ZiiGaat Crescent VS Ziigaat Horizon

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The ZiiGaat Crescent, priced at $279, features a familiar, comfortable ZiiGaat shell build that's durable and slightly larger than models like the Magic One. The package includes a new premium-feeling case with a vibrant color and a great black cable featuring easy-to-change connectors and a functional chin slider. Overall, the build and accessories are solid, representing a step up from previous ZiiGaat offerings.

Sonically, the Crescent delivers a strong V-shaped signature characterized by great, impactful bass that some might find a touch boomy and elevated upper air/treble. While not the most incisive or natural treble, it's clean and engaging. Technical performance is really good, making it a hyper-competitive option in its price bracket. It compares favorably to the ZiiGaat Odyssey (more fun, more bass), the Arcanis (more V-shaped vs vocal specialist), and the Binary Dynaquattro (more refinement, richer mids). While the Luna offers cleaner micro-details and a more "audiophile" tuning for $100 more, the Crescent provides a richer, more organic, bass-forward alternative. It shares similarities with the S-tier Top Pro, differing by only 1-2%.

Ultimately, the Crescent earns a strong A+ rating and a strong recommendation. It's a fantastic value with excellent dynamics, well-done tuning, and great technicalities for the price. This is a highly competitive set ideal for those seeking an engaging, fun signature with elevated bass and air. While its specific tuning won't suit everyone, especially those sensitive to bass or preferring absolute neutrality, it's a special set worth serious consideration and likely a keeper for many.

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The ZiiGaat Horizon arrives as the brand’s first tribrid at around $330, pairing one dynamic driver with two BA and two planar drivers. Build is solid: a vented, flat 2-pin socket, metal nozzle, and a distinctive blue-white faceplate that looks like mountains under stars. The cable feels premium with red/blue channel dots and a working chin slider, plus an easy swappable plug (3.5 mm); the included zip case is pleasantly sturdy. Nothing flashy in shell shape, but the fit is secure and the accessories feel thoughtfully sorted.

Sonically, Horizon takes a clean, sub-bass-focused route with bass that reads linear and occasionally a touch pillowy, followed by full, rich upper mids and a treble presentation that steals the show. There’s generous upper air and extension with a tactful lower-treble rise, kept in check by a helpful 5–6 kHz dip to avoid fatigue; a splash of ~15 kHz energy adds sparkle that treble fans will relish. The result sidesteps the “EQ’d-to-death” flatness—this tuning carries just enough color to stay engaging while remaining clean and controlled.

Against peers, Horizon’s top end feels more refined than ZiiGaat’s Luna, while Crescent plays thicker and more V-shaped with extra 10 kHz “twinkle.” Versus sets like the SL224, Horizon’s treble is smoother and less sibilant; compared with Punch Audio Martillo, think of Horizon as the treble-head counterpart to a bass specialist. It also mirrors some strengths of AFUL Performer 7 but with cleaner bass and a more polished top end, and it offers more microdetail than the hard-to-find YU9 Chuer. Taken together, this is a special package: a well-built, distinctive tribrid with 10/10 treble energy and air, competitive technicals, and a tuning that treble lovers will find hard to put down.

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The ZiiGaat Crescent delivers a warm, full sound with a notable sparkly and crispy treble reminiscent of higher-end models like the Top Pro, essentially presenting as a warmer Top Pro variant with more mid-bass but less vocal clarity and power. Tonally, it serves as a solid side-grade to the Top Pro at nearly half the price, though it’s a slight downgrade in technical performance and resolution. Versus the Odyssey, the Crescent looks strikingly similar but offers a more technical, cleaner, and airier presentation due to a significant 15-20dB treble boost, leading to better imaging, sharper attack, and superior clarity and separation—especially in symbol decay. However, its bass, while impactful and well-controlled, feels slightly less full and slams softer than the Odyssey’s heavier, more immersive low end.

