What stands out more is transparency: the Top Pro is upfront about its internals and branded components, while the Summit-Fi piece plays things closer to the vest—par for the course at that tier.

In back-to-back A/B, the Top Pro’s mid-forward balance proves the hook. Instead of leaning on a mid-bass lift for “note weight,” it nudges the mids, keeping vocals, guitars, and cymbals clean and engaging without tipping thin or brittle. Anchored at the same SPL, track after track, the choice often becomes a coin flip—and many listeners would likely pick the more affordable set on tuning alone, because it’s simply more immediately musical across genres while holding its own technically.

This is diminishing returns in the palm of a hand. Slotting the Top Pro into a ranking even risks crowding out pricier neighbors, because its value sits uncomfortably high for its bracket. If the shells were disguised and the price tags hidden, the pick rate would tell the story: a “top-of-the-line” listen without the Summit-Fi tax, driven by smart tuning rather than spec sheet theatrics.

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Tuning first: Crescent comes across as a “baby Top Pro”—the frequency response mirrors the ZiiGaat Zens Top Pro with a subtle lift through the lower mids (~300–500 Hz) and a tucked mid-bass around ~200 Hz. That combo avoids bleed, adds engagement, and keeps things musical without bloat; think small +1 to +1.5 dB nudge for presence rather than warmth. Versus Odyssey, the Crescent’s mid presentation feels more engaging, and while Odyssey shows more energy out past the upper range, Crescent’s contour is the more tasteful take. Top Pro skips ESTs, so differences sit mostly above 10 kHz, but the overall character aligns closely.

Down low, the set carries a touch more 55–100 Hz bump than Top Pro, giving 808 rolls and classic hip-hop a clean, satisfying hit without turning bassy. Four- and five-string bass lines have proper pluck, release, and ring; kick drums (think Bonham on “When the Levee Breaks”) hit with weight yet don’t haze the mids. The result is bass that shows up when it’s in the mix and stays out of the way when it isn’t.

Vocals are the star: the gentle mid lift plus a sensible ear-gain angle puts voices forward in a natural way—no shout, nothing surpassing the ear-gain peak, and none of that late-treble “sand on glass” grain or fatigue. Pricing sweetens the story: with coupons around $230 (regular ~$280), Crescent reads as the best-tuned ZiiGaat to date; once discounts vanish, Odyssey at ~$230 re-enters on value. Net take: legit banger for a vocal-centric, cleanly extended hybrid that prioritizes smart tuning over flash.

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The Xenns Top Pro establishes itself as a formidable $500 benchmark, delivering a dynamic, balanced, and clear sound signature. Its standout feature is the crispy, clear, and highly resolving treble that avoids artificial sharpness or fatigue, contributing to a refined hi-fi presentation. This treble clarity particularly enhances female vocals, rendering them sweet and angelic without huskiness, perfectly distanced, and non-shouty at normal volumes due to intelligent tuning cuts and gains.

Technically, the Top Pro punches above its price, competing with models around the $1,000 mark and reaching near Monarch level performance. While a direct upgrade to the original Top, Astral, and Meta models—offering more detail, less sharpness, and increased sparkle—it isn't a massive leap. Its value-to-performance ratio is exceptional. Compared to the Monarch Mk III, it trades some bass impact and texture (making it mid-bass light for genres like rock or metal) for superior layering, separation, and a more dynamic, contrasty, and crispy treble presentation. The bass, while sufficient, can feel disengaged in bass-heavy genres, making sets like the Astral or Odyssey preferable there.

Scaling depends on volume and genre: energetic tracks with treble emphasis suit mid volumes (~65dB), while slower artists like Frank Ocean shine at higher volumes (~75-80dB). Balanced eartips are recommended to maintain its excellent treble balance. Against competitors, the Top Pro is more technical and resolving than the Arcanis (though the Arcanis offers more unique, intimate vocals), more energetic and dynamic than the Volare (which has smoother treble and better mid-bass), and cleaner with better layering than the Oracle Mk III (which boasts better bass texture). Ultimately, the Top Pro is a highly recommended all-rounder, delivering near Monarch-level performance at half the cost with great accessories, making it arguably the best $500 upgrade option for most.

