Ziigaat Doscinco VS Punch Audio Martilo

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Punch Audio Martilo steps in as a new-brand debut with a confident package: a hybrid array (planar + BAs + DDs), a metal nozzle, proper venting, and a recessed 2-pin socket set into a shell that sits securely thanks to an anti-tragus catch. The faceplate gives off AFUL Performer 7 vibes, the included cable is supple with clear R/L markings, and the textured carry case plus two tip sets round out a thoughtful accessory kit. Priced around $329—with occasional deep discounts during big Linsoul sales—build and accessories feel dialed in for the bracket.

Sonically, this is a bassy set that still behaves like an all-rounder. The bass shelf rises from roughly ~150 Hz, bringing weight and warmth without turning podcasts and vocals into mud; upper-mids are present yet controlled, minimizing shout, while mid-treble energy keeps things crisp. Female vocals avoid huskiness, note weight is satisfying, and the tuning strikes a balanced, fun profile that works across genres. On the graph it hugs a safe line, then sprinkles in extra low-end for flavor—bass-head friendly, but not a blunt instrument.

In A/Bs, it addresses the AFUL Explorer’s softness with more bass and mid presence, and compared to similarly priced Kiwi Ears Astral (the safer neutral pick), Martilo offers the spicier, more engaging option. Against “specialist” bass sets like Deuce or Quantum, Martilo feels cleaner in the mids, less abrupt in its slam, and more universally usable; versus warmer bass champs (e.g., Mega 5 Bass), it trades some warmth for clarity and refinement. This isn’t sterile “audiophile-neutral”—it’s audiophile-fun done with taste. Scoring reads like: bass (10/10), note weight (10/10), mids (9/10), with surprisingly solid highs, stage, and imaging for the money. Not flawless, but distinctive, well-tuned, and easy to recommend—especially for listeners who want real bass without sacrificing everyday versatility.

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Ziigaat Doscinco delivers some of the best bass under $400—deep, textured, and controlled—without the usual mid-bass bleed. The overall tonality is warm-leaning, smooth, and relaxing, yet remains well-balanced, with sub-bass that carries airy reverb and satisfying slam. Notes stay distinct instead of mushing together, so bass lines remain clearly separated even on dense tracks. It shines with hip-hop and rock for an immersive, head-bopping presentation, but also suits pop and EDM where the strong sub-bass and forgiving tonality let the volume scale without harshness.

The extra low end does thicken the tone—vocals are a touch husky and less open than cleaner sets—yet the tuning “knows” when to bring the impact and when to let songs breathe. Treble is smooth rather than airy, offering enough detail without pulling focus from the low end; soundstage sits average-to-intimate and can feel closer on bass-heavy material. Versus comparisons: it outmuscles Hype 2 in rumble, impact, and bass texture, while Hype 2 is cleaner and more resolving with more air; Hype 4 offers greater space and separation, but the Doscinco hits harder; sets like EA1000 and LM are more resolving up top, yet can’t match the Doscinco’s low-end richness. It isn’t a bass cannon like Fatfreq’s wildest tunings, but it squarely fills the bassy-warm niche without drowning the mix—an easy upgrade for listeners coming from QKZ HBB/Cadenza/Quartet-style bass sets who want higher quality and control.

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Ziigaat Doscinco comes across as the more tame of the two new Ziigaat sets, trading a bit of bite for a smoother stage. The tuning sits in that Hype 4–adjacent bracket, but separation and layering don’t feel quite as incisive as Hype 4. That gentler presentation pays off in long sessions, keeping the mix clean without over-hyping transients, and easily earns a spot on the Wall-Hack Certified list.

In game, the Doscinco’s reduced emphasis helps with horizontal footsteps in Valorant—picking movement through walls feels easier and less cluttered. For Apex Legends, the punchier Cincotres gets the nod thanks to its greater urgency on cues, while in Call of Duty it’s a toss-up; both deliver an exceptional experience. Overall placement sits around a solid B: versatile, competitive, and smooth enough to avoid fatigue, even if it doesn’t quite match the Hype 4’s top-end layering prowess.

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Punch Audio Martillo stands out as the rare basshead set that still reads as competitive. At $329 with a 2DD + 2BA + 1 planar array, it pushes more sub-bass and mid-bass than most, yet the low end is textured, tight, and notably fast in attack/decay. The result is bass that rumbles without smearing: mids remain intact, the treble stays airy and clean, and the stage presents with extra width, depth, and “air within the space.” Imaging feels precise, with strong depth perception and a lack of the bloat typical of warm tunings—distinctly different from anything else on the WallHack certified list.

In Valorant, Martillo scores around an A- (bordering B+): clear separation and layering, wide/deep staging, and crisp reads on lighter cues; only in heavy site pushes—multiple vandals plus abilities—does the extra low-end energy flirt with congestion. In Apex Legends, it sits at a strong B+: even with environmental rumble (thermites, storms, ults), the set preserves gunfire localization, slides, and verticality, handling third parties impressively well. Net: a uniquely exciting pick for those who want a visceral bass flavor that still performs at a high technical level for gaming—arguably the highest-ranking tuning of its type on the list.

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Ziigaat Doscinco hits the “fun” side of the lineup: a warm, V-shaped tuning with borderline bass-head output. Sub-bass rumble meets punchy mid-bass, delivering “best of both worlds” quantity with notably better bass texture than Arcadia. Lower mids carry a rich, warm body, while upper mids push vocals forward without shout—engaging, not harsh. As one of the five-driver “twins,” it’s the more musical, fuller option versus its leaner sibling.