The Crescent excels as a mid-volume set (65-70dB) but struggles with scaling on energetic tracks like K-pop or metal, where the elevated treble can become fatiguing and overly hot. For genres like EDM, J-pop, or fast-paced rock, the smoother, bassier Odyssey is often preferable. Slower genres like R&B, indie, or instrumental music play to the Crescent’s strengths. Tip rolling is recommended to tame treble; bass-focused tips like SpinFits or Final E work well, while bright tips should be avoided. Compared to the KiwiEar Astral, the Crescent is warmer with a sharper treble but slightly less technical, making them close siblings—choose based on preference for sparkle (Crescent) or smoothness (Astral). Against the ZiiGaat Luna, the Crescent is sparklier and sharper but less refined and scalable, with the Luna remaining superior for louder, fatigue-free listening.

Ultimately, the Crescent is a capable Meta-inspired all-rounder with a fun, vibrant signature centered on its sparkly treble. It’s not groundbreaking if you already own similar sets like the Astral, Luna, or Odyssey, but it represents strong value—especially on sale—with tangible upgrades like an interchangeable cable and improved accessories. For those new to this tuning or specifically seeking extra treble energy without breaking the bank, it’s a compelling option.

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Ziigaat’s Horizon follows the current meta-inspired recipe—think Astral, Metas, Crescent—but pushes the focus upward: the treble is the most prominent piece here. It’s bright-leaning without turning harsh, giving a crisp, “OCD-like” sense of transient bite and pinpoint imaging. Low end and vocals sit a touch behind the highs, so the presentation feels clean and lively rather than thick; at mid-volume, the top end drizzles detail over the mix like raindrops—engaging and textured, not shouty.

On the technical side, Horizon pulls strong detail retrieval and resolution for the price—above sets like Supermix 4 and near EM10/Volare —yet it doesn’t scale massively because of that treble lift. The bass is snappy and controlled, with good separation, but lacks the slam and rumble seekers of impact will want. Pairing and playlist matter: avoid hot, highly produced pop/K-pop/J-pop or most hip-hop where the combo of elevated highs and lighter bass can feel edgy; it shines with slower pop, R&B, indie acoustics, ballads, and classical where the sparkle reads as “high-fidelity.” Warmer sources help a bit, and tip-rolling (stock black/clear, or bass-adding options like Final E/divinus) can balance things—just skip anything that pushes treble further.

Against close competitors, Astral hit harder down low and feel more V-shaped and contrasty; Crescent is warmer and smoother but not as clear or micro-detailed. Horizon is the cleanest and brightest of the trio, with the most refined treble focus and “tickly” transients. Verdict: a value-minded all-rounder for detail lovers who prefer clarity and air over bass authority—technical, tidy, and energetic at sensible volumes, provided the library isn’t a treble minefield.

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ZiiGaat's Crescent IEMs deliver a strikingly unique and luscious sound signature that stands out sharply from the crowd, especially within ZiiGaat's own lineup of similarly priced models clustered around the $250-$400 mark. This tuning presents a very dark, relaxed, and hugely expansive soundstage, making music feel like a distant, powerful live performance in an outdoor amphitheater rather than a typical in-ear experience. It creates an intriguing, almost processed effect – like stacking multiple subtle soundstage-enhancing DSPs – that sparks curiosity and encourages listening beyond just a few tracks, placing the Crescent firmly among the year's most captivating IEMs like the Astral and Vulcan 2.

Packing two 10mm dynamic drivers (PET and LCP) and two balanced armatures, the Crescent achieves its massive, enveloping sound with surprising control, handling high volumes without harshness despite its efficiency. While ZiiGaat's strategy of flooding the same price bracket inevitably leads to some stinkers, the Crescent is a clear exception. Its large shells feature a stunning space-inspired design on the back, resembling a galaxy or Imperial starship, though the included cable has a ridiculously bulky and heavy adapter system for swapping between 3.5mm and 4.4mm plugs. The accessory kit includes notably sticky silicone tips alongside standard foams.

Ultimately, the Crescent transcends being merely "good" by offering something weird, different, and deeply engaging. It avoids the mediocrity or disappointment found in some other ZiiGaat models like the Lush (which these should have been named) and carves a memorable niche through its luxurious, powerful presentation. This is an IEM designed to cure boredom and make listeners pay attention, firmly lodging itself in the mind as a standout option in its price range.