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The ZiiGaat Crescent delivers a warm, full sound with a notable sparkly and crispy treble reminiscent of higher-end models like the Top Pro, essentially presenting as a warmer Top Pro variant with more mid-bass but less vocal clarity and power. Tonally, it serves as a solid side-grade to the Top Pro at nearly half the price, though it’s a slight downgrade in technical performance and resolution. Versus the Odyssey, the Crescent looks strikingly similar but offers a more technical, cleaner, and airier presentation due to a significant 15-20dB treble boost, leading to better imaging, sharper attack, and superior clarity and separation—especially in symbol decay. However, its bass, while impactful and well-controlled, feels slightly less full and slams softer than the Odyssey’s heavier, more immersive low end.

The Crescent excels as a mid-volume set (65-70dB) but struggles with scaling on energetic tracks like K-pop or metal, where the elevated treble can become fatiguing and overly hot. For genres like EDM, J-pop, or fast-paced rock, the smoother, bassier Odyssey is often preferable. Slower genres like R&B, indie, or instrumental music play to the Crescent’s strengths. Tip rolling is recommended to tame treble; bass-focused tips like SpinFits or Final E work well, while bright tips should be avoided. Compared to the KiwiEar Astral, the Crescent is warmer with a sharper treble but slightly less technical, making them close siblings—choose based on preference for sparkle (Crescent) or smoothness (Astral). Against the ZiiGaat Luna, the Crescent is sparklier and sharper but less refined and scalable, with the Luna remaining superior for louder, fatigue-free listening.

Ultimately, the Crescent is a capable Meta-inspired all-rounder with a fun, vibrant signature centered on its sparkly treble. It’s not groundbreaking if you already own similar sets like the Astral, Luna, or Odyssey, but it represents strong value—especially on sale—with tangible upgrades like an interchangeable cable and improved accessories. For those new to this tuning or specifically seeking extra treble energy without breaking the bank, it’s a compelling option.

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ZiiGaat Crescent arrives well-kitted: a spacious zipper case, a soft modular cable with 3.5/4.4 terminations, and a solid tip selection (silicone + foam). The resin shell is comfortable and secure, the galaxy-style faceplate looks premium, and the metal nozzle with lip helps tips stay put. Fit is easygoing with no pressure build-up, making it suited for long listening sessions.

Tonally, Crescent presents a lively mild V-shape—punchy yet controlled bass, natural mids, and an airy upper treble. Sub- and mid-bass are balanced for texture and impact without bleed; vocals sit forward with good body and clarity; lower treble is detailed but not sharp, while the boosted top end adds openness without turning splashy (a deeper insertion can tame lower-treble energy further). Technical performance is strong for the price: resolution and separation are confidently above average with stable imaging—more detailed than Odyssey, though short of Luna and Kiwi Ears Astral in ultimate refinement.

Against peers, Crescent offers fuller mids and more mid-bass than Astral (which sounds cleaner and more resolving), more bass quality and air than Odyssey, but Luna remains smoother with more realistic treble. SoftEars Volume S is warmer with stronger vocal focus and less air; Letshuoer ZEN Pro caters to bass lovers with harder-hitting lows and tamer top end. Recommended for anyone wanting a fun all-rounder with forward vocals, quality bass, and airy sparkle; not ideal for strict neutral chasers, bassheads, or those sensitive to elevated upper treble. Final verdict: 4/5—a competitive, engaging set with clear standout strengths.

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Z-Reviews expresses immediate and strong enthusiasm for the Xenns Top Pro, a $500 IEM featuring a 10-driver configuration (8 balanced armatures + 2 dynamic drivers). He notes their exceptional build quality and stunning visual design, describing them as one of the "prettiest IEMs that has ever existed" with a "color explosion" on the back. The accessories impress him, particularly the thoughtful custom foam insert in the case to protect the zipper, a soft padded case, a high-quality "196-core copper silver cable", and uniquely presented tip sets housed in pre-numbered, multicolored boxes. He finds the large nozzle comfortable enough for extended listening sessions, even though his arms fell asleep during one.

The core of the review focuses on the outstanding sound quality. Z-Reviews describes the sound as "smooth magical things" to his ears, emphasizing its non-fatiguing nature despite excellent detail retrieval: "clear as a whistle but not painful". He highlights the exceptional bass performance, which creates a unique physical sensation, fooling his body into feeling sub-bass pressure like a subwoofer was nearby, without being overpowering or unnatural. The treble is detailed and sharp without causing discomfort. The overall presentation is cohesive, "substantial", and immersive, making him want to listen track after track. He compares the experience favorably to much more expensive IEMs like the $1,500 FIO FX17.

