Yanyin Canon II VS Ziigaat Odyssey 2

At $380, the Yanyin Canon II lands in a competitive mid-tier alongside sets like the AFUL Performer 8 and Mangird T2. It’s a hybrid (1DD + 4BA) with a tidy, well-behaved cable and minimal accessories. The shells are medium-large, a bit chunky, with glittered faceplates whose typography/alignment may irk design sticklers; comfort is generally fine at a desk but fit stability can be mediocre during movement or sleep. Two recessed dip switches (tool required) mainly tweak bass by about ~1 dB—best treated as a “both up” vs “both down” toggle rather than four distinct tunings.

Tonally, Canon II reads as neutral-leaning and relaxed: modest upper-mids, a touch dark up top yet still well extended, and a bass shelf that carries some mid-bass “stank” beyond pure sub-bass emphasis. The result is natural timbre with an overall dry presentation—bass has weight without lingering rumble. Technicalities are solid but not showy; imaging/separation is the weak link, skewing more cohesive than dissected, and sitting a bit behind what would be hoped for at this price.

Versus the AFUL Performer 8, Canon II is the warmer, fuller, slightly darker take with more bass presence, while P8 runs brighter/leaner and stages/separates better. If the brief is “neutral with extra bass body” and pleasing timbre, Canon II ticks the box; if headstage and pinpoint placement lead the priorities, P8 makes more sense. Final verdict: a solid 4/5, with tuning versatility and tonality as the draws, and imaging as the compromise.

Super* Review original ranking

The Ziigaat Odyssey 2 arrives as a collab between Ziigaat and Hangout Audio (tied to Crinacle), essentially a Crin-influenced set in disguise; it’s a 1DD + 3BA hybrid priced around $250. Accessories are thoughtful—three ear-tip sets, spare adhesive filters, and swappable 3.5/4.4 terminations—though the long, friction-fit plug feels awkward. The metal shell is medium-sized with a short nozzle for a shallow fit; comfort is easy, stability average, and the thin green cable is softer than prior Ziigaat attempts with a chin slider that actually holds.

Tonally it lands squarely in the tilted diffuse-field “meta” neutral camp: natural vocals, tame upper-treble, and a slight 4–6 kHz lift that adds clarity and a more contrasty/clinical edge without harshness. Imaging and separation are clean for the price, but the sub-bass-focused boost leaves the low end marshmallowy—tactile yet soft, with kick drums short on slam. Overall balance is convincing and easy to live with, just not especially exciting.

Versus Ziigaat Lush, Odyssey 2 is crisper and more defined where Lush sounds darker, smoother, and a bit low-res, though Lush hits mid-bass a touch harder. Against Softears Volume S (costlier), Volume S wins on bass grip and midrange texture, sounding fuller and more engaging while Odyssey 2 stays cleaner but more clinical. Conclusion: a very good set in a crowded mold—3/5 for a refined meta tune with agreeable timbre but modest bass impact.

Super* Review original ranking

Ziigaat Odyssey 2 lands as a premium-feeling set: a CNC-milled aluminum chassis with a sparkly blue/silver faceplate, solid two-pin cable with interchangeable 3.5/4.4 plugs, spare nozzle filters, and a roomy new brown carrying case. The stock cable is nice—though its green tint doesn’t quite match the shell’s aqua tone. Tip selection is generous (foam plus two silicone sets), and the newer silicone tips are a standout. Overall, a tidy package for the price.

Tuning follows the current “new meta”: energetic low end with a cleaner sub-bass attack/decay than sets like ZENs Top/Top Pro, which helps in games. Bass stays punchy yet controlled, so imaging and separation/layering come through well, though gunfire can still push forward. For pure music the bigger, rumblier sets may feel livelier, but for competitive play Odyssey 2 reads space more cleanly and keeps clutter down better than bass-heavier rivals.

Title by title: in Valorant it sounds natural and punchy with tighter gun reports and better map imaging—footsteps are a bit thicker and light taps could cut more—earning a B+. In Apex it’s cleaner than ZENs Top Pro and fine in 3v3s, but big third-party fights expose some separation limits; call it a strong B (bordering B+). In CS2 the positional read improves over ZENs Top Pro, though lighter surface cues and gunfire depth could be crisper—solid overall. Call of Duty plays to its strengths: warmer timbre, wide/deep stage, excellent layering during streaks, with only occasional gunfire masking—another B+. Net result: placed in the B+ tier on the WallHack list, at the lower edge bordering B, similar to the original Odyssey’s standing.

Fresh Reviews original ranking

Odyssey 2 shifts the OG’s recipe toward a more mid-centric, vocal-first tuning with a gentle sub-bass lift and smoother treble. Bass hits with less slam than the original but feels tighter, quicker, and cleaner, keeping texture competitive for the price. The top end is calmer—less bite, still adequately extended—trading sparkle for an easy, natural presentation.

Clarity steps up in the mids: vocals pop, separation improves, and detail comes through more plainly, while the OG keeps an edge in bass/treble “texture.” It’s a higher-volume scaler; give it juice and it opens up, especially for ballads, acoustic, indie, and pop—less ideal for hip-hop/R&B/jazz where extra weight and contrast help. Tip rolling that adds a touch of low-end/treble energy can inject the missing excitement without upsetting the balance.

Against similarly “safe” sets (Daybreak, P50), Odyssey 2 leans more vocal-centric with better bass texture; versus value champs (Supermix 4, Nova, Chopin), it sounds fuller and more natural but isn’t the value king. Lush gives more air up top, Arcanis/Luna serve as pricier “special sauce” paths if treble bite or OG-style warmth is desired. Verdict: a safer pick and polished all-rounder—objectively as good or slightly cleaner than OG—but for die-hard OG fans, more of a refined sidegrade than a direct, high-octane upgrade.

Jays Audio original ranking