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Ziigaat’s Horizon goes for a flashy tribrid recipe—1×10 mm bio-dynamic for slam, 2×BA for mids, and dual planar treble up top—wrapped in pretty shells and “horizon” art. Street price hovers around $329, though bundle quirks can drop it to roughly $283. The cable is the familiar modular “big boy” plug system (3.5 mm/4.4 mm), chunky but perfectly usable, and the case/tips kit is typical Ziigaat: practical with a dash of theatrics.

Sonically, this one is bold and a bit unnatural—in a good way. Think W-shaped: bass, mids, and treble all step forward, almost competing for attention. The low end hits with big, big bass energy when the track calls for it yet doesn’t trample everything on softer material. Stage is not very wide—more focused and up-front—but there’s satisfying detail/decay and an aggressive, engaging center image. Expect excitement and texture over air and spread, and expect some fatigue after long sessions.

Call it an interesting outlier rather than a safe neutral. Price/performance feels fine (the sweet spot would be closer to $250), and it fits Ziigaat’s “many flavors, similar price” playbook. For listeners stacked with natural-tuned sets and craving a different, punchy, attention-grabbing presentation, Horizon delivers; for chill, long-haul listening, there are calmer choices.

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Crescent takes the Odyssey formula and lowers the presence and upper treble, revealing more bass texture and shifting the tonal center downward. The result is a more relaxed, warmer hybrid that softens BA edge while keeping articulation and clarity. Dual dynamic drivers are tuned for texture rather than speed, creating the intended vintage sound without heavy bass boost.

Male vocals benefit from the lower tilt, and classic rock and R&B pair well thanks to the smoother top end. The set sounds more analog and less sharp than Odyssey, yet upper treble remains present enough to avoid muffled mids. It is a tasteful counterpoint to the cleaner, brighter ZiiGaat signatures of the past.

The tradeoff is an intimate stage that sits lower in the head, with average macro dynamics and a bass line that lingers rather than snaps. Depth is respectable, and imaging is stable, but fast, energetic genres will expose the slower low end. For listeners seeking a smoother, lower centered presentation with textured bass, Crescent delivers the intended flavor.

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ZiiGaat Horizon is a $329 tribrid (1DD+2BA+2MPL) that prioritizes treble extension, clarity, and very sharp imaging. Compared with EPZ P50 and Daybreak, ear-gain is set lower, which yields less shout and more natural vocals while keeping an even transition from lower to upper treble. The result is a clean, transparent presentation that reads more refined than typical $300 hybrids and feels end-to-end coherent.

The trade-offs sit mostly in the low end and upper-treble edges: the stock mid-bass dip reduces body and impact, and sibilants can pop, especially around 8 kHz. Bass quality itself is quick and tidy with good depth rather than rumble, matching BA/MPL speed but leaning lean for bass-heavy genres. A light EQ lift of lower mids/mid-bass (about 2–3 dB) and a small 8 kHz trim (around 0.5–1 dB) makes it a more versatile daily driver while preserving its separation and sense of stage depth.

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Tuning first: Crescent comes across as a “baby Top Pro”—the frequency response mirrors the ZiiGaat Zens Top Pro with a subtle lift through the lower mids (~300–500 Hz) and a tucked mid-bass around ~200 Hz. That combo avoids bleed, adds engagement, and keeps things musical without bloat; think small +1 to +1.5 dB nudge for presence rather than warmth. Versus Odyssey, the Crescent’s mid presentation feels more engaging, and while Odyssey shows more energy out past the upper range, Crescent’s contour is the more tasteful take. Top Pro skips ESTs, so differences sit mostly above 10 kHz, but the overall character aligns closely.

Down low, the set carries a touch more 55–100 Hz bump than Top Pro, giving 808 rolls and classic hip-hop a clean, satisfying hit without turning bassy. Four- and five-string bass lines have proper pluck, release, and ring; kick drums (think Bonham on “When the Levee Breaks”) hit with weight yet don’t haze the mids. The result is bass that shows up when it’s in the mix and stays out of the way when it isn’t.

Vocals are the star: the gentle mid lift plus a sensible ear-gain angle puts voices forward in a natural way—no shout, nothing surpassing the ear-gain peak, and none of that late-treble “sand on glass” grain or fatigue. Pricing sweetens the story: with coupons around $230 (regular ~$280), Crescent reads as the best-tuned ZiiGaat to date; once discounts vanish, Odyssey at ~$230 re-enters on value. Net take: legit banger for a vocal-centric, cleanly extended hybrid that prioritizes smart tuning over flash.