Z-Reviews concludes with a strong recommendation, declaring the Xenns Top Pro "100% worth their $500 price tag". He states they do "everything I want a $500 IEM to do" and outperform his own collaborations like the Defiant, attributing this to the superior driver count and implementation ("there's no replacement for displacement"). Minor critiques include the large nozzle size and the lack of a plastic stand, but these are insignificant compared to the overall performance. His final verdict is that they are a "great" IEM that justifies their price through exceptional sound, build, and accessories.

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ZiiGaat's Crescent IEMs deliver a strikingly unique and luscious sound signature that stands out sharply from the crowd, especially within ZiiGaat's own lineup of similarly priced models clustered around the $250-$400 mark. This tuning presents a very dark, relaxed, and hugely expansive soundstage, making music feel like a distant, powerful live performance in an outdoor amphitheater rather than a typical in-ear experience. It creates an intriguing, almost processed effect – like stacking multiple subtle soundstage-enhancing DSPs – that sparks curiosity and encourages listening beyond just a few tracks, placing the Crescent firmly among the year's most captivating IEMs like the Astral and Vulcan 2.

Packing two 10mm dynamic drivers (PET and LCP) and two balanced armatures, the Crescent achieves its massive, enveloping sound with surprising control, handling high volumes without harshness despite its efficiency. While ZiiGaat's strategy of flooding the same price bracket inevitably leads to some stinkers, the Crescent is a clear exception. Its large shells feature a stunning space-inspired design on the back, resembling a galaxy or Imperial starship, though the included cable has a ridiculously bulky and heavy adapter system for swapping between 3.5mm and 4.4mm plugs. The accessory kit includes notably sticky silicone tips alongside standard foams.

Ultimately, the Crescent transcends being merely "good" by offering something weird, different, and deeply engaging. It avoids the mediocrity or disappointment found in some other ZiiGaat models like the Lush (which these should have been named) and carves a memorable niche through its luxurious, powerful presentation. This is an IEM designed to cure boredom and make listeners pay attention, firmly lodging itself in the mind as a standout option in its price range.

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The Xenns Top Pro stands as a significant evolution from its predecessors, bearing little resemblance to the original Top despite sharing a similar driver configuration. Its tuning aligns much more closely with the Tea Pro, effectively acting as an upgrade to that model – perhaps better named the "Tea Pro Max". It delivers a slightly warmish mid-range with a boost in the upper mids, creating a natural yet contrasty and fun presentation. Vocals retain life and presence, avoiding sounding pushed back or dead neutral. Crucially, the Top Pro executes this mid-range cleaner than the T Pro, thanks to a cut in the mid-bass. This cut enhances bass definition, making it punchier and more dynamic, while also improving separation between the bass and mid-range.

Treble performance is generally lively and detailed, contributing significantly to the perception of strong technical ability. However, it can be slightly peaky, introducing a touch of BA timbre that detracts slightly from perfection – a minor nitpick considering the overall quality. Instrumental separation across the frequency range (bass, mids, treble) is a standout feature, resulting in very good technical performance that surpasses competitors like the Blessing 3. The signature manages to sound snappy and tactile despite a weighty low end. Compared directly to the original Top, the Top Pro offers a fuller, more realistic mid-range adhering to modern tuning philosophies, whereas the original Top remains brighter and leaner. Against the highly regarded HiSenior Mega 5 EST, the Top Pro provides a more engaging and contrasty alternative to the Mega 5 EST's exceptional but potentially "vanilla" neutrality and smoother timbre.

Ultimately, the Xenns Top Pro earns a strong recommendation and a deserved A-tier ranking. It represents a compelling value proposition at its price point, offering an engaging signature with excellent technicalities that many listeners will enjoy. The only significant caveat is for those extra sensitive to treble, who are strongly advised to demo it first due to its elevated and occasionally peaky nature.

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ZiiGaat Crescent arrives as a 2DD + 2BA hybrid with a noticeably nicer presentation: a flip-open box, a stylish faceplate (white “mountain” with a small crimson star), and a much-needed accessory refresh. The package includes a modular cable (with multiple plugs), a roomy new carry case, and several sets of ear tips. Shells are a touch on the wide side, but the longer nozzle helps the body sit past the outer ear; only extra-small ears might feel pressure around the concha.

Sonically it hits a lively U/V-shaped tuning: mids sit slightly behind yet remain natural, while the low end brings bouncy, fun impact that plays well with energetic tracks like “Mantra.” Up top, the treble comes off spicy—adding a crisp, edgy shimmer that teases out micro-nuance in vocals and instruments without tipping into harshness. Overall impression: a clean, exciting listen with no glaring red flags—engaging bass, clarified highs, and a midrange that stays intact despite the fun-forward tilt.