The treble is sparkly in places—a touch of sheen on cymbals and harmonics—yet calmer than Estrea’s intensity, keeping fatigue in check for most listeners. Technicalities are strong for the price tier: solid resolution, lively dynamics, and staging that sits a notch above average with clean imaging. Note that the twin platform can exhibit driver flex on some ears; build is the familiar resin shell with confident execution.

Within Ziigaat’s range, Doscinco emerges as the go-to “fun” pick for broad genres—Arcadia-level slam with nicer texture and a bit more vocal presence. It was rated in the “This is brilliant” bracket and frequently recommended as a high-value buy, especially on sale. For listeners wanting bass quantity, sparkle, and all-day grin factor without tipping into treble glare, Doscinco is the sweet spot.

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Punch Audio Martilo hits the brief for bass-centric listeners. The tuning kicks up from ~200 Hz, driving a potent low end, then rides a flat porch through the mids with a gentle ear-gain that crests around 3 kHz before easing off. It mirrors the well-known Kiwi Ears collab curve but with a touch more upper-mids energy for cleaner, clearer vocals. At $279 with the card (and still competitive around $320), this set undercuts many rivals and, for libraries heavy on rock and hip-hop, feels purpose-built.

The hybrid stack—2DD + 2 BA (branded) with a planar on top—keeps the upper-mids sensible and lets the treble play from roughly 5 kHz+ without glare. Personal preference might lean to EST or a high-end BA super-tweeter, but here the planar’s implementation stays out of trouble by avoiding an overcooked 1–3/4 kHz shelf. Result: strong slam, stable mids, and treble that’s present yet subordinate to the preceding bands—focused on transparency rather than flash.

Beyond sound, the packaging and cable show real forethought—distinct from the usual cookie-cutter unboxings—and the overall execution reads like a brand finally dedicated to the low-end community. With more models in the pipeline (including a budget single DD and a planar+DD combo), Martilo arrives as a market shaker for bass lovers seeking muscle without muddying the mids. For the asking price, it’s an easy recommendation to audition—especially if the playlist is built on rhythm sections and big grooves.

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Boom — time for bass. Punch Audio’s Martilo is a tribrid (2×8 mm DD + 2 BA + 1 micro planar) coming in around $330. The package is stacked: sturdy square case, extra filters, multiple tip sets, and a genuinely excellent modular 3.5/4.4 cable that lays flat, has no microphonics, and a firm chin slider. The shells are ergonomic with venting, metal nozzles with a proper lip, and a small nozzle diameter (5.9/5.0 mm) that helps seal; comfort and passive isolation are both strong.

Sonically, this is unapologetically bass-focused without being bass-only. Expect massive sub-bass depth and a punchy mid-bass, yet the low end stays tight, controlled, textured and doesn’t bleed. Mids retain clarity with non-shouty presence, while treble is crisp, smooth, non-fatiguing with decent extension (not ultra-airy). For a bass-heavy set, technical performance is solid: detail is good, and imaging/separation keep busy tracks coherent and energetic.

Against Hisenior’s Mega5EST Bass Plus, Martilo hits harder, feels more engaging, and offers better vocal clarity — and it steamrolls on value at the lower price. Compared with Xenns Tea Pro, the Tea Pro is a bass-lover all-rounder that spotlights vocals/instruments more; Martilo goes full bass-head with bigger rumble and impact. Ideal for listeners who crave deep slam but still want clarity, comfort, and great accessories; not for neutral/reference chasers. Final verdict: 4/5 — it truly punches above its price.

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Martillo is a hybrid (dual DD, two BA, one planar) tuned as a sub-bass-boosted U-shape with roughly 14 dB lift and a hard mid-bass drop. The low end hits like a quick hitter—fast, clean, and free of boom—while the sharp cut through the mid-bass keeps the presentation uncluttered and lets vocals come through clearly.

Mids favor female vocals with notable clarity, but lower mids and male voices sound thinner due to the deep mid-bass dip; timbre skews a bit digital and body is reduced. Treble avoids harsh BA/planar timbre and is generally clean, yet not especially airy; smoothing and a touch more body would improve naturalness.

Stage is wide with some height, yet depth and dimension are flatter around the midrange gap. A small EQ lift of about 2-3 dB in mid-bass fills in body, improves transparency, and broadens genre flexibility. As tuned, Martillo suits pop and dance where sub-bass drive matters, while listeners seeking weighty mid-bass impact may want that EQ or a different flavor.

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The Punch Audio Martilo shows up screaming BASSHEAD on the box, but the tuning is smarter than that. A hybrid stack—2×8 mm DD + 2×BA + 1 planar—delivers bass that hits when the track calls for it, then gets out of the way. The surprise is the huge soundstage: airy, wide, borderline cinematic, so pianos, crowds, and live recordings feel expansive rather than claustrophobic. Low 9 Ω impedance and easy efficiency keep the power demands chill, though a low-impedance cable is recommended.

Tip rolling matters. With thin-wall silicone (e.g., Dunu S&S) the stage opens up and balance feels right; foams and some wide-bore options can push treble into a slightly sharp zone on certain tracks. Tonality reads clean and natural—warm-adjacent without a blanket—so everyday music stays unbloated, while proper sub-bass test tracks pressurize with that “firm hand on the chest,” not a sledgehammer.

Build is solid: thick, comfy modular cable with swappable plugs, flashy red shells, and a comically oversized box for a modest accessory set (silicone + foams). Street price around $330 lands in the sweet spot—easily justifying $375 by ear. Think “poor man’s Mega 5 EST Bass Plus”: similarly satisfying slam and stage, with the pricier set showing a touch more upper-mid/treble refinement. Not just for bassheads—more like a full-range thrill ride that lets music breathe and hit when it should.