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ZiiGaat Crescent arrives as a 2DD + 2BA hybrid with a noticeably nicer presentation: a flip-open box, a stylish faceplate (white “mountain” with a small crimson star), and a much-needed accessory refresh. The package includes a modular cable (with multiple plugs), a roomy new carry case, and several sets of ear tips. Shells are a touch on the wide side, but the longer nozzle helps the body sit past the outer ear; only extra-small ears might feel pressure around the concha.

Sonically it hits a lively U/V-shaped tuning: mids sit slightly behind yet remain natural, while the low end brings bouncy, fun impact that plays well with energetic tracks like “Mantra.” Up top, the treble comes off spicy—adding a crisp, edgy shimmer that teases out micro-nuance in vocals and instruments without tipping into harshness. Overall impression: a clean, exciting listen with no glaring red flags—engaging bass, clarified highs, and a midrange that stays intact despite the fun-forward tilt.

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ZiiGaat Crescent arrives well-kitted: a spacious zipper case, a soft modular cable with 3.5/4.4 terminations, and a solid tip selection (silicone + foam). The resin shell is comfortable and secure, the galaxy-style faceplate looks premium, and the metal nozzle with lip helps tips stay put. Fit is easygoing with no pressure build-up, making it suited for long listening sessions.

Tonally, Crescent presents a lively mild V-shape—punchy yet controlled bass, natural mids, and an airy upper treble. Sub- and mid-bass are balanced for texture and impact without bleed; vocals sit forward with good body and clarity; lower treble is detailed but not sharp, while the boosted top end adds openness without turning splashy (a deeper insertion can tame lower-treble energy further). Technical performance is strong for the price: resolution and separation are confidently above average with stable imaging—more detailed than Odyssey, though short of Luna and Kiwi Ears Astral in ultimate refinement.

Against peers, Crescent offers fuller mids and more mid-bass than Astral (which sounds cleaner and more resolving), more bass quality and air than Odyssey, but Luna remains smoother with more realistic treble. SoftEars Volume S is warmer with stronger vocal focus and less air; Letshuoer ZEN Pro caters to bass lovers with harder-hitting lows and tamer top end. Recommended for anyone wanting a fun all-rounder with forward vocals, quality bass, and airy sparkle; not ideal for strict neutral chasers, bassheads, or those sensitive to elevated upper treble. Final verdict: 4/5—a competitive, engaging set with clear standout strengths.

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ZiiGaat Horizon is a tribrid with one dynamic driver, two balanced armatures and two planars that combines a beautiful hand painted faceplate with a very balanced sonic presentation. Bass focuses on sub bass with an 8 to 9 dB shelf that feels tight, impactful and well controlled, giving a wide and comfortable stage without becoming overly warm. The shell in medical resin, the detachable silver plated cable with both 3.5 and 4.4 plugs and the firm orange carrying case round out a package that feels thoughtfully put together at its 329 USD price.

On the low end the sub bass reaches under the ears and around the neck with good depth, fast decay and clean retrieval, so kicks hit with satisfying punch while never smearing into the mids. Lower mids stay relatively flat to provide a balanced foundation, and vocals come across three dimensional, intimate and well focused with a strong sense of vertical soundstage and clear separation from instruments. Male voices sound full and weighty, female vocals are bright and natural, and midrange instruments are layered, tight and elastic with controlled decay that keeps the presentation lively without excess reverb.

Treble is airy and open with careful dips around 5 to 8 kHz to reduce sibilance, then a well judged peak in the upper treble that extends past 20 kHz, adding space and air without turning cymbals or high hats piercing. Across the band the separation between bass, mids and treble is excellent, imaging feels precise and stable and detail comes through in a granular yet natural way that compares favorably even to more expensive tribrids like the Dunu DK3001. For listeners who enjoy balanced, vocal centric music with clean, extended treble and long term comfort, Horizon offers a refined, beautiful and emotionally evocative listen that really does feel like a fresh dawn for the ears.

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The Horizon aims for a neutral-natural tonality with a slightly lean lower midrange, delivering standout vocal transparency and crisp separation. Bass is mostly sub-bass focused—felt and supportive rather than boomy—giving notes a pleasing sense of density without smearing the mids. The trade-off is an elevated upper-treble that adds air and detail but can tilt gritty/sandy if the fit or tips aren’t dialed in.

Build and accessories are a mixed bag: a surprisingly nice carrying case and swappable termination, but a fussy cable and a resin shell that fits deep and may need shorter, grippier tips to shine. Once seated well, the Horizon’s imaging and instrument separation pop, making complex mixes feel organized and engaging.

Versus pricier hype pieces with similar FR, the Horizon feels like a “short king” take: not as refined up top as the best of them, yet more weighty and satisfying than some leaner peers. Compared to something like Volume S at a similar price, this set is clearer and more incisive (better separation), while Volume S is fuller and smoother with punchier bass presence. At $330, it’s the most compelling entry in its family so far—addictive for transparency and staging, with the caveat of treble sensitivity and fit quirks.

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The ZiiGaat Horizon comes with a solid accessory package for its price, including a spacious hard case, a modular 3.5 and 4.4 cable that is soft and easy to manage, and a good selection of silicone and foam tips that seal well and feel comfortable. The resin shell with metal lip nozzle feels stable in the ear, with venting that avoids pressure build up or driver flex and an average size that sits securely even when walking around. The colorful faceplate with sparkles, flat two pin connector and overall ergonomics make the Horizon look and feel like a well built, everyday friendly in ear.

Sonically the tuning leans sub bass focused at a neutral level, delivering tight, clean, textured bass with natural decay and a strong sense of physicality that stays neatly separated from the mids so vocals and instruments remain clear. The midrange is mostly neutral and very clear sounding, with vocals sitting nicely forward without becoming shouty and a balanced note weight that gives male voices depth and female voices an open, airy quality. Separation and timbre in the mids are excellent, making instruments sound realistic and well layered while clear forward vocals remain free of harshness.

The lower treble on the Horizon is smooth, controlled and detailed without obvious peaks, while the boosted upper treble brings a crisp, airy, sparkly character with plenty of shimmer and micro detail on cymbals, hi hats and upper harmonics, though listeners sensitive to upper treble may find it a touch bright. Overall treble avoids sounding splashy or metallic and works with the open bass and midrange to give the set a spacious, airy feel. In terms of technical performance the Horizon is one of the more resolving options at this price, offering excellent detail retrieval, separation and imaging, and in comparisons it tends to trade the heavier bass and warmth of rivals like Crescent, Astral, Kir SPET, Volume S, Sivo 24 or Zens T Pro for cleaner mids, more upper treble air and clearer vocals, making it ideal for listeners who value clarity and vocal focus over sheer low end quantity.

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Ziigaat Horizon arrives as a striking tri-brid in the ~$300 bracket (1DD + 2BA + 2 planar) with a tuning that brushes close to Kiwi Ears Astral yet comes across a touch thinner and more balanced. The low end focuses on sub-bass rumble that’s tight, clean, and richly tactile, while mids keep timbre accurate and treble stays controlled—never shouty or fatiguing—yielding a fun-yet-almost-reference presentation. Build and comfort impress: ergonomic shells with that aqua-to-silver fade can be worn for 8-hour sessions, and the package includes Ziigaat’s new two-pin cable with interchangeable terminations (3.5/4.4), a roomy faux-leather case, silicone sets plus foams; tip rolling (e.g., ASMR tips) pairs well.

In games, ambient clutter drops away and crucial cues get spotlighted with confident imaging, separation, and convincing verticality. Footsteps in Valorant are clear and positional, though the lightest taps can blur a bit under nearby low-end rumble or heavy gunfire; Apex performance is exceptional, just a hair behind Astral/Mangird Tea Pro when ultimates stack; Call of Duty delivers satisfying impact with disciplined decay, though micro-cues can soften during chaos. Net-net, Horizon is a great all-rounder with clean, technical bass and a natural balance that works across titles. On the WallHack list it gets A– overall (A– in Apex, B+ in CoD, Valorant just shy of top marks), primarily nudged down by occasional masking of the lightest cues during intense mixes.